Of Pigs and Pianos is an Enchanting Evening at The Jungle Theater

Of Pigs and Pianos is an evening I will cherish and carry in my soul. It’s not often you can say you were in the room with true genius, but that was surely the case last night as I sat in the Jungle’s intimate little theater and listened to Sara Davis Buechner share her story and her talent. What resounds most throughout the evening is her love of music. We often hear people say they love this or they love that. Here’s an instance where you actually watch someone embody their love for something. When she talks about her love of music and then sits and plays a piece from Mozart, Chopin, or her own composition, she isn’t playing music, she’s playing her love, and it is beautiful. I came to this production primarily because Ms. Buechner is transgender. As regular readers know, my youngest son is transgender and so these stories always hold an extra draw for me. Seeing the stories of transgender artists shared is important, it speaks to and can be an inspiration for those who share that journey and it creates empathy and understanding in a world that seems increasingly hostile to the diversity that should be enriching our lives.

Sara Davis Buechner opens by telling us about the piano teacher who asked her at a very young age what she wanted to be when she grew up. Her reply was a piano player, and a pig farmer. She spends the all too brief evening sketching out her life, from a young boy who wants a blue dress and yellow hat like Madeline, to award winning concert pianist. As with most on the transgender journey, Buechner’s story is not all piano concerts and happily ever afters, she bravely shares the unhappy alongside the happy as they were frequently coinciding. This helps the audience to get some understanding of the dysphoria that can be so much a part of someone trying to understand their place in the world and to find themselves. What resonates most keenly is the moment when she becomes herself, the moment she looks up into the sky and becomes Sara. After that moment, though she begins to see all she has achieved slip away, she’s OK with it, because at last she is herself. I’ve seen the release that understanding can bring, the weight that can be lifted, the joy that can be found from figuring out who you are and being able to live as that person. Buechner communicates that moment and how that feels so eloquently and clearly.

I came for the trans but was enraptured by the music. I enjoy classical music. My first exposure that left an impression was Disney’s Fantasia in the theater when I was five. I don’t come into regular contact with it aside from covering the occasional Opera, so I was confident I would enjoy the musical portion as well as the personal story aspects of the production. I underestimated the effect the musical interludes would have upon me. It’s one thing to attend an orchestra concert and enjoy the piano solo; it’s nice, how lovely, what talent. And then, there is sitting with maybe 100 other people and watching Buechner play. It’s like a completely different art. I read in the press release that the performance was an hour with no intermission. Thankfully, that isn’t accurate, it was closer to an hour and a half, and too brief at that. I could listen to Buechner tell her story for hours. Shockingly, I think I could sit and listen and watch her play for days. I don’t think I’ve been transported by classical music this much since seeing Stravinsky’s “The Rite of Spring” brought to visual life by the wonderful Disney animation artists in 1977.

Is this for everyone? Probably. I can’t imagine anyone not benefiting from seeing this show. Sara Davis Buechner is brilliant pianist and a remarkable role model for the LGBTQ+ community, do not miss this opportunity to see a musician of this calibre in person. But, do heed the content warning on the Jungle theaters website which states “CONTENT WARNING: OF PIGS AND PIANOS contains strong adult content and language. Recommended for audiences 16 and older.” I would agree with that age recommendation. The Jungle Theater has a wonderful program called “Pay as you are.” The suggested ticket price is $45 dollars, if you cannot afford that, you can pay what you can. If you can afford to pay a little more, that allows them to continue this program making amazing performances like this accessible to everyone. When you go, I recommend getting seats house left if possible, I was house right and many of the projections were obstructed by the Piano lid. Now, if only house right seats are still available take em, its the Jungle Theater, there isn’t really a bad seat in the house. For more information and to purchase tickets go to https://www.jungletheater.org/of-pigs-and-pianos

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PREVIEW: The Twin Cities Horror Festival Season XI is Coming October 20th Through the 30th

It must be Monster Month because the Twin Cities Horror Festival starts up next week, and I for one cannot wait!!! For the uninitiated, the TCHF is a Festival which uses the Fringe Festival model but on a smaller scale. For example, instead of multiple venues every performance takes place at The Crane Theatre in NE Minneapolis. As an added bonus, it’s actually possible to see every production unlike Fringe, so you don’t have to pick and choose. This year for their 11th season there are 11 different productions each scheduled for multiple performances over the 11 days of the Festival. I don’t know about you, but I’m noticing a pattern there. On each given evening or day of the Festival there is a new performance every 90 minutes. Each of these little staged horror themed plays runs a little under an hour, then they have about 30 minutes for the show that just performed to clear the stage and the next production to set up. This will be my third year covering the festival and believe me, some of the shows are fairly sparse when it comes to sets and design, but others are surprisingly elaborate given the restrictions.

People ask me are the plays really scary? Well, there is usually one or two of the shows that will give you that fear rush or make you scream. The others vary from creepy to humorous but all have some sort of connection to horror. In general, I’ve had very few if any, that I didn’t think were worth my time. It’s almost always enjoyable in some way. If you are looking for scary or the not as scary ones you can go on the festival website, click on the lineup, and then the learn more button under each production. From there besides a description of the show and the dates and times of its performances, you’ll see a rating system. This will help you determine which shows are right for you, your children, and grandmothers. But the 11 various productions are not all the Festival has to offer there are also things to do in the lobby between performances. There is Tarot Readings by Nissa Nordland Morgan as well as some yet to be announced activities by Amber Bjork and Lauren Anderson (YES!!!). Visit the website for times, options, and details and to reserve your Tarot reading time. There is also some wonderful merchandise on sale, previous years have had everything from T-shirts and hoodies to bars of soap.

I have had a great time covering this festival in the past and look forward to it every year. If you enjoy spookables and bumpities as much as I do, I hope you’ll join me for a few or 11 of these unique and creative productions. I think it’s safe to take a chance on any of these shows so I’m posting my schedule here so you can join me, if you do please be sure to say hi. If you like to play it safe though I’ll be posting brief reviews of each production within a day of seeing it so watch this site for day to day reviews.

The Stages of MN TCHF Schedule:

Thursday 10/20
6:00 PM: Edgar Perry
7:30 PM: Stabby Stab stab
9:00 PM: The Shrieking Harpies
10:30 PM: Gillman Genesis

Friday 10/21
6:00 PM: Spooky & Gay Cabaret
7:30 PM: Writer’s Room

Sunday 10/23
1:30 PM: Victor Invictus
3:00 PM: Bad Egg
4:30 PM: All Your White Darlings

Thursday 10/27
9:00 PM Ted’s Talk

Saturday 10/29
1:30 PM Dead Mountain

Now to make your own schedule and to purchase tickets, each performance is $15 but you can also purchase a 5 punch pass for $70 (it looks like on the website that the $120 all access Skeleton Key passes are sold out) go to https://www.tchorrorfestival.com/

And remember, it’s only a play…right?

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