
The Pavilion isn’t a feel good play, but brings a certain melancholy pleasure to those of us given to looking back at what might have been. And really, isn’t that all of us at sometime or another? I don’t know what a younger audience makes of this play, I imagine they find their own hook into it, perhaps as a cautionary tale. But for many who are 15 to 20 years out of high school, like the characters in the play, and those of us with even more years distance, I think it will feel very personal. It’s a play that deals with the themes of time, regret, longing, love and life. Taking place at the 20th high school reunion in Pine City Minnesota, two high school sweethearts grapple with the pain of the past, the reality of the present, and the longings for the future. Who of us hasn’t thought back to those special someones in our past who got away or were left behind. The ones that hindsight with, its 20/20 vision seem like the ones that would have led to a life of happiness and fulfillment? There is a longing at the center of this play that resonates with all who have loved. At times philosophical and others comical, it’s the night that doesn’t go as planned but also the kind of night you wish would never end.
Written by Craig Wright it features the characters of Peter and Kari who were together in high school, when she became pregnant, Peter left for college and never looked back. Now it’s 20 years later and Peter has come back hoping to reconnect with Kari. Kari, wants nothing to do with him at first but as the night goes on, they continue to interact. Like old friends who haven’t seen each other in a while, awkward at first but after a few hours they discover the bond that drew them together in the first place. The play utilizes a narrator who opens describing how from the first moments of the worlds creation we came to this moment in Peter’s life. The narrator then goes on to play every character at the reunion which allows Peter and Kari to discuss their feelings and get advice, allowing the details of their past to be shared with the audience. It’s a brilliant device that allows for infinite characters while keeping the cast small and the real focus on the one-time lovers.
The role of Peter is played by Chris Paulson, whom I first saw in Bright Star at Lyric Arts and has been been doing impressive work in everything I’ve seen him in. Here his slightly sorrowful eyes reflect the longing and hopefulness he’s looking for in seeing Kari again. His boyish face also plays well into the idea that he hasn’t really found himself yet and in some ways is still a lost young man even at 37. The play also gives him a scene to show off his singing. Audrey Johnson as Kari brings an emotional openness to the role allowing the audience to feel her anger and hurt when confronted by Peter. In the second Act, after having vented some of the built up fury she begins to soften, Johnson handles this transition beautifully finding this natural warmth that has been dormant in Kari. She shows us in her eyes that while she didn’t come hoping to see or get back with Peter, that the thought is not a completely foreign one. In the second Act we get a sense of what they felt for each other; so well, you feel the ache of what could have been. The role of narrator and every other character is fabulously performed by Michael Terrell Brown. From his opening monologue which is beautifully conveyed to his complete vocal transformations from one reunion guest to another, he is at once the comic relief and the lyrical and poignant commentator on the unfolding events. The final performer is Steven Ramirez who provides a nice musical accompaniment to the play and has a few small non verbal interactions with the cast.
The play is directed by Jake Sung-Guk Sullivan who clearly has an affinity for shows in which actors portray multiple roles. He played that part himself as one of the two clowns in The 39 Steps at Lyric Arts and as Writer and Director of The Invisible Man at this years Minnesota Fringe Festival. Here he shows his clear understanding of how to utilize the technique effectively. He has a skill for creating moments of connection that bath the later scenes between Peter and Kari with yearning. When Peter gets on stage to sing a song it starts out haltingly, but in a moment and for the majority of the song it feels like this moment just clicks. It represents that high Peter is having in performing the song, that Kari is feeling hearing it, a perfect moment that melds memory with the present. And then as it ends the lighting changes again and the uncertainty of the present day reasserts itself. Which brings up the work of Lighting Designer Andrew Norfolk, which is used throughout to evoke the emotional shifts, create changes in setting and even represent a shooting star. The set designed by Justin Hooper is a wonderful with its creation of part of The Pavilion of the title and the wooden pathways near the lake.
I found The Pavilion to be a nostalgic trip that I am very glad I took and encourage you to go on the journey as well. The Pavilion runs through October 29th at Lyric Arts in Anoka, for more information and to purchase tickets go to https://www.lyricarts.org/pavilion.
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