Suor Angelica an Immersive Opera at The Basilica of Saint Mary by Out of the Box Opera

Photo by Dan Norman

Out of the Box Opera’s immersive production of Giacomo Puccini’s Suor Angelica is being performed in The Basilica of Saint Mary in Downtown Minneapolis. It’s a unique experience to be sure and for fans of Opera I’m sure it will be a special treat. Faithful readers will know that I’m not afraid to dip my toes into Opera from time to time, but am also willing to admit that it is not a natural attraction for me. I find my best experiences have been Opera’s that fall to one extreme or the other, either simply performed in English in nontraditional spaces or a full on MN Opera experience with gigantic sets and costumes. This production uses three locations in the Basilica labeled the Cloister, The Chapel, and the Nave. Each location occupies about 15 to 20 minutes of time, after which we are ushered to another location. The first and last were spacious and well thought out. The middle was cramped, too warm, and some audience member couldn’t get into the room, with close to half having to stand throughout. Nothing like standing in too warm a room listening to people sing in a language you don’t know to test your opera loving credentials. You are given a bookmark with QR codes on it for each location. When scanned you can read a synopsis of what is happening in that scene. That’s something, but if I’m honest I need more, I need the text transcription projected.

This is not a show for people curious about opera or like me trying to get a feel for it. This is a show for dyed in the wool opera lovers, they will no doubt get so much more out of it than I ever could. There were aspects I admired such as the wonderful music conducted by Stephen Hargreaves. The amazing vocalizations particularly of the lead Alexandra Loutsian, when she signs in the final location which is in the cathedral of the Basilica the acoustics are something otherworldly. The beauty and the ornate carvings and stained glass windows of the cathedral were a joy to behold especially while accompanied by Puccini’s music. So those are the positive takeaways. The negatives are based on who you are. It’s like a guitar solo, if it’s really elaborate, a one minute guitar solo can just about hold my interest, but I don’t play guitar and I don’t go to concerts to just listen to the guitar, so anything beyond that is testing my patience. A guitar player will sit and watch a great 30 minute guitar solo and think it ended too soon. It’s the same with this, if it’s your jam, you’ll like it, but it isn’t the crossover hit you need to create new opera audiences. You know if this is for you or not, if you are unsure, I’d reccomend waiting for a production that at least gives you subtitles so you can follow along moment to moment.

Suor Angelica has a short run ending this weekend for more information and to purchase tickets go to https://www.outoftheboxopera.org/

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Protest, A Revolutionary Rock Opus, Something to Watch For

So I wouldn’t ordinarily take the time to write up a post for a show that you faithful readers cannot see, but Protest, A Revolutionary Rock Opus is kind of a unique beast. Also, it was so damned good that I wanted to do a little more than a facebook post about the fact that I enjoyed it. Performed in concert last weekend at Chanhassen Dinner Theatres (CDT) Protest, A Revolutionary Rock Opus is a tribute to women activists throughout the 20th and into the 21st century. The program consisted of 16 new songs by fourteen composers and lyricists as well as six existing protest songs. What was astonishing about the songs is if you were not familiar with the existing songs and if the performers didn’t tip you by way of introductions, you’d be hard pressed to tell the difference. The new songs run a wide range some sounding as if they were created in the late 60’s early 70’s while others feeling very modern, the unifying aspect of all being the quality of the compositions.

I had listened to a download of the concept album once around the time of it’s release last fall. But I listen to music only in the car so it was broken up over several car rides while driving. I remember enjoying it all, but not really getting the opportunity to wrap my head around it entirely. Now sitting in CDT’s intimate Fireside Theatre almost close enough to touch the performers, I was completely caught up in the songs and their messages. There is a plan in the works for a performance at The Parkway Theater in September, and one can only hope that the musicians and performers remain the same. The singers, several of whom also played instruments and wrote or co-wrote some of the songs, were Janely Rodriguez, Ashley DuBose, Linnea Mohn, Barbara Cohen, and Kymani Kahlil. Each performer was given their moments to shine and then provided backup and support for the others. Whether pastiches of songs from bygone times or hip hop influenced cries for change the entire evenings worth of songs share a unity not only of theme but in the emotional response of the audience. The songs touch a place within our cores that decry the inequities and human tragedies that are the subject matters of the compositions. The performers voices full with meaning and soul carry these messages beyond our minds and into our hearts.

I could write a paragraph on each song but I want and hope you will get the opportunity to experience them for yourself. So I will content myself to comment briefly on one song “How Can We Win” written by Timothy Levy which explicitly illustrates the impact of the entire program. The song is inspired by the viral Youtube speech that Kimberly Jones recorded while standing in front of a burnt-down Minneapolis bank in the wake of the communities response to the murder of George Floyd. Everyone who lives in or near Minneapolis will forever remember that day and the days that followed. As a white man I cannot ever fully comprehend what that moment felt like for the black community, but the song reminded me of my emotions at the time. I spent much of that time at Children’s Minnesota in the Abbott Northwestern Hospital with my son, not far from the riots. The hospital was surrounded by the National Guard, it was a surreal moment. I was angry and outraged at the police. I felt helpless in the shadow of the overwhelming immensity of institutional racism. I was frightened for the safety of myself and my family. I was disheartened by the destruction I was seeing, but I also understood it. The song addresses all of those aspects of an event that clarified the disparity that has always existed in our country. It brought back all of those feelings and it brought back some of the tears as well.

I don’t know what the future holds in store for Protest, A Revolutionary Rock Opus but I assure you, I’ll be covering whatever it does. Whether you are socially conscious minded or not, you’ll be impressed by the songs and performances. Watch for a heads up for upcoming performances and developments and listen to the album containing all 16 tracks created for this work at the following link https://www.buffalogalproductions.com/protest

Tired of missing reviews from The Stages of MN? Do you find yourself left out when all your friends are talking about that great new play that you didn’t even know about? Never fear that never has to happen again. Now you too can subscribe and have every post from The Stages of MN sent directly to your email box. No more hoping the algorithm works in your favor and you actually see a post on facebook or Instagram. No relying on so-called friends to tip you to the best shows in town. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn. You can also read some of my reviews syndicated on the MN Playlist website https://minnesotaplaylist.com/ from time to time.

But that’s not all! Think I may have steered you wrong on a show? Well, I am also a member of the Twin Cities Theater Bloggers (TCTB), where you can read roundups of shows by m’colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers. We also produce the podcast Twin Cities Theater Chat!! which you can access through this link or wherever you enjoy podcasts https://twincitiestheaterchat.buzzsprout.com/ . Now you too can be in the know about all the fabulous theater happening in and around the Twin Cities.