
Running through July 28th at Sociable Cider Werks is The Gray Mallard Theater Co.’s Shakespeare at the pub production of Romeo and Juliet. It’s free to all, best to bring your own chairs but if you get there early enough they have some provided. There is a food truck onsite and a wide range of beverages both with and without alcohol. I came to the show for two reasons, Shakespeare and Em Rosenberg, who is playing Romeo, in the production. Faithful readers will remember that Rosenberg has been on my ones to watch list for sometime now. Listeners to Twin Cities Theater Chat may remember hearing me interview them for one of our episodes around the Guthrie’s History plays in which they played multiple roles in each of the three plays. Once again Rosenberg doesn’t disappoint, headlining a very well paced production directed by Gray Mallard Artistic Director Amanda Fuller. It’s a little like a less controlled version of a Ten Thousand Things performance very bare bones in terms of costumes, props, and set, just what is needed to tell the story. It’s rough around the edges but also extremely fluid, giving it a dangerous and lively energy that works really well in this nontraditional performance space. The focus is on the performances and the language
The truest sign of a good Shakespearean actor is how well a modern audience can understand the language. A great performer will be able to communicate the text to the audience, whether we know the words or not, they will make the meaning clear. There is a lot of use of hand gestures and physical work being done to communicate the meaning of the lines and frequently bring added humor, some of it delightfully risque. There are a lot of wonderful performances starting of course with Em Rosenberg’s Romeo. I think this was my fifth Shakespeare play with Rosenberg in the cast but certainly the largest single role. They are as natural a communicator of Shakespeare’s work as I’ve ever seen, whether wooing Juliet, joking around with his friends, or shouting at the stars their performance is always captivating and precise. Caiti Fallon and Kamani Graham start the show off on the perfect note. Letting the audience know from their movements, costume, and tone of their line readings that while certainly this is a tragedy, we are still going to have some fun with this production. Alessandra Bongiardina as Juliet is a nice fit with Rosenberg’s Romeo, they have a chemistry that helps a modern audience accept some of their choices as natural responses given their connection and maturity. Davis Brinker as Benvolio comes across as one of the guys but the one with the cooler head on his shoulders, while Zach Lerner’s Tybalt and Cooper Lajeunesse’s Mercutio are entertainingly hot headed. I really enjoyed Tony Larkin and Cathleen Fuller as the lovers co conspirators Friar Laurence and the Nurse, being the two adult characters that seemed to have more than a little common sense when trying to temper Romeo and Juliet’s impulses.
A very enjoyable production of Romeo and Juliet, a fun way to spend a summer evening out of doors and you can’t beat the ticket prices. For more information about the show which runs through July 28th or to make a donation to The Gray Mallard Theater Co. go to https://bit.ly/TheGrayMallardTheaterCo
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