Rope, a Fantastic Suspense Thriller at Gremlin Theatre Featuring some Terrific Performances!

Gremlin Theatre has a crackling thriller titled Rope running through August 4th. If this title rings a bell you may be thinking of the Alfred Hitchcock film which was based on this play by Patrick Hamilton. I am more than familiar with the film as Hitchcock is one of my top 10 film directors. Many of you may be saying to yourself, “I’m not sure I can name 10 directors”. In your circles that may be strange, but believe me for cineastes it’s difficult to narrow down to just 10. The film was one of Hitch’s experiments with form, he made the film with the appearance of one unbroken take. Of course in 1948, when the film was made, that was impossible as the camera could only hold 10 minutes worth of film in each cartridge. So he had to devise a way to make the cuts invisible, such as a close up on someone’s back for example. It was also Hitch’s first film to be shot in color and his first of four with James Stewart. It’s considered lesser Hitchcock by many, which means it’s better than most films, so if you enjoy the play I highly recommend it to you. There are enough changes to the script to keep even those who know the film by heart engaged. If you’ve never seen the film, the play will be a special treat. If you have there’s plenty here to recommend it, particularly two knockout performances, and very effective direction by Peter Christian Hansen.

But first an idea of what to expect. The play opens in darkness there is a faint light given off by a fireplace and we have the general lay of the land from seeing the set before the lights go down. Two characters just prior to the start of the play have murdered a man and stuffed the corpse in a trunk that sits center stage. They are Brandon and Granillo, in order to calm Granillo down, Brandon recounts what they have done and why, as well as what they have planned for the rest of the evening. The corpse’s father has been invited, along with his Aunt, for dinner and to look over some books that Brandon recently inherited. They have also invited a young woman whom they are friends with, as well as a young man, and lastly their old teacher Rupert. They have done all of this just to say they could, they kill their young friend to see what it felt like and because they feel superior to him. They invite his father and the others for the sick thrill it gives them. Rupert, they almost asked to join them in the killing based on conversations they had with him about murder and morals, but didn’t because they didn’t think he had the nerve to follow through with it. Their arrogance might be their undoing though that or the fact that Granillo isn’t quite the sociopath that Brandon is and starts to crack a little under the pressure. Only Rupert seems to be observant enough to start picking up clues, will he figure it out before it’s too late and if he does, will he join them or turn them in?

It’s a very strong cast, every role including the Servant Sabot, who is played by Matthew Saxe, has few lines and exits the play well before intermission is well cast. There are two that really stand out, the first is Coleson Eldredge as Brandon. He has the charm and charisma that are key to understanding how this character with such a lack of morality can be the popular host. When he goes toe to toe with Rupert in the final scene it’s believable that he may convince Rupert to join them. Secondly, but honestly firstly, is Jeffrey Nolan, who is the Gene Wilder or Peter Sellers of the Twin Cities stages, he plays Rupert in a turn so different from what James Stewart did with the role as to seemingly be from a different planet. It’s such a bold swing for the fences, that in the first minute or so I wondered if it was too out there, but it works, it really really works. This is the seventh performance I’ve seen Nolan give, plus I briefly chatted with him at Fringe last year, and I’ve never seen the same person twice. I know acting is becoming other people, but most actors find things within themselves to bring to a part. Nolan seems to create a distinct personality for every role and if he’s using any portion of himself between roles I’ve yet to see it. I don’t know if I was certain if he could “not” be funny, but there are moments when he is debating with Brandon at the end of the play that prove he can do anything. Maybe he can’t sing? I don’t know, but I’m curious to find out. Here’s the thing, It’s worth seeing this play just for Nolan’s performance. The great news is, even if he wasn’t in it, it’s still worth seeing.

Rope runs through August 4th at Gremlin Theatre for more information and to purchase tickets go to https://gremlintheatre.org/rope/

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