The Nacirema Society is a play about differences, differences between generations and class, between the educated and undereducated, and between those who serve and those who are served. But above all of those it is a comedy that is meant to entertain us, which it does in no uncertain terms. Featuring a wonderfully detailed set design by Takeshi Kata and gorgeous costumes designed by Trevor Bowen, which you can get some sense of in the photo above. But as wonderful as the show is visually and technically, it’s the performances of this marvelous cast that I relished the most. The cast is stacked with powerhouses that get to play light comedy, showing us how great actors bring strong characterizations to every role. This is a play that would work wonderfully with very broad characterizations, but it becomes so much better when you have actors of this calibre who bring fully dimensional characters to bear upon the material.

The Nacirema Society is a social tradition of the affluent and wealthy black families in Montgomery Alabama. It’s 1964 and they are celebrating their 100th anniversary, and the matriarch’s of the Dunbar and Green families are organizing the event which will feature their Grandchildren Gracie and Bobby, whom they hope will marry. Gracie and Bobby don’t love each other but think of each other almost as siblings. Bobby is in love with someone else, but his Grandmother Catherine threatens to cut him off, if he doesn’t do as she wishes. Gracie’s grandmother Grace, expects her to go to the college that women in their family have always gone to, but she wants to go to New York to become a writer. I think from that description you probably think you know what kind of play this is and where things will go. Well, you’re probably wrong. Did I mention the Blackmail scheme, the girl who thinks she’s been thrown over for her rich rival, the long hushed up family secret, and the reporter from the New York Times who is staying in the Dunbar’s house to do a story on the Nacirema Society. The matriarchs try to keep up appearances and keep the skeletons in the closet, while the young people try and follow their hearts. It begins very straightforwardly and then the situation becomes more and more loaded, each scene adds another complication, another ball to try and keep in the air.

Greta Oglesby plays Grace Dunbar as refined and completely unflappable, she never loses her composure, especially when she pretends she has. It’s a skillful and beautifully controlled performance, she appears to be completely devoted to tradition and propriety, but she is also a realist and when she’s most despised by a character who has every right to despise her, she shows that she values more than just her good family name, she wants things a certain way but accepts that the world is changing and she will bend with it. Regina Marie Williams plays Catherine Green, it was such a change from the usually powerful and commanding characters she usually plays. It’s so fun to see her play the one one who gets flustered and faints. Aimee K. Bryant plays Alpha Campbell Jackson, the daughter of the Dunbar’s former maid and mother of Lillie, who is the girl Bobby loves. Bryant is terrific in the role and gets a particularly memorable moment when she gets to tell Grace what she thinks of her and her whole family. The entire cast is great but those three are the the engine behind the whole show and they couldn’t be stronger. What’s so wonderful about this show are is that all the roles are filled with great performers, many favorites including Joy Dolo, Nubia Monks, and Darrick Mosley just to name a few.

The Nacirema Society runs through May 25th at the Guthrie Theater in Minneapolis. For more information and to purchase tickets go to https://www.guthrietheater.org/shows-and-tickets/2024-2025-season/the-nacirema-society/

Now more than ever in the wake of the most recent election and the hailstorm of stupidity and hate it has unleashed, theater companies need you and we need them. Buy tickets to shows, go out and support work that reflects diversity and inclusiveness. Donate to your favorite theater companies, don’t wait until they are on the brink of shutting down. We all need to stand up and fight for our theaters whose funding is under attack for promoting inclusion, equality and diversity. In short, theaters are being threatened for sharing stories that reflect our countries cultural and racial diversity.

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