Anyone Can Whistle: In concert Brings an Oddball and Rare Stephen Sondheim Show to Audiences Courtesy of Minneapolis Musical Theatre

Anyone Can Whistle is a rarely produced musical featuring music and lyrics by Stephen Sondheim. Debuting on Broadway on April 4, 1964, the show ran for twelve previews and nine performances before closing. Unlike much of Sondheim’s works Anyone Can Whistle is rarely performed. It’s easy to see why. And no, that doesn’t mean I didn’t like it, I actually quite enjoyed this goofy little oddity. But goofy little oddities that strike that perfect cord that transfers into the kind of success that can sustain a Broadway run are few and far between. This clearly wasn’t and probably still isn’t that kind of show. But honestly, I think it’s weird enough with some great music to warrant a fully staged production by someone like say, oh I don’t know, Minneapolis Musical Theatre. I’m grateful that they have given us the opportunity to see the show in concert, though I should tell you this is more than just actors singing their songs, they are playing the characters and there is some blocking and visual storytelling going on. You get the full production here, don’t worry that you will just see singers singing through the songs, as the “In Concert” suggests.

The story centers around an economically depressed town run by Mayoress Cora Hoover Hooper and her stable of corrupt officials who fake a miracle in order to attract tourists. The plan works until Nurse Fay Apple brings her patients, known as Cookies from the local mental asylum which is referred to as The Cookie Jar, to see if the miracle will cure them. Things get kinda weird after that. Dr J. Bowden Hapgood comes to town and Nurse Apple who is in hiding, disguises herself as a French nurse with a bright red wig, a romance ensues. There’s also a weird suggested sexual relationship between the Mayoress and the City Comptroller, which may or may not be transactional. There are several stand out performances including both Hope Quinn as Fay Apple, and William Lucas as Dr. Hapgood. But I also enjoyed Benjamin Kruse as Comptroller Schub and Mary Palazzolo as Mayoress Hooper along with several members of the ensemble. Directed by Max Wojtanowicz with music Direction by Walter Tambor, they get a lot of bang out of a four person band.

This shaggy dog of the Sondheim oeuvre deserves to be seen, the closest thing I can compare it to plot wise is Urinetown. It’s fun, and does contain some pretty fantastic songs. But don’t wait too long it’s short run ends this weekend September 14th. For more information and to purchase tickets go to https://www.aboutmmt.org/

Don’t depend on a Facebook or Instagram algorithms to ensure you hear about a great show. You can subscribe and have every post from The Stages of MN sent directly to your email box. It’s the best way to ensure you don’t miss out on any of the theater action. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn.