Sweet Clone of Mine is Something to Buzz About at the Hive

I feel, in a way, like I’m experiencing déjà vu. I keep running into Neil Diamond. First it was A Beautiful Noise, the touring production of the Broadway show about the man in the sparkly blouses. Then Song Sung Blue, the film about a tribute band that I watched in the run-up to the Oscars. And now Sweet Clone of Mine (ba ba ba!), a sci-fi cautionary tale about the dangers of AI, all within the span of six months.

Not that I’m complaining. I love Neil Diamond. I grew up in a household where Mr. Sparkles was on heavy rotation on the turntable in the living room. From a young age, I was immersed in his music, and I liked it. I still do. So for me, these shows are a chance to revisit one of the soundtracks of my childhood. Diamond wrote so many great songs, not just for himself but for other performers as well.

Sweet Clone of Mine opens with Neil Diamond performing his final set of the evening at The Bitter End, a venue he frequently played early in his career. We’re treated to four or five songs, all stunningly performed in the Hive’s intimate space. Then Neil heads to his dressing room, where he’s held at gunpoint by a woman named Leslie, who has something important to tell him. Throughout their time together, we get snippets of a few more songs, and Leslie performs “Forever in Blue Jeans.” The show closes with Neil returning to the stage for two final numbers.

What’s just OK about the show? The plot in the middle. It’s interesting, but the musical performances are so strong that you can’t help wishing they’d stop talking and get back to the music. That said, the final threads of the storyline, which lead into the closing performance, make it worthwhile. The narrative and the song dovetail nicely, lending an emotional resonance that was rather unexpected. The show is apparently based on an episode of the podcast Space Croutons, which like this show is created and written by Jeff, Della, Jerry, and John Goodson, which I intend to check out.

So what’s superb? The music, the performances, and the quality of the audio at The Hive Collaborative. Jeff Goodson plays Neil, and from certain angles, he could pass for Diamond today. He doesn’t sound exactly like him, but he sounds great, and that’s just the beginning. The rest of the performers are equally impressive. Janessa Iverson (bass, piano, vocals) nails everything she touches. Kyle Simons Baker shines on lead guitar, with Goodson accompanying on guitar as well. And Abbi Fern, as Leslie, comes into moving focus in the home stretch.

The only thing that truly sucks about this show is that it’s too short. At about 80 minutes with no intermission, there’s easily room for three or four more songs as an encore and still plenty of breathing room in the runtime.

What’s the most tragic thing about this production? Its run is way, way, way too short. I’m booked elsewhere for the remaining performances, which only run through March 22, 2026, or I’d absolutely be back for more of this live music. This group should be booked at Chanhassen Dinner Theatres for their Fireside Concert series. I would gladly pay top dollar for an evening of these musicians performing as many Neil Diamond songs as they can cram in.

If you have any affinity for Neil Diamond’s music, you’ll want to catch this, but act quickly. Sweet Clone of Mine runs through March 22 at The Hive Collaborative in St. Paul. For more information and tickets, visit their website https://www.thehivecollaborativemn.com/events/sweet-clone-of-mine-a-neil-diamond-experiment

Don’t rely on Facebook or Instagram algorithms to keep you in the loop about great shows. Subscribe and have every post from The Stages of MN delivered straight to your inbox. It’s the best way to make sure you never miss out on the theater action. To subscribe on a computer, enter your email address on the home page (right-hand side) and click subscribe. On mobile, scroll to the bottom of the page to find the same option. You can also follow me on Facebook @thestagesofmn and on Instagram thestagesofmn.