Welcome faithful readers to the first proper play review of 2024. As part of my 2024 New Year’s resolutions I am going to try and streamline my reviews. Hopefully allowing me a better blog/life balance and a more digestible read for yourselves. This will be an ongoing process and I welcome your reactions either in comments or feel free to email me at robdunkelberger@thestagesofmn.com.
Theatre in the Round Players has begun the new year tackling a classic with a new adaptation of Anton Chekov’s The Seagull. Having come to seriously intense theatergoing rather late in life, I always appreciate when a theatre produces classic plays, the ones everyone has heard of but that they maybe haven’t seen. Since Chekov wrote in Russian, every production I’ll ever see will be a translation or adaptation. Craig Johnson who has written and directed this adaptation for Theatre in the Round states that his watchwords during the process were “Faithful and Fresh”. Johnson is enormously successful in accomplishing this goal creating a production that remains true to Chekov’s 138 year old play while still making it relevant to today’s audiences. This does not feel like a dusty old classic but a reflection on the questions we still grapple with today. The desire to create, the talent to create, the need to be loved, and the power love holds over us. Johnson’s direction adheres to chekov’s original intentions in having some of the more sensational moments happen off stage or indeed in one case between acts. The set design by Michael Hoover is another example of the way in which Theatre in the Round has really stepped up their game in recent years. Embracing the arena and allowing design aspects to bleed off the stage and into the seats with Birch tree trunks and a neighboring estate in the distance.
The plot is like a modern soap opera not in quality but in the complexity of the melodrama. Set in the country estate of the sisters Irina Arkadina a successful actress and her ailing sister Petra. The first portion of the play taking place over a short visit by Irina and her lover Trigorin and the second part about two years later. There are ten main characters in the ensemble and nearly everyone of them is in love with someone who is in love with someone else. The unrequited love does not restrict itself to that of the romantic bend but also the familial. Ultimately, it’s a tragic tale, but one told with a surprising amount of humor. Chekov’s gift is his understanding of humanity and insights into the patterns and neurosis that we are subject to. One of the great scenes is the discussion between the successful writer Trigorin and Nina who wants to be an actress in which Trigorian talks about being an artist in a way that modern young artists will find familiar. It speaks to how not so very different we are today than we were over 100 years ago.
Performances are excellant making every character feel as if they have their own lives beyond the part they play in the plot. Colleen Hennen as Irina is a standout, playing the narcissistic actress perfectly and providing a heartbreaking final beat to the play. Berto Borroto as Konstantin shows the greatest change over the arc of the play. Allowing us to see, through his body language, the maturity that has come over the passage of time. Amy Eckberg as Nina gets a wonderful scene in Act IV where she conveys the emotional toll that last two years have had upon her. Kaleb Baker is wonderfully cast as Trigorin, he does a wonderful job describing the conflicts, frustrations, and inspirations of being an artist. I also want to highlight a couple of supporting parts, firstly Matt Wall is Medvedenko is the just happy to be noticed school teacher in love with Masha the daughter of the estate manager. He’s wonderfully comic in the way he seems to apologize for existing. The Assistant Director Rebecca Wickert who due to an illness in the cast had to perform the role of Masha, does an excellent job stepping in and plays Masha in a way that makes her relatable to generations who have grown up with the goth girl template. Finally, in a fairly small role David Coral plays Dr. Dorn who brings a kindness and humanity and understanding amongst a sea of characters that seem at the mercy of their own neurosis. The script calls for him to be encouraging of Konstantin, and sensitive to Irina, but Coral’s performance makes those moments ring of true compassion.
Don’t want to miss a single review from The Stages of MN? You can subscribe and have every post sent directly to your email. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn. You can also read some of my reviews syndicated on the MN Playlist website https://minnesotaplaylist.com/
I am also a member of the Twin Cities Theater Bloggers (TCTB), where you can read roundups of shows by my colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers. We also produce the podcast Twin Cities Theater Chat!! which you can access through this link or wherever you enjoy podcasts https://twincitiestheaterchat.buzzsprout.com/ . We post biweekly longer form episodes that will focus on interviews and discussions around theater topics. There is also shorter episodes in which we Bloggers tell you what we think you should get out and see as well as what we have on our schedules that we are most looking forward too.
This follows hard upon my previous and first attendance of a The Mystery Cafe production. In fact, I’ve only reviewed three other productions in between I’ll Be Homicidal For Christmas and the new mystery ‘Til Death Do Us Die. What’s the rush you might ask? Well you know how when you first discovered Schitt’s Creek or Joe Pera Talks With You and you stayed up late bingeing every available episode because you enjoyed it so much? Well it’s kind of like that, I had such a blast with the first one that I wanted to keep going. And like finishing the last season and learning you have you have to wait a year for the next one or discovering that the bastards at Warner Brothers Discovery have cancelled a masterpiece after three short seasons. I’m now a bit bummed that there isn’t a new one on the schedule yet. I also took my own holiday gift giving advice and gave the gift of theater and in this case, The Mystery Cafe was given to some family members. I tell ya what, that’s the way to take in these productions! Get together your favorite mystery comedy loving fans and book a night out for some matrimony and murder. Once again, I stepped into the role of Dr. Watson to observe and be quite clueless as to the solution to the mystery. While the chief aim of the productions is the comedy on which it delivers, I’ve found in both cases that the mystery holds up as well. You could actually solve, but don’t feel bad if like me, you cannot see the solution until it is revealed to you and at which point, it will seem elementary my dear reader. Always the sign of a good mystery is when you can’t figure it out, but once it’s revealed you feel stupid for not solving it yourself. That means they didn’t cheat, but they kept it tricky enough that the answer took some critical thinking to solve which apparently, I don’t possess.
This latest Mystery takes place at the Wedding of Tara Ball played by Nissa Nordland and Duncan Schoen played by Brian Hodge-Rice. The Wedding party is made up of familiar faces Casey Martin, Brittany Oberstadt, Josh Carson, and Jonah Smith. Wini Froelich is the mother of the bride and Brad Erickson is the groom’s grandfather. Tim Dybevik is the Bride’s Uncle who is also officiating the ceremony and the DJ is played by Sam Landman. So glancing over the cast list, that should reveal another reason I wanted to see this production, it’s filled with local favorites. Now the fun of this show is the details, the jokes, the mystery, even the character names but I don’t want to spoil any of that for you. So trying not to reveal anything but still give you a feel for what to expect is the goal here. The audience plays the role of the guests at Tara and Duncan’s wedding, you’ll be seated at tables and if your table is far enough away from where the seating is set up for the ceremony, you’ll get the honor of sitting in the seats reserved for family of the bride and groom. After the ceremony and throughout the reception, you’ll be served your a three course meal, by the actors in character. The mystery will unfold throughout the evening so pay attention to the actors, though they will make sure your attention is on them for the critical moments there are a lot of jokes and comic bits happening at all times. At the end of the evening after you’ve enjoyed your slice of wedding cake, you will be given the opportunity to bribe members of the cast to answer questions using your allotted $20 of Mystery Cafe cash. Once you’ve learned all you can, you submit your guess as to who committed the murder and why. In terms of audience participation it ranges from being cast as the father of the bride or in my case as a line dancing guest our you can just sit back and observe, you really can participate as much or as little as you’d like.
The show is written by Brian Kelly and George Keller, comedy wise there are the odd clunkers here and there but overall its comedic writing and performances are very strong. I think sometimes people dismiss the mystery comedy genre, especially of the “dinner theater” variety as something less than other types of theater. I don’t know why that is, I imagine the script for something like this is just as challenging as any other. The performers need to be well rehearsed and able to stay in character and improvise as they interact with the audience. There are the usual design requirements and perhaps more given the non-theatrical venues. Most importantly, it’s as entertaining as any other type of theater. There’s nothing wrong with theater that is fun, escapism is one of the many reasons we go to the theater. And while it might seem like all this does is entertain, I’ll remind you that it also asks you to engage your problem solving skills and try and help bring the culprits to justice. I am having a great time with these shows they are a lot of fun, both clever and witty, and as an added bonus they are family friendly, so this is a great experience for a family theatrical outing, which is the best kind of family outing.
Don’t want to miss a single review from The Stages of MN? You can subscribe and have every post sent directly to your email. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn. You can also read some of my reviews syndicated on the MN Playlist website https://minnesotaplaylist.com/
I am also a member of the Twin Cities Theater Bloggers (TCTB), where you can read roundups of shows by my colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers. We also produce the podcast Twin Cities Theater Chat!! which you can access through this link or wherever you enjoy podcasts https://twincitiestheaterchat.buzzsprout.com/ . We post biweekly longer form episodes that will focus on interviews and discussions around theater topics. There is also shorter episodes in which we Bloggers tell you what we think you should get out and see as well as what we have on our schedules that we are most looking forward too.
As I look back during this week or so of respite from the hectic theater schedule I maintain for the majority of the year, I can’t help but note that 2023 was a big year for the Stages of MN. By my calculations I saw 190 productions in 2023, that doesn’t include a few that I saw more than once. A quick glance back at last year’s recap tells me that I have improved upon last year’s record by about 40 shows. I used 164,700 words to write about them and faithful readers will no doubt recognize that number as approximately a third more than was necessary, strictly speaking, to accomplish the task. Well that is something I will endeavor to improve upon in 2024. The reach or “views” of the site increased as well, by 68% to be ridiculously specific about it, which means more eyes on theaters and that hopefully translates to more butts in seats. Which means the theaters stay open, the artists make a living (I heard those snorts from the artistic community and yes, perhaps that was a poor choice of words), and we continue to have a robust and eclectic theater community that is capable of moving us, sometimes to tears, sometimes to laughter, occasionally, but rarely, to a solid 20 minute catnap. Whatever you use your theater going time and money to accomplish, whether you are looking for shows that present ideas that challenge you to reevaluate your life choices or are just looking for some escapist entertainment, or indeed a cure for your insomnia we are so fortunate to have the wealth of choices we do here in MN.
Now the financial matters of theaters does not fall within my purview as a theater blogger. I am not doing this for theaters directly, I’m doing it for you, faithful reader. I’m doing this in hopes it encourages you to get off your bums, as lovely, firm, and welcoming as they undoubtedly are, and head to the theater. To let you know about all the fabulously gorgeous shows that the Twin Cities, and indeed the surrounding areas as well, are producing. And do you know who they are producing these shows for? It’s not Texans, not the British, not even the French if you can believe it. No, they are producing them for you. Who’s to say why, maybe it’s because your so damn attractive, perhaps it’s your keen intelligence or the fact that your one hell of a spiffy dresser. Whatever the motivations may be, they are doing it for you. I for one think it’s the polite thing, for you in return, to at least show up and see what these wonderful artists have made for you. Now I know that most of you have busy lives with paper routes and vegetables to can. A few of you may even have a hamster as a pet and I know that they need to be walked at least half a dozen times each day. So what I do, again for you, not the Texans or Falkland Islanders, is try and give an Idea what’s out there and whether it’s up to snuff. Knowing that most of you will be limiting yourself to two or three shows a week, I hope this blog is of use in helping you make the wisest decision for your fine selves as well as the Irish. For some reason I have a surprisingly robust following in Ireland. I’m not sure why, all I can think is that they must have gotten wind that when my children were very young I used to get them up out of bed in the middle of the night and make them promise to die for Ireland. Then I’d give them the Friday penny and send them off back to bed.
This year also saw the launch of Twin Cities Theater Chat the podcast m’colleagues from the The Twin Cities Theater Bloggers and I began. I’m very proud of the work we’ve done on the podcast, and I would be not only remiss but also staggerly ungrateful if I did not acknowledge the hours of work behind the scenes from our Producer/Editor/Engineer and dare I say, yes, yes I do dare, The Voice of Twin Cities Theater Chat, Carol Jackson. While we have only been at it for half a year, it has been steadily growing and I hope audiences will continue to find us because it’s another way for YOU, yes YOU, to stay connected with the theater scene in our community and for us to interact more with you dear sweet nubile reader. Speaking of interacting, our soft launch and unofficial pilot episode was a recording of a talkback that I moderated at Chanhassen Dinner Theatre (CDT) on March 4th with the Director and three of the Actors of their production of The Prom. Which was probably the experience I most cherish from my 2023 theater life. I stepped out of my comfort zone, which is at a keyboard, and up onto the stage and thanks to Director Michael Brindisi and cast members Monty Hays, Maya Richardson, and Tod Petersen I experienced an hour I will remember for the rest of my life. I think the success of that talkback gave me the confidence to take the lead on several of the Podcast episodes and set up interviews with Jeffrey Hatcher, Austene Van, Jen Liestman, Paul de Cordova, Nissa Nordland Morgan, Duck Washington, And my podcast heroes from The Mysterious Old Radio Listening Society.
In addition to covering the Minnesota Fringe Festival and the Twin Cities Horror Festival I traveled to Winona MN for the Great River Shakespeare Festival with my fellow bloggers Jill, Carol and Julie. Which brings up another area of growth for the Stages of MN this past year. Soon after I launched The Stages of MN in the fall of 2019, I think it was a wednesday, as I recall 2019 was lousy with Wednesdays, Cherry and Spoon Author Jill Schafer reached out with what was essentially a cease and desist order. Now don’t misunderstand me, it wasn’t a hostile gesture by any means you see I told a fib a few sentences back, the blog wasn’t The Stages of MN, but was initially launched as Stages of the Twin Cities. It just so happened that there was already a member of the Twin Cities Theater Bloggers (TCTB) with a blog called Twin Cities Stages, which Jill felt, and rightly so I might add, could create confusion. And so I went back to the drawing board and paid for a second domain name, The Stages of MN of which, unless you’ve gone completely senile you are aware of as you are reading this on the aforementioned site. But along with Jill’s inquiry into whether my Mother had had any children that survived infancy and learned to google, was an invite to join the ranks of the TCTB. From the very first messenger exchanges and our first official meet up for Dinner, followed by Family Dinner at Huge Improve, the other bloggers have been generous with their time, insight, and resources. This year with our events for The Prom at CDT and The Pajama Game at Artistry, the launching of the Podcast, the road trip to Winona, some working breakfasts and the odd dinner now and then, these resources or colleagues if you will, have become friends.
I’ve also felt a growing inclusion within the theater community itself. For an introvert like myself that feeling is slow to grow. But, as it has grown its made me more and more conscious of the importance of sharing my love of theater with you faithful reader, or readers if someone is reading over your shoulder at this moment. Letting you know when there is something special out there that you absolutely must see is important, because once the show closes it’s gone, and I don’t want you to miss out. But of primary importance is growing new audiences, steering folks to the shows that will make them want to go back to the theater again and again to recapture the magic of a favorite show. The trick is to get the attention of those potential new audience members. One way is for you faithful reader to share show reviews, spread the word, share the podcast, listen to the podcast when you have people who have never heard it in your car with you or just share this link https://twincitiestheaterchat.buzzsprout.com/. I have begun a campaign of taking young people who would not regularly been exposed to the theater with me to shows. But so far that’s just three people and it doesn’t seem like the most efficient program, though one has already stated that when she has children she is going to take them to the theater! So I’m trying to do my part, but you can do yours as well. Follow and like posts, share the ones that sound exciting to you, those things really do affect the reach, and the reach is the thing wherein we’ll catch the imagination of new audiences.
Now speaking of favorites here are some lists of of those shows I hope you didn’t miss as they were the proverbial bees knees on which we gingerly sit and tell all our theater dreams to. Firstly let me say that I made the decision not to include shows that were eligible and made the list last year. As without that Caveat Christmas at the Local and Who’s Afraid of Winnie the Pooh would have been on the lists, but since they made the list last year let’s make room for some fresh blood. Also the list is in no particular order, this is not a ranking number 1 is not stating it is better than number 8, the numbers are there merely to help me keep count as my fingers are already engaged in typing and cannot be counted on. There is a double meaning in that.
My ten favorite locally produced Plays in 2023:
‘Art’ – The Guthrie Theater
A Very Good Christmas Carol – Created and performed by Jeffrey Nolan and Hawken Paul
Dinner For One – The Jungle Theater
The Kung Fu Zombies Saga: Shaman Warrior & Cannibals – Theater Mu
Village Wooing – The Orchard Theater Collective
Passage – Pillsbury House + Theatre and Exposed Brick Theatre
Twelfth Night – Ten Thousand Things
Rasputin – Four Humors as part of the Twin Cities Horror Festival
Ken Ludwig’s Sherwood: The Adventures of Robin Hood – Theatre in the Round Players
Our town – Lyric Arts
My ten favorite locally produced musicals in 2023:
The Prom – Chanhassen Dinner Theatre
Again – Theater Mu
Othello: The Remix – Minneapolis Musical Theatre
Bright Star – DalekoArts
A Chorus Line – Lyric Arts
Falsettos – Theater Latte Da
The Boy Wonder – History Theatre
25th Annual Putnam County Spelling Bee – Artistry
The Spongebob Musical – Lyric Arts
She Loves Me – Lakeshore Players
Special mentions of fantastic shows that took advantage of site specific or non traditional performance spaces. This is essentially a cheat on my part as it’s really really really hard to choose just 10 shows in each category:
Loch Mess: The Largest Freshwater Musical - Open Eye Theatre performed on the green roof of the Bakken Museum
Red Speedo – Walking Shadow Theatre Company performed in a swimming pool at Hamline University
The Courtroom: A Reenactment of One Woman’s Deportation Proceedings – Jungle Theater performed in the mock trial room at Hamline University
The Buddha Prince – TigerLion Arts Performed as a walking play through Washburn Fair Oaks Park
Much Ado About Nothing – Classical Actors Ensemble performed along the Mississippi River
My five favorite Touring Productions:
To Kill a Mockingbird – Orpheum Theater
Hamilton – Orpheum Theater
Beetlejuice – Orpheum Theater
Company – Orpheum Theater
Mrs. Doubtfire– Orpheum Theater
Every year I add a person or two to my list of “Must See” performers, Actors, Dancers, Singers that I come across throughout the year that I either hadn’t seen before or that really drew my attention that year. This year I have four names that I have added to the list that includes Tyler Michaels King, Max Wojtanowicz, Joy Dolo, Shanan Custer, Daniel Petzold, and Em Rosenberg to name a few and leave several others unnamed like a precious thing that must be kept secret, kept safe.
Jeffrey Nolan caught my attention first at the Lakeshore Players Production of Noises Off.
“Jeffrey Nolan, who plays Tim the Stage Manager, is also the understudy for the male roles in the play brought a different kind of energy to the role. He gets some neat bits that are like silent comedy routines between acts and he plays the roles constant exhaustion in such a way that you feel the character will be scarred for life after this production. …. Watching Nolan try and set the stage with his last ounces of energy at the beginning of Act 3, …. moments of comedic brilliance.”
Noises Off Review 2/5/2023
next up Nolan helped Theatre in the Round Players complete a perfect theater season in Sherwood: The Adventures of Robin Hood
“Theatre in the Round Players (TRP) has the ball at the 10 yard line, it’s 4th and goal and there are seconds left on the clock. If they score here they’ll close out the season with a perfect record. The curtains close to the arena and Jeffrey Nolan has the ball, it looks like he’s stumbling though (gasp!), but wait, it isn’t a stumble, it’s comedic genius! TRP using the Sherwood: The Adventures of Robin Hood Play has scored!!!! The crowd goes wild with laughter! TRP has done it! A perfect theater season! …. I saw Nolan once before in Noises Off as Tim at the Lakeshore Players this past winter. I noted his unique take on the character and brilliant physical comedic bits, particularly during the intermissions, where at one point he spent several minutes somehow entangled with an end table. This production confirms the suspicion that Nolan is a major comedic talent. My only concern is that the theater community won’t know what to do with him as his vibe is so unique. If we don’t see him regularly going forward, it’ll be a disservice on the part of theater companies towards the theatergoing public.
Sherwood: The Adventures of Robin hood Review 6/10/23
He appeared in not one but two productions at this years Minnesota Fringe Festival both of which won the coveted Stages of MN Fringe of the Day Award. First was A Girl Scout’s Guide to Exorcism of which I said “Also because he’s one to watch in everything he does. Jeffrey Nolan appears as The Hawk in what is the first dramatic role I’ve seen him in. If playing a puppet hawk can be called a dramatic role, and honestly, I think it can.” The second was Fargo Allegro “Also Jeffrey Nolan who has quickly made it onto my must see list of local performers, gives a performance completely different from yet just as good as everything else I’ve seen him in so far.”
Excerpts From Reviews of the 2023 Minnesota Fringe Festival
Finally, as if to hedge his bets that he would not be forgotten come year end summations, he saved the best for last with a show he created and starred in with Hawken Paul A Very Good Christmas Carol.
“In 2023 the actor that stood out to me and was added to my list of ”try and see everything they do”, was Jeffrey Nolan. So when I heard about this show, I had to find a way to fit it in and I’m so glad I did. It did not disappoint, Nolan and Paul were both brilliant in their performances but also in their creation of such an enjoyable show. This was the fifth entertainment I’ve seen this season that was based on a Christmas Carol, I can now quote long passages from the book by heart, and yet this was among my favorites and I was completely engaged and entertained throughout. …. Nolan gets to do what he does so well, create a multitude of unique and hilarious characterizations. Both Paul and Nolan display wonderful gifts for improvisation, their reactions to some of the responses given from audience members are as funny as anything scripted.”
A Very Good Christmas Carol Review 12/17/23
Next up is Allison Vincent who isn’t new on the scene but for some reason they really popped into consciousness this year as a Performer, Writer, and Director. It began with Transatlantic Love Affair’s These Old Shoes.
“And my favorite of the group Allison Vincent, who actually gets to play a lot of different characters, most of them wonderful bits of comic relief that lighten the mood and provide a laugh just when you need it.:
These Old Shoes Review 2/3/23
Next up we saw Vincent return to Direct the remount of the 2022 Stages of MN Fringe of the Day Award Winner Andrew Erskine Wheeler’s Whoosh!… this was followed by another hilarious performance at Bryant Lake Bowl in The (Almost) Complete and (Mostly) Accurate History of Alcohol. This was followed up with appearances at the Twin Cities Horror Festival in the two best shows of the festival Marie-Jeanne Valet, Who Defeated La Bete du Gévaudan and Rasputin
“Vincent, who seems to be everywhere these days including two shows in the TCHF (the other is Rasputin), is particularly strong, with a turn as King Louis XV that nearly steals the show.”
Marie-Jeanne Valet, Who Defeated La Bete du Gévaudan Review 10/20/23
“Rasputin from Four Humors … running neck and neck with Marie-Jeanne Valet, Who Defeated La Bete du Gévaudan from opening night as “Best of the Fest”. What do they have in common? both feature Allison Vincent. It’s becoming clear that if you want to have a hit show at TCHF, you cast Allison Vincent in it. This time Vincent is also credited as co writer along with the three other cast members”
Rasputin Review 10/21/23
I had the pleasure of seeing The Prom twice at Chanhassen Dinner Theatre and the honor to share the Talkback stage with the next “one to watch” Performer Monty Hays.
“The Prom is filled with wonderful pairings between performers and characters but none quite as perfect as Monty Hays as Emma Nolan. Emma is the heart at the center of The Prom and my heart overflowed to the point of leaking out through my eyes as I watched Hays bring her to life. In the inclusive spirit of the show, Hays who identifies as transgender/nonbinary, is cast because they are the perfect person for the role. Hays will break your heart in a scene at the close of Act 1 when Emma is completely devastated and blindsided by an act of cruelty. When Emma finds her voice, her way to to fight back against the homophobic community, Hays’s rendition of the song “Unruly Heart” is note perfect. Hays is so open with the audience, that even a middle aged cis male like me, completely identifies with this teenage lesbian. Hays finds the vulnerability but also the humor and courage of the character in a performance that engages in such a strong emotional way. It has the power to evoke genuine empathy, the kind that has the ability to promote change.”
The Prom Review 2/18/23
The final name going on the list is that of Brendan Nelson Finn who appeared in Artistry’s Production of The 25th Annual Putnam County Spelling Bee.
“Brendan Nelson Finn plays William Barfee who uses his magic foot to spell out the words before he says them aloud. Finn is all in on this performance, his characters mannerisms alone when simply sitting in the bleachers while others were spelling had me rolling on the floor.”
The 25th Annual Putnam County Spelling Bee Review 10/12/23
Well that’s the year that was and I look forward to all that the wide world of theater holds in store for 2024. We bloggers have some fun things in the works for this year, some great plans for the podcast and events. I hope to see all of you out there taking in shows, remember when it comes to theater if you see something, by all means say something. Theater is a communal activity, so don’t keep it to yourself. And if you see me at the theater, by all means say hi. Tell me what you have seen, ask for recommendations, be bold, I’ll be shy enough for both of us.
Don’t want to miss a single review from The Stages of MN? You can subscribe and have every post sent directly to your email. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn. You can also read some of my reviews syndicated on the MN Playlist website https://minnesotaplaylist.com/
I am also a member of the Twin Cities Theater Bloggers (TCTB), where you can read roundups of shows by my colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers. We also produce the podcast Twin Cities Theater Chat!! which you can access through this link or wherever you enjoy podcasts https://twincitiestheaterchat.buzzsprout.com/ . We post biweekly longer form episodes that will focus on interviews and discussions around theater topics. There is also shorter episodes in which we Bloggers tell you what we think you should get out and see as well as what we have on our schedules that we are most looking forward too.
Just a quick post about one last opportunity to get out and enjoy some live theater in 2023. The last week of December and the first week of January are always slow periods in theater. Giving actors and bloggers time to speand with family and loved one and recharge the ol’ battery a bit. As much as I love covering the theater beat so to speak, I do value this time and especially look forward every year to finding something to see in the interim that I can just go and enjoy. This year several of my fellow bloggers and I are planning to see one of our favorite local groups The Mysterious Old Radio Listening Society (the MORLS) perform classic and original radio script live on stage at Crooners Supper Club on Thursday December 28th. I’ll be joined by Jill Schafer of Cherry and Spoon and the Jackson Sisters Carol and Julie who you may know from their blog Minnesota Theater Love or their Barbershop duet singing act. These shows are so much fun and a nostalgic glimpse into the past and a performance style that is becoming a lost art. Aside from performing all of the roles, the cast of four Shanan Custer, Joshua English Scrimshaw, Tim Uren, and Eric Webster also create all of the musical accompaniment and sound effects live on stage. I highly recommend these shows and below is the lineup for Thursday’s performance along with a link to purchase tickets. If you make it out to Crooners on Thursday be sure and stop by the Twin Cities Theater Bloggers (TCTB) table and say hi, get selfies with your favorite blogger, and we are always happy to autograph any TCTB merch for our readers. You can also listen to our interview with the MORLS on out podcast Twin Cities Theater Chat the link to that episode is here: https://bit.ly/TCTCMORLS
The Mysterious Old Radio Listening Society presents “A Christmas Post-Mortem” at Crooners Supper Club!
“The Case of the Slaughtered Santas” from The New Adventures of Nero Wolfe. The cantankerous Nero Wolfe matches wits with a killer who targets Salvation Army Santas. A classic Christmas episode from a 1950s radio series based on the detective novels of Rex Stout.
“Partners in Christmas” from The Minnesota Goodbye. After moving to the Twin Cities, private detective Raymond Lake discovers his former partner has been murdered in time for Christmas. Now Lake must consider his past, present, and future to crack the case.
Performing at the Crooners Supper Club Main Stage 6161 Highway 65 NE Minneapolis, MN
Thursday, December 28 Showtime: 7:30 PM Doors open at 6:30 PM Tickets: $25-$35
Don’t want to miss a single review from The Stages of MN? You can subscribe and have every post sent directly to your email. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn. You can also read some of my reviews syndicated on the MN Playlist website https://minnesotaplaylist.com/
I am also a member of the Twin Cities Theater Bloggers (TCTB), where you can read roundups of shows by my colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers. We also produce the podcast Twin Cities Theater Chat!! which you can access through this link or wherever you enjoy podcasts https://twincitiestheaterchat.buzzsprout.com/ . We post biweekly longer form episodes that will focus on interviews and discussions around theater topics. There is also shorter episodes in which we Bloggers tell you what we think you should get out and see as well as what we have on our schedules that we are most looking forward too.
Robert O. Berdahl, Max Wojtanowicz, and Patrick Sabongui Photo by Dan Norman
In a brilliant crack at counter programing the Guthrie Theater opened its production of Yasmina Reza’s ‘Art’ the Friday before Christmas opposite the ongoing run of their annual heart warmer A Christmas Carol. Not everyone celebrates Christmas and even those who do sometimes take a year off as the Ceasefire Carolers outside the theater reminded us tonight. So if you are not in the holiday spirit or want to relive some of the holiday trauma, come January but in a safe non-personal way, the darkly comical ‘Art’ is going to be the ticket for you. For a story about three friends who are incredibly hostile to each other, you wouldn’t think you’d leave the theater feeling so alive and invigorated. But that’s what great art does. When you see three roles so perfectly played, a script so layered, rich in humor and insight into the human condition, you can’t help but feel uplifted. Or maybe your just grateful that your friends don’t talk to you this way.
Reza’s play has been translated from the original french to english by Christopher Hampton, you may be familiar with Reza’s play God of Carnage which was adapted into the film Carnage starring Jodie Foster, Kate Winslet, Christoph Waltz, and John C. Reilly. ‘Art’ has a similarly critical view of people and their more childish and selfish sides. The play follows three Parisian friends and the fallout that results when one of them, Serge, buys a all white painting for 200,000 francs. It begins when Serge shows the painting to Marc, who calls it a piece of shit. He then ropes their mutual friend Yvan into the painting critique. Yvan, always the peacemaker tries to essential play the midfield, telling Yvan he likes the painting, while telling Marc that agrees that’s too much money for a painting that is basically white. This middle ground noncommittal response angers both Marc and Serge who see Yvan as a coward. And this is where we get to the heart of what is really going on in the play. It’s not about their own opinions as much as it is about how each others opinions reflect on them. Marc sees Serge’s stance on the painting as a reflection on himself because how can he be best friends with someone who would buy a white painting for 200,000 francs? When Yvan tries to make peace between the two friends, they both unite against him, because his wishy washiness in their minds reflects upon them for being his friend. It’s easier for them to attack and hurt him than each other, as he doesn’t put up much of a fight. They are really all three reflections of the different and conflicting aspects of all of our psyches. We all have it within us to behave one way with one friend and another with the other, just going along to get along, we also can get defensive when something we are proud of is proclaimed to be ridiculous, or can come of as judgemental or pretentious from time to time. Reza’s script is so articulate and sharp witted, we laugh and agree with what the characters are saying while also laughing at the fact that they are saying these things to each other, things we would never say to a friend. The fact that a disagreement over a painting one of them bought almost ends three longtime friendships is a comment on how egotistical and immature people can be, how little distance there is sometimes between the playground and adulthood.
The three person cast is perfection, each one of the actors is exactly right for their role. Max Wojtanowicz as Yvan edged out the other two by the smallest of margins on the car ride home. Wojtanowicz not only delivers every line in what feels like the only possible way they could be done, but his reactions to the other actors are as good as his own line readings. He so good at listening and reacting to the other actors that I frequently found myself watching him rather than the actor that was speaking. He also has a monologue about his wedding invitations to explain why he arrives late for an evening out with Marc and Serge that is the best 5 minutes in the entire play. Robert O. Berdahl plays Serge, he has the look and speech patterns of the Modern Art lover, I can’t really explain that, but you’ll see what I mean. Berdahl is adept at feigning aloofness one moment and then launching a counter attack with laser precision. He does a great job as well of making us believe that he doesn’t care what Marc thinks of the painting while also showing us that what he thinks really does hurt him. Patrick Sabongui plays Marc I’ve never seen him on stage before but am familiar with some of his TV and film work. This is one of the few times the Guthrie brings someone in from out of town that you wont hear me whining that they should always use local actors. Sabongui is just so good in the role I wouldn’t want to change anything about the production. He, maybe more than the other two, really succeeds in getting the audience to completely agree with him in one scene and then be very critical of his attitudes the next and then swing us back to his side. We are right there with him when he laughs at Serge for buying the painting, and then before long even though we agreed with him, we find ourselves wondering why he can’t just let it go. One of the biggest thrills of the evening is seeing the three actors play off each other, great acting can be entrancing as evidenced by those on display in ‘Art’.
Kimberly Senior directs the play and keeps it moving along at a brisk pace keeping the show at under 90 minutes, it flies by but feels like the perfect length. There are some nice beats where the characters step out of the scene and share their thoughts directly with the audience. Senior and Lighting Designer Xavier Pierce use the lighting to direct our focus in these moments and create a nice visual addition to what are usually humorous comments. The Scenic Designer Brian Sidney Bembridge has gone for a very sparse design. The action takes place in each of the three mens apartments the only change being that when we are in Marc or Yvan’s apartments a painting comes down from the ceiling. Otherwise the entire set is either white or in the case of the two chairs transparent. The design echoing the white painting underlining the absurdity of what has threatened the friendships of the three men.
This Holiday season why not start a new tradition of taking in a live theater production with family and friends? It’s a great way to create lasting memories and will give you something to look forward to every year as you experience the magic of live theater. Whether your budget is large or small, there is a show for you. Looking for gift ideas? Don’t we all have enough “stuff”? Give the gift of live theater, go to your favorite theaters website, see what shows they have coming up in the new year and give the gift of an experience over material.
Don’t want to miss a single review from The Stages of MN? You can subscribe and have every post sent directly to your email. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn. You can also read some of my reviews syndicated on the MN Playlist website https://minnesotaplaylist.com/
I am also a member of the Twin Cities Theater Bloggers (TCTB), where you can read roundups of shows by my colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers. We also produce the podcast Twin Cities Theater Chat!! which you can access through this link or wherever you enjoy podcasts https://twincitiestheaterchat.buzzsprout.com/ . We post biweekly longer form episodes that will focus on interviews and discussions around theater topics. There is also shorter episodes in which we Bloggers tell you what we think you should get out and see as well as what we have on our schedules that we are most looking forward too.
Giselle Gutierrez, Cody Braverman, Emerson Mae Chan, Maggie Lakis, and Rob McClure Photo by Joan Marcus
Look, I like the film Mrs. Doubtfire just fine, it’s not a favorite but it’s good, mostly due to the performance of the late Robin Williams. So I wasn’t exactly going in with high expectations, I mean the whole movie to stage musical can be really hit or miss, for every Little Shop Of Horrors there are two Pretty Woman‘s. This is also the second touring production this year at the Orpheum that’s an adaptation of a movie that centers around a man masquerading as a woman in order to get a job. Tootsie, the stage musical of which played the Orpheum last June, was the better movie but Mrs. Doubtfire is the better stage musical by a rather wide margin. My thoughts on Tootsie were that it would have made a better non-musical stage adaptation. With Mrs. Doubtfire the music works much better, and while I recall Tootsie‘s script being fairly funny, it’s completely left my memory whereas I’m sure I’ll be thinking about Mrs. Doubtfire for awhile. The strength of the film was Williams performance in the titular role and the same must be said of Rob McClure in the role on stage. McClure was nominated for a Tony Award for the role in the Broadway production in 2022. It’s rare to see the Broadway star on the touring production, but when you see McClure’s performance in the show it becomes clear why he is. There might not be anyone else who could actually do the role.
McClure as Daniel Hillard opens the show doing voice over work as an actor, where he runs through several spot on celebrity impersonations trying to improve on the lines he’s being asked to read. He’s quickly fired for being too difficult to work with. This is of course very similar to the beginning of Tootsie. Now that I think about it, I suspect the original film script for Mrs. Doubtfire was written by a Dustin Hoffman fan who took two of his big back to back hits, Tootsie and Kramer vs. Kramer, and combined them into one story. Which brings up another element that worked surprisingly well for this child of divorce and divorced parent, the parent child relationships in the midst of divorce. The divorce aspects of the story are not super weighty but it also doesn’t make light of it either. It’s utilizing a conflict that is familiar to many people as the catalyst for why our hero does what he does. He wants to spend time with his children, so when he discovers his ex-wife Miranda is hiring a Nanny, he enlists the help of his brother Frank and his husband Andre, who work in hair and makeup at a film and TV studio, to transform him into Scottish Nanny Extraordinaire Euphegenia Doubtfire. While playing the situation for laughs it addresses some of the less funny aspects of divorce, successfully maintaining a nice balance of emotional undercurrent without overdoing it or becoming cheesy. While the book by Karey Kirkpatrick & John O’Farrell draws heavily on the film for both plot and jokes, there is enough fresh material to keep the show engaging and to offer some surprises. Two of the best additions are the scene where Daniel is caught riffing with the equipment on the set of a failing Children’s TV show. The other is when he reluctantly steps in as Mrs. Doubtfire to model Miranda’s new clothing line. The only scene that felt a little forced is the first attempt at cooking dinner as Mrs. Doubtfire. There was clearly a requirement that there be a reenactment of the scene where the front of her blouse ends up scorched and she uses the lids of pots to put it out. It feels a little rushed and perfunctory rather than organic. But aside from that 30 second bit, the humor is consistently strong and the audience is laughing throughout the entire show. In fact, that moment is surrounded by a hilarious song “Easy Peasy” that centers around Daniel using his smart phone to watch cooking videos.
As mentioned above, McClure is irreplaceable as Daniel Hillard and his alter ego Mrs. Doubtfire, not only does he have the amazingly accurate comedic vocal impressions, patter, and timing down, but he can also sing the songs and get the perfect amount of pathos and frustrated bitterness across when the story goes to those places. McClure shares the stage with his real life wife Maggie Lakis who here is playing his ex-wife Miranda. She’s great as the rock of stability that McClure’s Daniel bounces off of and all around. She has the button down role and it could be easy to see her as the stick in the mud, but Lakis makes sure that a softer side shows through. She has a wonderful song “Let Go” that allows her to open up and reveal the struggle it’s been trying to stay with the ever upbeat and over the top Daniel. Lakis injects the song with bittersweet emotions that show that she too mourns the loss of what they once had. I think every person who’s ended a long term relationship can relate to those conflicting feelings of hope and loss. Giselle Gutierrez plays the oldest child Lydia who’s 15 when her parents split. She does a really nice job with the song “What the Hell“, it’s a nicely emotional song punctuated strategically with humorous lyrics. It’s a nice representation of the tone of the show as a whole. Aaron Kaburick and Nik Alexander are a lot of fun as Daniel’s brother Frank and Frank’s husband Andre Mayem in roles that seem to me enlarged from the film to the shows benefit. Leo Roberts plays Stuart Dunmire, Miranda’s love interest the role Pierce Brosnan played in the film, he has a rich Baritone voice that only get spotlighted in one song, but it conjures visions of him stomping around wearing boots in a way no one else can.
I’m not sure who to credit for the transformation from Daniel to Mrs. Doubtfire but the overall effect and the speed in which they are done is really impressive. There was one moment when Frank and Andre are figuring out how to accomplish it when there is a distinct resemblance to Michael Myers from the Halloween films. I was rather impressed at my composure through that scene as I resisted screaming hysterically and running out of the building directly into oncoming traffic. There really should have been a Michael Myers trigger warning. Aside from that brief moment, it’s a fairly accurate duplicate of the look from the film. Hats off to those who had a hand in it Costume Designer Catherine Zuber and Hair & Wig Designer Philip S. Rosenberg. The production actually gives us some peaks behind the scene as there are several moments where we get to she Daniel change as quickly as he can on stage, and the prosthetic used for the face is really quite a marvel, it’s basically one piece that gets strapped in place but in such a way that McClure and move the mouth and we can see his eyes.
I’d recommend this to anyone looking for a night full of laughs and I think it’s appropriate, engaging, and enjoyable for anyone 12 and over. Given the choice of watching the film or seeing this again, I’d not only see this again but be excited about it. Mrs. Doubtfire runs through December 24th at the Orpheum Theatre in downtown Minneapolis for more information and to purchase tickets go to https://hennepintheatretrust.org/events/mrs-doubtfire-orphem-theatre-minneapolis-mn-2023/
This Holiday season why not start a new tradition of taking in a live theater production with family and friends? It’s a great way to create lasting memories and will give you something to look forward to every year as you experience the magic of live theater. Whether your budget is large or small, there is a show for you. Looking for gift ideas? Don’t we all have enough “stuff”? Give the gift of live theater, go to your favorite theaters website, see what shows they have coming up in the new year and give the gift of an experience over material.
Don’t want to miss a single review from The Stages of MN? You can subscribe and have every post sent directly to your email. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn. You can also read some of my reviews syndicated on the MN Playlist website https://minnesotaplaylist.com/
I am also a member of the Twin Cities Theater Bloggers (TCTB), where you can read roundups of shows by my colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers. We also produce the podcast Twin Cities Theater Chat!! which you can access through this link or wherever you enjoy podcasts https://twincitiestheaterchat.buzzsprout.com/ . We post biweekly longer form episodes that will focus on interviews and discussions around theater topics. There is also shorter episodes in which we Bloggers tell you what we think you should get out and see as well as what we have on our schedules that we are most looking forward too.
A Very Good Christmas Carol is the brainchild of Jeffrey Nolan and Hawken Paul with some input from Charles Dickens of course and if I’m being completely truthful, the audience itself. The genius of the show is that they have told Dickens classic story hilariously but without losing the spirit of the immortal work. Nolan and Paul play Edmund and Martin two orphans who decide to pass the time putting on their adaptation of A Christmas Carol. They realize that two actors with a trunk full of props and costumes isn’t quite enough, but with the help of the audience… they can pull it off. I didn’t have time for this show, it’s the 17th day of December and this was my 13th show, and my second of the day. I should have been relaxing with my feet up watching It’s a Wonderful Life or Remember the Night, so why wasn’t I? Well you see, there’s this thing that happens when you review over 150 shows a year, in that sea of theater every now and then a performer stands out and shines if not brighter, than in a unique way. We are so fortunate in the Twin Cities to have a wealth of very talented actors, it’s not unusual to see great performances on our stages. What is unique and only happens a couple of times a year, if that, is to see someone who captures your attention, not just by giving a great performance but by showing something new and unique. In 2023 the actor that stood out to me and was added to my list of ”try and see everything they do”, was Jeffrey Nolan. So when I heard about this show, I had to find a way and I’m so glad I did. It did not disappoint, Nolan and Paul were both brilliant in their performances but also in their creation of such an enjoyable show. This was the fifth entertainment I’ve seen this season that was based on a Christmas Carol, I can now quote long passages from the book by heart, and yet this was among my favorites and I was completely engaged and entertained throughout.
Both actors play multiple roles but with Hawken Paul playing Scrooge for the majority of the play, Nolan gets to do what he does so well, create a multitude of unique and hilarious characterizations. Both Paul and Nolan display wonderful gifts for improvisation, their reactions to some of the responses given from audience members are as funny as anything scripted. They are also able to keep the fast paced script moving along but recall details added by the audience throughout. One can see from there effortless breakneck paced interactions and similar boundless energy why they have chosen to work and create together. Could anyone else keep up with either of them? It’s truly breathtaking. Now I know some of you are squirming at the mention of audience participation but fear not. If you don’t relish playing the Ghost of Jacob Marley or Sidney one of the men trying to raise funds to provide some food and drink for the less fortunate this time of year, no fear, it’s all volunteer based. I was sitting in the front row and nobody forced me to play a Cratchit child or Scrooge’s love interest. I do want to also acknowledge the cleverness of the costumes and props, the fluid way in which everything needed was right at hand and the transitions flowed seamlessly from one scene to the next. So a big kudos to Anneliese Garner for the costumes, Mady Smith and Greg Paul for the props and set construction. The show is near the end of it’s run, with just three more performances this year December 19th in Granite Falls, MN, December 20th in Madison, MN, and December 22nd in Stillwater, MN. But, if this sounds like something you’d love to see, and if you enjoy laughing, than it should, it will hopefully be back again next year. I for one would relish the chance to bring more and more people to this show and experience it again. You can follow the show and find tickets on instagram at @verygoodchristmascarol.
This Holiday season why not start a new tradition of taking in a live theater production with family and friends? It’s a great way to create lasting memories and will give you something to look forward to every year as you experience the magic of live theater. Whether your budget is large or small, there is a show for you. Looking for gift ideas? Don’t we all have enough “stuff”? Give the gift of live theater, go to your favorite theaters website, see what shows they have coming up in the new year and give the gift of an experience over material.
Don’t want to miss a single review from The Stages of MN? You can subscribe and have every post sent directly to your email. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn. You can also read some of my reviews syndicated on the MN Playlist website https://minnesotaplaylist.com/
I am also a member of the Twin Cities Theater Bloggers (TCTB), where you can read roundups of shows by my colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers. We also produce the podcast Twin Cities Theater Chat!! which you can access through this link or wherever you enjoy podcasts https://twincitiestheaterchat.buzzsprout.com/ . We post biweekly longer form episodes that will focus on interviews and discussions around theater topics. There is also shorter episodes in which we Bloggers tell you what we think you should get out and see as well as what we have on our schedules that we are most looking forward too.
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