The Last Five Years Best Not Dwelt Upon at Lyric Arts

Set Design by Greg Vanselow, Projection & Lighting Design by Jim Eischen Photo by Molly Weibel

First off let me state that I appear to be in the minority on this one, so if you are familiar with the musical and enjoy it I encourage you to check out the reviews of my fellow Twin Cities Theater Bloggers. I was underwhelmed by The Last Five Years, and while there are some issues with this production I believe the main reason is not the artistic team but the musical itself by Jason Robert Brown. I loved the concept but not the actual work. The clever premise is that of a relationship that lasts five years told from the separate perspectives of the couple with Cathy’s version told in reverse chronological order and Jamie’s told from beginning to the end. The characters stories, told through song are performed individually but the characters do not interact with each other until they pass in the middle of the five years at their wedding/engagement. It’s hard to get too involved in the relationship of two characters that we never really see interact until briefly at the halfway point. From my perspective the character of Jamie is better served by the songs, he gets a few fun one’s like “The Schmuel Song” and “A Miracle Would Happen“. Also his more impactful songs benefit from coming at the end of the play when we are the most invested emotionally in the characters. Cathy’s songs in comparison are less fun, and her more heartfelt songs come at the start, when they simply do not resonate. It all feels very disconnected in general, the shifting time periods while clever on paper actually keep us from connecting to the characters. In a story where we see a relationship blossom and then die, the end is poignant because of the journey we took to the end. The loss we feel is based on knowing what was lost.

For those who do find connection where I could not let me make some comments on this production at Lyric Arts. First, the negative to get it out of the way, there was definitely an imbalance in the cast. Tommy McCarthy as Jamie was very good, performance wise as well as vocally. Lydia Rose Prior as Cathy, performance wise was strong but vocally there was something off. Not knowing the songs perhaps Jason Robert Brown wrote Cathy’s songs to be discordant since the role is based on his ex-wife. The songs just may not have been in Prior’s ideal range or her voice was showing strain. I tend to think it is one of these issues given the roles Prior has played previously. I liked the stripped down nature of the set design by Greg Vanselow. Lyric Arts has done the flat panels with projection on them several times in recent years and I felt this was the most appropriate use. The inclusion of a dateline on the front of the stage as a visual reminder of where each character is on the story was I think a clever visual choice. I really enjoyed the six Piece orchestra under the music direction of Ben Emory Larson being onstage and visible throughout the performance.

The Last Five Years is playing at Lyric Arts in Anoka through February 11th for more information and to purchase tickets go to https://www.lyricarts.org/last-five-years

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IRONBOUND a Engrossing new Production From Frank Theatre at Gremlin Theatre in St. Paul

Carl Schoenborn, Benjamin Dutcher, Jack Bonko, and Brittany D. Parker Photo by Tony Nelson

I believe this was my second experience with Frank Theatre, the first was in the nascent day of The Stages of MN with a powerful drama called Convert about British colonialism in South Africa. Here IRONBOUND is another excellent example of thought provoking theater that asks us to witness and gain understanding of the “other”. In this case, a Polish immigrant named Darja whose story we witness over the course of about 20 years. Told as a non-chronological narrative we open and end with her in 2014 in between we make stops at in the mid 1990’s and 2000’s. Through these time jumps we witness what life has dealt Darja and it informs her actions and decisions in the 2014 segments. Darja’s life has taught her to be practical about things because at first we get the impression that life is a transaction to her. As the story plays out, we see the dreams she has slip away and the reality of living in a country with all of the advantages when you are not the one who can take advantage of them. Survival depends on being practical, is something she learned at 20 when a reality came and she made the decision to stop dreaming for what she wanted but instead for what she needed. Now in her early 40’s a relationship has devolved into a transaction rather than love. Something I think that happens to some extent to all of us, the idealism of our youth does give way to an understanding as we get older that we adjust our thinking and our planning to not only include our feelings but also our needs. Needs for comfort, security, companionship, hopefully most of us have the means at that point in our lives so that Darja’s approach seems a little heartbreaking. If it sounds like a downer it isn’t, it’s certainly a little bittersweet, but the script by Martyna Majok is also darkly funny.

Brittany D. Parker plays Darja, I hadn’t expected to see someone “new” to me so early in 2024 that blew my socks off through my shoes and up over the audience so that I had to spend 10 minutes after the performance looking around the auditorium for them. If I’ve seen her before and have just forgotten, I apologize. If she just hasn’t been performing much I’d like to know why the hell not? Accent, perfect. Timing, perfect. Emotional openness, I’ll say. There isn’t a moment in the play that Parker doesn’t make what feels like the only possible performance choice and it’s mesmerizing. Never have I seen a performer bring to life a character so strong and in control that you know she can take care of herself, and it makes you want to take care of her. Before I move onto the rest of the cast I just want to welcome Brittany D. Parker onto the list of performers that I will try and see everything they do going forward. I know we just announced the winners of the TCTB Awards last week, but the competition just kicked into high gear for 2024’s best performance and Parker’s is going to be a tough one to top. I don’t mean to short change the rest of the cast who is also very good. Carl Schoenborn, who according to the program spends most of his time backstage instead of in front of the audience, is Darja’s current boyfriend Tommy, who has a problem with fidelity. Schoenborn is wonderfully weak and weasley and brings a rough sloppy charm to a character that could be one note, is anything but. He comes off as utterly flawed, unsure, and completely real. In a black and white world he sucks, but Schoenborn brings all the crayon colors so he’s not the worst thing that could happen to Darja in the real world where we are all doing the best we can. I hope to see Schoenborn getting out from behind the curtains more often, he’s very welcome. Benjamin Dutcher, whom is what my wife refers to as one of her All is Calm boys, takes on his first play. We’ve known him from operas and musicals for years, and I was surprised to learn this is his first straight play, which I assume is a comment on it being non music based not a comment on it’s sexual orientation. He’s wonderful as Darja’s first husband Maks, the give and take between Dutcher and Parker sells the loving relationship and adds to the bittersweet nature of the its fate. Finally, Jack Bonko plays a highschool kid that Darja encounters on a dark night in 2006. The encounter hints at the fact that whomever we are, we have problems, but also highlights the disparity between the 34 year old immigrant who was preparing to sleep on the street and a high school junior who has the means to offer her food and money for a hotel room. Bonko plays the teen with a streetsmart style, he’s funny and tragic, but also offers a glimpse of human kindness that Darja is sorely in need of being reminded exists.

The play is directed by Frank Theatre Founder and Artistic Director Wendy Knox who has made IRONBOUND the first must see production of 2024. I often find myself at a loss after a production to recall much of the lighting and sound design of a production, that is not the case here. Tony Stoeri’s lighting is creative and adds both realism and a dreamlike quality depending on the scene. There are several scenes where headlights come into play and Stoeri’s solution sells the effect completely. Likewise while most of the time jumps happen as a blackout and fade up after some costume changes, there is a moment towards the end when we get a flashback that is actually more like a memory which the lighting is our signal that this one is different, and it’s perfectly clear to us in that moment what is happening thanks to Stoeri’s work. The soundscape created by Dan Dukich envelopes us into the city streets of New Jersey throughout, but there is also fine detail audio work such as car locks and bus sounds. Along with Set Designer Joes Stanley the technical crew has created a world we recognize as our own and which feels authentic and the perfect atmosphere for the story being told.

IRONBOUND runs through February 11th at the Gremlin theatre in St. Paul. For more information and to purchase tickets go to https://franktheatre.org/events/ironbound/

Funny Girl Radiates at the Orpheum Theatre

Katerina McCrimmon and Stephen Mark Lucas Photo by Matthew Murphy for MurphyMade

Funny Girl? More like A Star is Born, that’s what I felt I was witnessing in Katerina McCrimmon’s performance as Fanny Brice. Let’s get this out of the way right at the top, McCrimmon’s performance is phenomenal. We see a lot of great talent come through the Twin cities on tour and hey, we’ve got some pretty amazing local talent as well, McCrimmon’s is one of the gems that raises the bar to another level. First and foremost her vocals are amazing, but she also displays a gift for the comedic and dramatic aspects of the character. I came into the show with little knowledge other than that it was one of Barbara Streisand’s early Broadway successes and that she’d made a film version and sequel. Sometimes approaching what is considered a classic can be a mixed bag. I think back on My Fair Lady which came through town twice in the last five years, still featuring some great songs and moments of humor, but very very dated, almost uncomfortably so. Would Funny Girl suffer from similar societal progressions? No need to fear, the show sidesteps anything that we cannot contextualize as period. This is due to the fact that the main character is a strong female character who succeeds based on her talent. A script about such a character is already ahead of the curve for a show that premiered on Broadway 60 years ago. Anything that is potentially problematic is winked at or acknowledged in songs like “If a Girl Isn’t Pretty” assuring us that they know, like we do, how messed up that is. These may be inherent in the material or they could be part of Harvey Fierstein’s revised book. Either way, this Funny Girl revival is an unqualified triumph.

Loosely based on the real Comedian and Broadway star Fanny Brice, it tells the story of a young girl from Brooklyn who makes it big headlining the Ziegfeld Follies. Not considered conventionally pretty, she has trouble taking the admiration of suave gambler Nick Arnstein at face value, but as we follow her career success, Nick keeps turning up. Audiences will be forgiven for suspecting a rat, we are well conditioned not only in the popular entertainments but in life to, far too often, discover people acting with ulterior motives. While Nick is indeed a hustler who doesn’t always operate on the up and up, I found it very refreshing that their love story was just that, a love story. I was only familiar with two of the songs, “People” and “Don’t Rain on My Parade” and they are the highlights of the musical numbers to be sure. Many of the other songs have a humorous bent and are performed by a very enthusiastic and talented cast. The one rather sweet duet sung by McCrimmon’s and Stephen Mark Lukas, who plays Nick, called “I Want to Be Seen With You” stood out.

Of the other performers Lukas is quite good, with a very strong voice, a charm that endears his flawed character to Fanny and the audience alike, and a shirtless scene that elicited gasps of delight from many in the audience. Of special note are Izaiah Montaque Harris as Fanny’s friend and choreographer Eddie. Harris brings the show to a stop several times with tap routines that will make you wish more shows included tap dancing as when it’s done well, as it is here, it’s quite amazing to behold. Barbara Tirrell as Fanny’s mother is genuinely supportive and brings a level of understanding and wisdom that feels truly genuine. The entire cast of dancers and singers and supporting roles is top notch and I want to acknowledge the work of the Choreographer Ellenore Scott, and Tap Choreographer Ayodele Casel as there was a lot that got me genuinely excited about dance. This is also a wonderfully designed production with high marks going to David Zinn who’s set designs seemed to keep getting better and better as new location after new location was revealed. Susan Hilferty’s costume designs were fantastic, of particular note were the various costumes used in the Follies productions.

Funny Girl runs through Sunday January 21st at Hennepin Theatre Trust’s Orpheum theatre, for more information and to purchase tickets go to https://hennepintheatretrust.org/events/funny-girl-orpheum-theatre-minneapolis-mn-2024/

The Seagull a New Adaptation of the Chekov Classic at Theatre in the Round Players

Welcome faithful readers to the first proper play review of 2024. As part of my 2024 New Year’s resolutions I am going to try and streamline my reviews. Hopefully allowing me a better blog/life balance and a more digestible read for yourselves. This will be an ongoing process and I welcome your reactions either in comments or feel free to email me at robdunkelberger@thestagesofmn.com.

Theatre in the Round Players has begun the new year tackling a classic with a new adaptation of Anton Chekov’s The Seagull. Having come to seriously intense theatergoing rather late in life, I always appreciate when a theatre produces classic plays, the ones everyone has heard of but that they maybe haven’t seen. Since Chekov wrote in Russian, every production I’ll ever see will be a translation or adaptation. Craig Johnson who has written and directed this adaptation for Theatre in the Round states that his watchwords during the process were “Faithful and Fresh”. Johnson is enormously successful in accomplishing this goal creating a production that remains true to Chekov’s 138 year old play while still making it relevant to today’s audiences. This does not feel like a dusty old classic but a reflection on the questions we still grapple with today. The desire to create, the talent to create, the need to be loved, and the power love holds over us. Johnson’s direction adheres to chekov’s original intentions in having some of the more sensational moments happen off stage or indeed in one case between acts. The set design by Michael Hoover is another example of the way in which Theatre in the Round has really stepped up their game in recent years. Embracing the arena and allowing design aspects to bleed off the stage and into the seats with Birch tree trunks and a neighboring estate in the distance.

The plot is like a modern soap opera not in quality but in the complexity of the melodrama. Set in the country estate of the sisters Irina Arkadina a successful actress and her ailing sister Petra. The first portion of the play taking place over a short visit by Irina and her lover Trigorin and the second part about two years later. There are ten main characters in the ensemble and nearly everyone of them is in love with someone who is in love with someone else. The unrequited love does not restrict itself to that of the romantic bend but also the familial. Ultimately, it’s a tragic tale, but one told with a surprising amount of humor. Chekov’s gift is his understanding of humanity and insights into the patterns and neurosis that we are subject to. One of the great scenes is the discussion between the successful writer Trigorin and Nina who wants to be an actress in which Trigorian talks about being an artist in a way that modern young artists will find familiar. It speaks to how not so very different we are today than we were over 100 years ago.

Performances are excellant making every character feel as if they have their own lives beyond the part they play in the plot. Colleen Hennen as Irina is a standout, playing the narcissistic actress perfectly and providing a heartbreaking final beat to the play. Berto Borroto as Konstantin shows the greatest change over the arc of the play. Allowing us to see, through his body language, the maturity that has come over the passage of time. Amy Eckberg as Nina gets a wonderful scene in Act IV where she conveys the emotional toll that last two years have had upon her. Kaleb Baker is wonderfully cast as Trigorin, he does a wonderful job describing the conflicts, frustrations, and inspirations of being an artist. I also want to highlight a couple of supporting parts, firstly Matt Wall is Medvedenko is the just happy to be noticed school teacher in love with Masha the daughter of the estate manager. He’s wonderfully comic in the way he seems to apologize for existing. The Assistant Director Rebecca Wickert who due to an illness in the cast had to perform the role of Masha, does an excellent job stepping in and plays Masha in a way that makes her relatable to generations who have grown up with the goth girl template. Finally, in a fairly small role David Coral plays Dr. Dorn who brings a kindness and humanity and understanding amongst a sea of characters that seem at the mercy of their own neurosis. The script calls for him to be encouraging of Konstantin, and sensitive to Irina, but Coral’s performance makes those moments ring of true compassion.

The Seagull runs through February 4th at Theatre in the Round for more information and to purchase tickets go to https://www.theatreintheround.org/home/season-placeholder/72nd-season/seagull/

The Seagull a New Adaptation of the Chekov Classic at Theatre in the Round Players

The Seagull runs through February 4th at Theatre in the Round for more information and to purchase tickets go to https://www.theatreintheround.org/home/season-placeholder/72nd-season/seagull/

‘Til Death Do Us Die the Most Hilarious and Homicidal Wedding You’ll Hopefully Ever Attend

This follows hard upon my previous and first attendance of a The Mystery Cafe production. In fact, I’ve only reviewed three other productions in between I’ll Be Homicidal For Christmas and the new mystery ‘Til Death Do Us Die. What’s the rush you might ask? Well you know how when you first discovered Schitt’s Creek or Joe Pera Talks With You and you stayed up late bingeing every available episode because you enjoyed it so much? Well it’s kind of like that, I had such a blast with the first one that I wanted to keep going. And like finishing the last season and learning you have you have to wait a year for the next one or discovering that the bastards at Warner Brothers Discovery have cancelled a masterpiece after three short seasons. I’m now a bit bummed that there isn’t a new one on the schedule yet. I also took my own holiday gift giving advice and gave the gift of theater and in this case, The Mystery Cafe was given to some family members. I tell ya what, that’s the way to take in these productions! Get together your favorite mystery comedy loving fans and book a night out for some matrimony and murder. Once again, I stepped into the role of Dr. Watson to observe and be quite clueless as to the solution to the mystery. While the chief aim of the productions is the comedy on which it delivers, I’ve found in both cases that the mystery holds up as well. You could actually solve, but don’t feel bad if like me, you cannot see the solution until it is revealed to you and at which point, it will seem elementary my dear reader. Always the sign of a good mystery is when you can’t figure it out, but once it’s revealed you feel stupid for not solving it yourself. That means they didn’t cheat, but they kept it tricky enough that the answer took some critical thinking to solve which apparently, I don’t possess.

This latest Mystery takes place at the Wedding of Tara Ball played by Nissa Nordland and Duncan Schoen played by Brian Hodge-Rice. The Wedding party is made up of familiar faces Casey Martin, Brittany Oberstadt, Josh Carson, and Jonah Smith. Wini Froelich is the mother of the bride and Brad Erickson is the groom’s grandfather. Tim Dybevik is the Bride’s Uncle who is also officiating the ceremony and the DJ is played by Sam Landman. So glancing over the cast list, that should reveal another reason I wanted to see this production, it’s filled with local favorites. Now the fun of this show is the details, the jokes, the mystery, even the character names but I don’t want to spoil any of that for you. So trying not to reveal anything but still give you a feel for what to expect is the goal here. The audience plays the role of the guests at Tara and Duncan’s wedding, you’ll be seated at tables and if your table is far enough away from where the seating is set up for the ceremony, you’ll get the honor of sitting in the seats reserved for family of the bride and groom. After the ceremony and throughout the reception, you’ll be served your a three course meal, by the actors in character. The mystery will unfold throughout the evening so pay attention to the actors, though they will make sure your attention is on them for the critical moments there are a lot of jokes and comic bits happening at all times. At the end of the evening after you’ve enjoyed your slice of wedding cake, you will be given the opportunity to bribe members of the cast to answer questions using your allotted $20 of Mystery Cafe cash. Once you’ve learned all you can, you submit your guess as to who committed the murder and why. In terms of audience participation it ranges from being cast as the father of the bride or in my case as a line dancing guest our you can just sit back and observe, you really can participate as much or as little as you’d like.

The show is written by Brian Kelly and George Keller, comedy wise there are the odd clunkers here and there but overall its comedic writing and performances are very strong. I think sometimes people dismiss the mystery comedy genre, especially of the “dinner theater” variety as something less than other types of theater. I don’t know why that is, I imagine the script for something like this is just as challenging as any other. The performers need to be well rehearsed and able to stay in character and improvise as they interact with the audience. There are the usual design requirements and perhaps more given the non-theatrical venues. Most importantly, it’s as entertaining as any other type of theater. There’s nothing wrong with theater that is fun, escapism is one of the many reasons we go to the theater. And while it might seem like all this does is entertain, I’ll remind you that it also asks you to engage your problem solving skills and try and help bring the culprits to justice. I am having a great time with these shows they are a lot of fun, both clever and witty, and as an added bonus they are family friendly, so this is a great experience for a family theatrical outing, which is the best kind of family outing.

For more information and to purchase tickets to ‘Til Death Do Us Die go to https://www.themysterycafe.com/

The Stages of MN: Looking Back at the Year That Was 2023

As I look back during this week or so of respite from the hectic theater schedule I maintain for the majority of the year, I can’t help but note that 2023 was a big year for the Stages of MN. By my calculations I saw 190 productions in 2023, that doesn’t include a few that I saw more than once. A quick glance back at last year’s recap tells me that I have improved upon last year’s record by about 40 shows. I used 164,700 words to write about them and faithful readers will no doubt recognize that number as approximately a third more than was necessary, strictly speaking, to accomplish the task. Well that is something I will endeavor to improve upon in 2024. The reach or “views” of the site increased as well, by 68% to be ridiculously specific about it, which means more eyes on theaters and that hopefully translates to more butts in seats. Which means the theaters stay open, the artists make a living (I heard those snorts from the artistic community and yes, perhaps that was a poor choice of words), and we continue to have a robust and eclectic theater community that is capable of moving us, sometimes to tears, sometimes to laughter, occasionally, but rarely, to a solid 20 minute catnap. Whatever you use your theater going time and money to accomplish, whether you are looking for shows that present ideas that challenge you to reevaluate your life choices or are just looking for some escapist entertainment, or indeed a cure for your insomnia we are so fortunate to have the wealth of choices we do here in MN.

Now the financial matters of theaters does not fall within my purview as a theater blogger. I am not doing this for theaters directly, I’m doing it for you, faithful reader. I’m doing this in hopes it encourages you to get off your bums, as lovely, firm, and welcoming as they undoubtedly are, and head to the theater. To let you know about all the fabulously gorgeous shows that the Twin Cities, and indeed the surrounding areas as well, are producing. And do you know who they are producing these shows for? It’s not Texans, not the British, not even the French if you can believe it. No, they are producing them for you. Who’s to say why, maybe it’s because your so damn attractive, perhaps it’s your keen intelligence or the fact that your one hell of a spiffy dresser. Whatever the motivations may be, they are doing it for you. I for one think it’s the polite thing, for you in return, to at least show up and see what these wonderful artists have made for you. Now I know that most of you have busy lives with paper routes and vegetables to can. A few of you may even have a hamster as a pet and I know that they need to be walked at least half a dozen times each day. So what I do, again for you, not the Texans or Falkland Islanders, is try and give an Idea what’s out there and whether it’s up to snuff. Knowing that most of you will be limiting yourself to two or three shows a week, I hope this blog is of use in helping you make the wisest decision for your fine selves as well as the Irish. For some reason I have a surprisingly robust following in Ireland. I’m not sure why, all I can think is that they must have gotten wind that when my children were very young I used to get them up out of bed in the middle of the night and make them promise to die for Ireland. Then I’d give them the Friday penny and send them off back to bed.

This year also saw the launch of Twin Cities Theater Chat the podcast m’colleagues from the The Twin Cities Theater Bloggers and I began. I’m very proud of the work we’ve done on the podcast, and I would be not only remiss but also staggerly ungrateful if I did not acknowledge the hours of work behind the scenes from our Producer/Editor/Engineer and dare I say, yes, yes I do dare, The Voice of Twin Cities Theater Chat, Carol Jackson. While we have only been at it for half a year, it has been steadily growing and I hope audiences will continue to find us because it’s another way for YOU, yes YOU, to stay connected with the theater scene in our community and for us to interact more with you dear sweet nubile reader. Speaking of interacting, our soft launch and unofficial pilot episode was a recording of a talkback that I moderated at Chanhassen Dinner Theatre (CDT) on March 4th with the Director and three of the Actors of their production of The Prom. Which was probably the experience I most cherish from my 2023 theater life. I stepped out of my comfort zone, which is at a keyboard, and up onto the stage and thanks to Director Michael Brindisi and cast members Monty Hays, Maya Richardson, and Tod Petersen I experienced an hour I will remember for the rest of my life. I think the success of that talkback gave me the confidence to take the lead on several of the Podcast episodes and set up interviews with Jeffrey Hatcher, Austene Van, Jen Liestman, Paul de Cordova, Nissa Nordland Morgan, Duck Washington, And my podcast heroes from The Mysterious Old Radio Listening Society.

In addition to covering the Minnesota Fringe Festival and the Twin Cities Horror Festival I traveled to Winona MN for the Great River Shakespeare Festival with my fellow bloggers Jill, Carol and Julie. Which brings up another area of growth for the Stages of MN this past year. Soon after I launched The Stages of MN in the fall of 2019, I think it was a wednesday, as I recall 2019 was lousy with Wednesdays, Cherry and Spoon Author Jill Schafer reached out with what was essentially a cease and desist order. Now don’t misunderstand me, it wasn’t a hostile gesture by any means you see I told a fib a few sentences back, the blog wasn’t The Stages of MN, but was initially launched as Stages of the Twin Cities. It just so happened that there was already a member of the Twin Cities Theater Bloggers (TCTB) with a blog called Twin Cities Stages, which Jill felt, and rightly so I might add, could create confusion. And so I went back to the drawing board and paid for a second domain name, The Stages of MN of which, unless you’ve gone completely senile you are aware of as you are reading this on the aforementioned site. But along with Jill’s inquiry into whether my Mother had had any children that survived infancy and learned to google, was an invite to join the ranks of the TCTB. From the very first messenger exchanges and our first official meet up for Dinner, followed by Family Dinner at Huge Improve, the other bloggers have been generous with their time, insight, and resources. This year with our events for The Prom at CDT and The Pajama Game at Artistry, the launching of the Podcast, the road trip to Winona, some working breakfasts and the odd dinner now and then, these resources or colleagues if you will, have become friends.

I’ve also felt a growing inclusion within the theater community itself. For an introvert like myself that feeling is slow to grow. But, as it has grown its made me more and more conscious of the importance of sharing my love of theater with you faithful reader, or readers if someone is reading over your shoulder at this moment. Letting you know when there is something special out there that you absolutely must see is important, because once the show closes it’s gone, and I don’t want you to miss out. But of primary importance is growing new audiences, steering folks to the shows that will make them want to go back to the theater again and again to recapture the magic of a favorite show. The trick is to get the attention of those potential new audience members. One way is for you faithful reader to share show reviews, spread the word, share the podcast, listen to the podcast when you have people who have never heard it in your car with you or just share this link https://twincitiestheaterchat.buzzsprout.com/. I have begun a campaign of taking young people who would not regularly been exposed to the theater with me to shows. But so far that’s just three people and it doesn’t seem like the most efficient program, though one has already stated that when she has children she is going to take them to the theater! So I’m trying to do my part, but you can do yours as well. Follow and like posts, share the ones that sound exciting to you, those things really do affect the reach, and the reach is the thing wherein we’ll catch the imagination of new audiences.

Now speaking of favorites here are some lists of of those shows I hope you didn’t miss as they were the proverbial bees knees on which we gingerly sit and tell all our theater dreams to. Firstly let me say that I made the decision not to include shows that were eligible and made the list last year. As without that Caveat Christmas at the Local and Who’s Afraid of Winnie the Pooh would have been on the lists, but since they made the list last year let’s make room for some fresh blood. Also the list is in no particular order, this is not a ranking number 1 is not stating it is better than number 8, the numbers are there merely to help me keep count as my fingers are already engaged in typing and cannot be counted on. There is a double meaning in that.

My ten favorite locally produced Plays in 2023:

‘Art’ – The Guthrie Theater
A Very Good Christmas Carol – Created and performed by Jeffrey Nolan and Hawken Paul
Dinner For One – The Jungle Theater
The Kung Fu Zombies Saga: Shaman Warrior & Cannibals – Theater Mu
Village Wooing – The Orchard Theater Collective
Passage – Pillsbury House + Theatre and Exposed Brick Theatre
Twelfth Night – Ten Thousand Things
Rasputin – Four Humors as part of the Twin Cities Horror Festival
Ken Ludwig’s Sherwood: The Adventures of Robin Hood – Theatre in the Round Players
Our town – Lyric Arts

My ten favorite locally produced musicals in 2023:

The Prom – Chanhassen Dinner Theatre
Again – Theater Mu
Othello: The Remix – Minneapolis Musical Theatre
Bright Star – DalekoArts
A Chorus Line – Lyric Arts
Falsettos – Theater Latte Da
The Boy Wonder – History Theatre
25th Annual Putnam County Spelling Bee – Artistry
The Spongebob Musical – Lyric Arts
She Loves Me – Lakeshore Players

Special mentions of fantastic shows that took advantage of site specific or non traditional performance spaces. This is essentially a cheat on my part as it’s really really really hard to choose just 10 shows in each category:

Loch Mess: The Largest Freshwater Musical - Open Eye Theatre performed on the green roof of the Bakken Museum
Red Speedo – Walking Shadow Theatre Company performed in a swimming pool at Hamline University
The Courtroom: A Reenactment of One Woman’s Deportation Proceedings – Jungle Theater performed in the mock trial room at Hamline University
The Buddha Prince – TigerLion Arts Performed as a walking play through Washburn Fair Oaks Park
Much Ado About Nothing – Classical Actors Ensemble performed along the Mississippi River

My five favorite Touring Productions:

To Kill a Mockingbird – Orpheum Theater
Hamilton – Orpheum Theater
Beetlejuice – Orpheum Theater
Company – Orpheum Theater
Mrs. Doubtfire– Orpheum Theater

Every year I add a person or two to my list of “Must See” performers, Actors, Dancers, Singers that I come across throughout the year that I either hadn’t seen before or that really drew my attention that year. This year I have four names that I have added to the list that includes Tyler Michaels King, Max Wojtanowicz, Joy Dolo, Shanan Custer, Daniel Petzold, and Em Rosenberg to name a few and leave several others unnamed like a precious thing that must be kept secret, kept safe.

Jeffrey Nolan caught my attention first at the Lakeshore Players Production of Noises Off.

“Jeffrey Nolan, who plays Tim the Stage Manager, is also the understudy for the male roles in the play brought a different kind of energy to the role. He gets some neat bits that are like silent comedy routines between acts and he plays the roles constant exhaustion in such a way that you feel the character will be scarred for life after this production. …. Watching Nolan try and set the stage with his last ounces of energy at the beginning of Act 3, …. moments of comedic brilliance.”
Noises Off Review 2/5/2023

next up Nolan helped Theatre in the Round Players complete a perfect theater season in Sherwood: The Adventures of Robin Hood

“Theatre in the Round Players (TRP) has the ball at the 10 yard line, it’s 4th and goal and there are seconds left on the clock. If they score here they’ll close out the season with a perfect record. The curtains close to the arena and Jeffrey Nolan has the ball, it looks like he’s stumbling though (gasp!), but wait, it isn’t a stumble, it’s comedic genius! TRP using the Sherwood: The Adventures of Robin Hood Play has scored!!!! The crowd goes wild with laughter! TRP has done it! A perfect theater season! …. I saw Nolan once before in Noises Off as Tim at the Lakeshore Players this past winter. I noted his unique take on the character and brilliant physical comedic bits, particularly during the intermissions, where at one point he spent several minutes somehow entangled with an end table. This production confirms the suspicion that Nolan is a major comedic talent. My only concern is that the theater community won’t know what to do with him as his vibe is so unique. If we don’t see him regularly going forward, it’ll be a disservice on the part of theater companies towards the theatergoing public.
Sherwood: The Adventures of Robin hood Review 6/10/23

He appeared in not one but two productions at this years Minnesota Fringe Festival both of which won the coveted Stages of MN Fringe of the Day Award. First was A Girl Scout’s Guide to Exorcism of which I said “Also because he’s one to watch in everything he does. Jeffrey Nolan appears as The Hawk in what is the first dramatic role I’ve seen him in. If playing a puppet hawk can be called a dramatic role, and honestly, I think it can.” The second was Fargo Allegro “Also Jeffrey Nolan who has quickly made it onto my must see list of local performers, gives a performance completely different from yet just as good as everything else I’ve seen him in so far.”
Excerpts From Reviews of the 2023 Minnesota Fringe Festival

Finally, as if to hedge his bets that he would not be forgotten come year end summations, he saved the best for last with a show he created and starred in with Hawken Paul A Very Good Christmas Carol.

“In 2023 the actor that stood out to me and was added to my list of ”try and see everything they do”, was Jeffrey Nolan. So when I heard about this show, I had to find a way to fit it in and I’m so glad I did. It did not disappoint, Nolan and Paul were both brilliant in their performances but also in their creation of such an enjoyable show. This was the fifth entertainment I’ve seen this season that was based on a Christmas Carol, I can now quote long passages from the book by heart, and yet this was among my favorites and I was completely engaged and entertained throughout. …. Nolan gets to do what he does so well, create a multitude of unique and hilarious characterizations. Both Paul and Nolan display wonderful gifts for improvisation, their reactions to some of the responses given from audience members are as funny as anything scripted.”
A Very Good Christmas Carol Review 12/17/23

Next up is Allison Vincent who isn’t new on the scene but for some reason they really popped into consciousness this year as a Performer, Writer, and Director. It began with Transatlantic Love Affair’s These Old Shoes.

“And my favorite of the group Allison Vincent, who actually gets to play a lot of different characters, most of them wonderful bits of comic relief that lighten the mood and provide a laugh just when you need it.:
These Old Shoes Review 2/3/23

Next up we saw Vincent return to Direct the remount of the 2022 Stages of MN Fringe of the Day Award Winner Andrew Erskine Wheeler’s Whoosh!… this was followed by another hilarious performance at Bryant Lake Bowl in The (Almost) Complete and (Mostly) Accurate History of Alcohol. This was followed up with appearances at the Twin Cities Horror Festival in the two best shows of the festival Marie-Jeanne Valet, Who Defeated La Bete du Gévaudan and Rasputin

“Vincent, who seems to be everywhere these days including two shows in the TCHF (the other is Rasputin), is particularly strong, with a turn as King Louis XV that nearly steals the show.”
Marie-Jeanne Valet, Who Defeated La Bete du Gévaudan Review 10/20/23

“Rasputin from Four Humors … running neck and neck with Marie-Jeanne Valet, Who Defeated La Bete du Gévaudan from opening night as “Best of the Fest”. What do they have in common? both feature Allison Vincent. It’s becoming clear that if you want to have a hit show at TCHF, you cast Allison Vincent in it. This time Vincent is also credited as co writer along with the three other cast members”
Rasputin Review 10/21/23

I had the pleasure of seeing The Prom twice at Chanhassen Dinner Theatre and the honor to share the Talkback stage with the next “one to watch” Performer Monty Hays.

“The Prom is filled with wonderful pairings between performers and characters but none quite as perfect as Monty Hays as Emma Nolan. Emma is the heart at the center of The Prom and my heart overflowed to the point of leaking out through my eyes as I watched Hays bring her to life. In the inclusive spirit of the show, Hays who identifies as transgender/nonbinary, is cast because they are the perfect person for the role. Hays will break your heart in a scene at the close of Act 1 when Emma is completely devastated and blindsided by an act of cruelty. When Emma finds her voice, her way to to fight back against the homophobic community, Hays’s rendition of the song “Unruly Heart” is note perfect. Hays is so open with the audience, that even a middle aged cis male like me, completely identifies with this teenage lesbian. Hays finds the vulnerability but also the humor and courage of the character in a performance that engages in such a strong emotional way. It has the power to evoke genuine empathy, the kind that has the ability to promote change.”
The Prom Review 2/18/23

The final name going on the list is that of Brendan Nelson Finn who appeared in Artistry’s Production of The 25th Annual Putnam County Spelling Bee.

“Brendan Nelson Finn plays William Barfee who uses his magic foot to spell out the words before he says them aloud. Finn is all in on this performance, his characters mannerisms alone when simply sitting in the bleachers while others were spelling had me rolling on the floor.”
The 25th Annual Putnam County Spelling Bee Review 10/12/23

Well that’s the year that was and I look forward to all that the wide world of theater holds in store for 2024. We bloggers have some fun things in the works for this year, some great plans for the podcast and events. I hope to see all of you out there taking in shows, remember when it comes to theater if you see something, by all means say something. Theater is a communal activity, so don’t keep it to yourself. And if you see me at the theater, by all means say hi. Tell me what you have seen, ask for recommendations, be bold, I’ll be shy enough for both of us.