Minnesota Fringe Festival Day 10: “The MacScottish Play”, The Camp Out”, “We Were Only Henchmen”, “Show Me Your Wings” The Stages of MN Fringe of the Day Award Winner, “The Dumb Waiter”, and “What You Need To Do Is!”

While I only have six reviews today I did actually see seven shows. The seventh was a repeat of previous The Stages of MN Fringe of the Day Award winner Emily Bryajian’s Transition: A Story of Two Trans People Becoming Themselves. All the other shows are lucky I don’t give the award to a show twice.

The MacScottish Play is about of group of college students who are mounting a production on Macbeth that seems to be cursed. Cast members keep dropping out and then the Director gets sucked into the play itself. There are side stories for the cast members and lessons about not outing people and none of it matters because you don’t believe a word of the dialogue. The problem with the show is two fold. The script and the performances and it’s hard to say for certain if the failure of one isn’t contributing to the other. Are the performances so mannered and wooden because of the script or is the script better than it appears but is just being hobbled by unprepared actors? I lean towards the script being the bigger culprit. When dialogue exists just to take up time or to try and give an appearance of naturalism without adding anything to what we are seeing, even solid actors can struggle to give them meaning. There are about a half dozen good lines and I’m not saying the idea isn’t good. But the dialogue is illogical and feels like the verbal equivalent of treading water.

https://minnesotafringe.org/shows/2024/the-macscottish-play

The Camp Out this is an Improv show which means every performance will be different. If you’ve ever wondered how true that is M’Colleague Jill, of Cherry and Spoon, took this show in twice and said aside from the set and putting up a tent it was completely different each time. One assumes from the title and the surprisingly elaborate set design that the story they weave will somehow involve a camping trip. I’ve seen good and bad improv, but I’ve never seen bad improv that Mike Fotis, who created, directed, and performs in The Camp Out. Fotis leads a cast filled with Twin Cities best improvisational actors including Rita Boersma, Tim Hellendrung, Nels Lennes, Heather Meyer, and Danna Sheridan.

https://minnesotafringe.org/shows/2024/the-camp-out

We Were Only Henchmen is about two working class Henchmen who, out for a night of Booze and drugs, get talking about their current and past employers. Between them they have worked for many of the cities supervillains, and have opinions on which ones are better to work for. We hear the pros and cons of working for different baddies, there’s talk about benefits, horror stories of what has happened to friends under various employers. The performances are super strong and the show is filled with the sort of real world issues that never come up in comic books. When the two friends witness a superhero doing something horrible, what was a fun night out between friends gets very real. I really enjoyed the humor and performances and the skewed reality of the plays world. And hats off to Costume Designer Leo Green for Mr. Superior’s Superhero threads.

https://minnesotafringe.org/shows/2024/we-were-only-henchmen

Show Me Your Wings is The Stages of MN Fringe of the Day Award winner for Day 10. Show Me Your Wings stands out in the sea of Fringe shows for it’s unique location at Squirrel Haus Arts. But even more unique is the combination of artistic disciplines utilized to convey creator Rhiannon Fiskradatz’s vision. Very much an autobiographical show it uses among other things, interactive art, video, puppetry, watching a painting created before your eyes, dance, and curated artwork. I was hitting a wall when I arrived at Squirrel Haus Arts for this show. This was my 45th show over 10 days, I was curious about the show but also struggling to connect with the aspects of the show that we explored on our own. But I found my way through that when Fiskradatz began to sing. As she talks and sings about different aspects of her life and journey, I found myself rejuvenated and ready by the end to rush out and make it to the final two shows of the day. It turned out to be a beautiful change of pace, a very memorable and special show.

https://minnesotafringe.org/shows/2024/show-me-your-wings

The Dumb Waiter is a one act play by Harold Pinter performed wonderfully by Dominic Schiro and Robert Wood Frank. It’s about two hitmen who are waiting in a room for their next assignment. The Dumb Waiter of the title begins to deliver food orders to them, which they don’t know how to respond too. It’s a play that ends kind of ambiguous, that leaves you a little unsatisfied. But, that when you think back, you were enjoying every moment of the show. Like The Zoo Story, it’s nice to see thrown into the melting pot that is a Fringe Festival, a solid traditional one act play produced. I enjoyed this one as I have everything I’ve seen from Jackdonkey Productions, the company behind The Dumb Waiter.

https://minnesotafringe.org/shows/2024/the-dumb-waiter

What You Need to Do Is! If I had known going in to this show, what it was I’d have never gone in. That said, I’m glad I accidentally attended this one, and now that it’s over, I realize I had a good time. If you like audience participation or those team building get to know you exercises at work, then this is the show for you! If you can’t wait to tell some stranger 3 fun facts about yourself, this is the show for you. Or, Are you like me an introvert, though one who tries really hard to break out of that? If so, this is the show you do not want to find yourself seated at when the house lights are supposed to go down and then don’t. So with all that, why am I glad I ended up at What You Need to Do Is! ? It has everything to do with Coach Clemons and Assistant Coach Low Jack played by Eric Simons and Alsa Bruno. These guys make it as painless as possible, we had laughs but we also actually kinda learned a few things and worked through some issues.

https://minnesotafringe.org/shows/2024/what-you-need-to-do-is-

That’s the reviews from Day ten of the Minnesota Fringe Festival. Be sure to check back daily for new reviews and if you are Fringing and you see me, be sure to stop and say hi! Also for reviews of shows I might not see or for another opinion on ones I have, follow M’ Colleague Jill Schafer at http://www.cherryandspoon.com/ and for other Fringe writings checkout our friend and fellow Twin Cities Theater Blogger Kendra Plant’s blog Artfully Engaging at https://www.kendraplant.com/blog-artfully-engaging.

Tired of missing reviews from The Stages of MN? Do you find yourself left out when all your friends are talking about that great new play that you didn’t even know about? Never fear, that need never happen again. Now you too can subscribe and have every post from The Stages of MN sent directly to your email box. No more hoping the algorithm works in your favor and you actually see a post on facebook or Instagram. No relying on so-called friends to tip you to the best shows in town. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn. You can also read some of my reviews syndicated on the MN Playlist website https://minnesotaplaylist.com/ from time to time.

But that’s not all! Think I may have steered you wrong on a show? Well, I am also a member of the Twin Cities Theater Bloggers (TCTB), where you can read roundups of shows by m’colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers. We also produce the podcast Twin Cities Theater Chat!! which you can access through this link or wherever you enjoy podcasts https://twincitiestheaterchat.buzzsprout.com/ . Now you too can be in the know about all the fabulous theater happening in and around the Twin Cities.

Minnesota Fringe Festival Day 9: “Love Lies a Bleeding” The Stages on MN Fringe of the Day Award Winner! and “The Ghost of Frankensteins Bride”

Only a two show night as I had to review a non Fringe show as well this evening. But don’t let that fool you, the Fringe of the day Winner is very deserving.

Love Lies a Bleeding is The Stages of MN Fringe of the Day Award winner for Day 9. An adaptation of a play from the 17th century by playwrights Francis Beaumont and John Fletcher who were contemporaries of William Shakespeare. The program describes Beaumont and Fletchers intentions as “What if we made Twelfth Night gayer and hornier”. That perfectly describes this comically bloody, but not in a gross out way, play. The original 3ish hour play was adapted down to 1 hour by Vee Signorelli and love to compare scripts sometime, it has a little bit of antiquated speech but nothing on a level with Shakespeare. A great ensemble cast with the highlights being the actors involved in a love triangle between a man, a woman, and their servant, played to hilarious effect by Matthew Smith, Valerie Wick, and Isabella Spiess. I wish I had seen this show earlier so I could get the word out more, but the house I saw it with was fairly full, so hopefully word has gotten out.

https://minnesotafringe.org/shows/2024/love-lies-a-bleeding

The Ghost of Frankenstein’s Bride runs a little under 45 minutes and that seemed a little too long. There seems to be a lot of shuffling of props and restating the same information. I think this was a show with a solid 25 minutes of script padded to a lean 45. I liked the look of the production by Scenic Designer Jordan Leeper. There was something like a magic trick at one point involving jars that was very impressive and I thought the cast was good. But I know what it’s like trying to decide which of the 105 shows to see and the reality is there are other shows that deserve that slot more. I think this team has an interesting idea that they could flesh out for a future run, maybe at TCHF.

https://minnesotafringe.org/shows/2024/the-ghost-of-frankenstein-s-bride

That’s the reviews from Day Seven of the Minnesota Fringe Festival. Be sure to check back daily for new reviews and if you are Fringing and you see me, be sure to stop and say hi! Also for reviews of shows I might not see or for another opinion on ones I have, follow M’ Colleague Jill Schafer at http://www.cherryandspoon.com/ and for other Fringe writings checkout our friend and fellow Twin Cities Theater Blogger Kendra Plant’s blog Artfully Engaging at https://www.kendraplant.com/blog-artfully-engaging.

Triple Espresso Keeps the Audience Wired and Alert at the Plymouth Playhouse

Bill Arnold, Michael Pearce Donley, and Bob Stromberg Photo by Camille Branham – BTE Media!

Triple Espresso is a show I’ve seen signs and ads for seemingly my entire adult life. But, I’ve never seen it until now. Many of you will have seen the show, at one point it played annually for 13 years at The Music Box in Minneapolis. It hold records in cities across the world as the longest running show, it’s earned over $50 Million dollars in ticket sales and been seen by over 2 million patrons. How am I just seeing it now? Whatever the reason I’m glad I finally had the opportunity to sample the beans. For those in the dark, roasted the plot is a reunion of three guys who as far as I can tell never really even had an act, they just wound up in one disaster after another together. As they reunite on stage, they tell the story of their misadventures which we see played out in flashbacks. There is a fair amount of audience participation, get seats in the back corners if you you don’t want to run the risk of being part of the show. What I really enjoyed about Triple Espresso is that it’s the kind of show you can bring the whole family to. It’s clean humor, the jokes are nonstop and wide ranging from comedic magic tricks, songs, and even shadow puppets.

The show is being performed for the majority of the run by the original creators Michael Pearce Donley, Bob Stromberg, and Bill Arnold. John Bush, who has performed the role in Des Moines Iowa, will take over the role of Bobby in the third week and then be joined by his fellow Des moines castmates Patrick Albanese and Paul Somers on select dates. All six of the performers have done the show thousands of times all over the world, so if you can’t make it to the first three weeks, I’m sure you’ll be a good hands. It’s the sort of show that some people will laugh all the way through and then say that was sort of stupid. Well you know what? Try it. The jokes are funny because they seem to flow naturally and sure many are corny and seem like obvious plays on words. It’s like when a magician reveals how a trick is done, you are wowed as it’s happening and then once you know how it’s done you scoff at it because it seems so simple. So don’t ask how it’s done, enjoy the wonder and amazement you feel as it’s happening. Enjoy the laughs as they come and get caught up in the thrill of joining in with a group having a great time. If the jokes feel obvious once you stop laughing, don’t forget the part where you were laughing. It always looks easy when someone does something effortlessly, but believe me it takes creativity, wit, and practice to write and perform a show like Triple Espresso. It is the kind of show that everyone can enjoy and laugh at, but if having fun isn’t you cup of tea, skip it. I for one wish I’d brought all my grown children, siblings and parents with me. Or a group of friends, what a fantastic night out with loved ones this would be.

Triple Espresso runs through August 11th at the Plymouth Playhouse in (three guesses, the first two don’t count) Plymouth! For more information and to purchase tickets go to https://www.tickettailor.com/events/tripleespressoplymouthplayhouse/1084614#

Tired of missing reviews from The Stages of MN? Do you find yourself left out when all your friends are talking about that great new play that you didn’t even know about? Never fear that never has to happen again. Now you too can subscribe and have every post from The Stages of MN sent directly to your email box. No more hoping the algorithm works in your favor and you actually see a post on facebook or Instagram. No relying on so-called friends to tip you to the best shows in town. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn. You can also read some of my reviews syndicated on the MN Playlist website https://minnesotaplaylist.com/ from time to time.

Wish You Were Here Improv Comedy About Loss and Friendship at Strike Theater in NE Minneapolis

Strike Theater sits in the middle of a long long building that is not filled with other theaters. It’s a massive building on a long dark seemingly deserted street in NE Minneapolis. It doesn’t look like the building a theater should be in, it looks like a place you go to have something welded, like for a trailer or something? Anyway, follow your GPS and don’t second guess it, there’s a sign to assure you that you are in the right place. Once inside you’ll feel like you are in a more familiar space, unless of course you are a welder by trade in which case, this might feel really disorienting to you. But I think that’s a relatively small number of you, most have been to other black box theaters and the site of the the concession area and small theater with chairs lined up in front of a designated performance space or “stage” in theater speak. Chances are if you are at Strike you have come to laugh, and In my experience it’s a good bet you will.

The show I took in tonight is one they have performed before and it’s titled Wish You Were Here. It’s a long form Improv comedy in which on any given night the member of the cast who is dead changes. The structure is that a group of friends have gathered in memory of their departed friend. We get flashbacks of the dead friend sometimes monologuing sometimes interacting with characters. Those alternate with the present gathering, where everyone tries to establish characters of their own while also trying to get a read on the characters their fellow performers are creating. It generally leads to a few moments that don’t go anywhere but more often than not things build upon what has come before and there tend to be some running jokes that work and that everyone can utilize at some point. The problem with improv is that what I saw tonight will be different than what you see Friday or Saturday night. For one, a different member of the cast will be dead, may they rest in peace. So describing specific bits, or characters is fruitless. But the premise and the cast are what make a show like this work. The premise is as good as any others it’s riff with possibilities and has the potential to get into so really black comedy.

The cast is filled with folks you’ve seen in other shows around town at Strike, Phoenix and Huge and many other places and changes somewhat between shows. Ours included the multitalented and family favorite Shanan Custer. Our Dead friend was Madde Gibba, with a hilarious recurring bit of making her friends look right in her eyes as she did things, like eat soup, or pee in the ocean. Also in the cast list are Molly chase, Javier Morillo, Duck Washington, Katy Kessler, Eric Heiberg, Rita Boersma, and Sam Landman. The last is a reminder to always ask who the cast is for each night and always pick the one Sam Landman is in. I didn’t get Landman and it was still a good time with lots of laughs. Odds are in your favor now that you will get Landman and or Duck Washington another favorite. Wish You Were Here runs Friday and Saturday evening at 7:30 at Strike Theater for not a lot more information, but to purchase tickets go to https://www.strike.theater/shows.html

Don’t want to miss a single review from The Stages of MN? You can subscribe and have every post sent directly to your email. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn. You can also read some of my reviews syndicated on the MN Playlist website https://minnesotaplaylist.com/

I am also a member of the Twin Cities Theater Bloggers (TCTB), where you can read roundups of shows by my colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers. We also produce the podcast Twin Cities Theater Chat!! which you can access through this link or wherever you enjoy podcasts https://twincitiestheaterchat.buzzsprout.com/ . We post biweekly longer form episodes that will focus on interviews and discussions around theater topics. There is also shorter episodes in which we Bloggers tell you what we think you should get out and see as well as what we have on our schedules that we are most looking forward too.

Clue is Suspiciously Familiar But Devilishly Fun Running Through March 3rd At the Orpheum.

The Cast of Clue Photo by Evan Zimmerman

Any self respecting mystery fan matched their wits against their friends and family growing up over Parker Brothers Clue board game, I am no exception. Having grown up in the 80’s I saw the film version in the theater when it came out in 1985. With a mystery I generally try and askew any research so as not to be inadvertently tipped off to any of the surprises in store. I took the advertising “A New Comedy” at face value, I was shocked, not by the solution to the murders but upon realizing early on that I’d seen this script performed out at Lakeshore Players, which is a community theater company in White Bear Lake, two years ago. So if you’ve seen a stage play version of Clue previously, this is probably that script. You may be wondering if you should see this production if you’ve seen others. Well that would depend on how much you enjoyed the other production. I gave the Lakeshore Players production a positive review, this production dwarfs that one in every possible way. So if you haven’t seen a production of Clue before, or did and really enjoyed it, I’d enthusiastically recommend this one. The two primary reasons are the cast and the production design, both of which are of the highest calibre. Yes, this is probably the kind of show that elicits a review full of Dad jokes and silly word play, you’ve been warned.

I don’t really want to take a stab at running down the entire plot of the show, it is based on the 1985 film, and follows that plot more or less as I recall. For those who haven’t seen the film the set up is a dark and stormy night in a secluded mansion near a washed out bridge, six strangers are invited to dinner. The guests are each given a code name and told not to reveal their true identities. They have been gathered by Mr. Boddy who has been blackmailing each of the guests and now has gathered them together for an unknown reason, dinner is served, murder and mayhem follow in the study over coffee and brandy. This isn’t really a traditional whodunnit so much as a straight up comedy set among the trappings of the mystery genre. The scripts authorial lineage is almost a joke in itself, based on the screenplay by Jonathan Lynn, written by Sandy Rustin with additional material by Hunter Foster and Eric Price, based on the Paramount Pictures motion picture, based on the Hasbro board game Clue. Which of course at the time when the film was made, it was actually the Parker Brothers board game Clue, as Hasbro didn’t purchase Parker Brothers until the early 1990’s. Which is my way of dishing out some red herrings of my own so as not to give any more of the plot away than I have already.

Having seen the script performed before I was struck by how much the performances really affected the comedy. I thought the cast was solid out at Lakeshore in 2022 but this cast knew how to ring twice as many laughs out of the script. There isn’t a weak performance but there were a couple that really stood out as exceptional examples of physical comedy. Mark Price as the Butler Wadsworth is fantastic following in the shoes of the great Tim Curry from the film version. Price’s dry wit in the opening as he greets the guests alerts the audience from the outset to listen for double meanings and word play. His recap of what has happened so far before everyone attempts to guess the killer is a manic tour de force. John Shartzer takes the physical comedy up a notch as Mr Green, there is a scene with a chandelier that doesn’t seem like it should be physically possible. Watching Price and Shartzer square off towards the end in a series of inventive comedic touches that add laughs that simply wouldn’t exist if played by any other actors. The other element that simply cannot be matched on a smaller budget is the set design by Lee Savage. The set features rooms that open like drawers from the wings, walls that drop from the ceiling, including one with a wall safe behind a portrait that gave us an unplanned intermission when some technical difficulties arose. Important to note that Minneapolis is the launch of this National touring production, so the odd hiccup can occur as it isn’t yet the well oiled machine it will undoubtedly become. It was a short delay and oddly added to the fun of the whole evening, and the cast picked up right where they were and carried it off like pros. Assisting in bringing the whole affair to wonderful visual life was the lighting design by Ryan O’Gara which in a really fun touch included flickering the house lights at the start to emulate the lighting effects.

Clue is running through March 3rd at Hennepin Theatre Trusts Orpheum Theatre in Downtown Minneapolis as part of the 2023-2024 Bank of America Broadway on Hennepin season. It’s a great looking production filled with laughs and fun appropriate for anyone 12 and older, a great trip to theater for young teenagers as it’s got a nice blend of creativity visually and overflows with humor. For more information and to purchase tickets go to https://hennepintheatretrust.org/events/clue-orpheum-theatre-minneapolis-mn-2024/

‘Til Death Do Us Die the Most Hilarious and Homicidal Wedding You’ll Hopefully Ever Attend

This follows hard upon my previous and first attendance of a The Mystery Cafe production. In fact, I’ve only reviewed three other productions in between I’ll Be Homicidal For Christmas and the new mystery ‘Til Death Do Us Die. What’s the rush you might ask? Well you know how when you first discovered Schitt’s Creek or Joe Pera Talks With You and you stayed up late bingeing every available episode because you enjoyed it so much? Well it’s kind of like that, I had such a blast with the first one that I wanted to keep going. And like finishing the last season and learning you have you have to wait a year for the next one or discovering that the bastards at Warner Brothers Discovery have cancelled a masterpiece after three short seasons. I’m now a bit bummed that there isn’t a new one on the schedule yet. I also took my own holiday gift giving advice and gave the gift of theater and in this case, The Mystery Cafe was given to some family members. I tell ya what, that’s the way to take in these productions! Get together your favorite mystery comedy loving fans and book a night out for some matrimony and murder. Once again, I stepped into the role of Dr. Watson to observe and be quite clueless as to the solution to the mystery. While the chief aim of the productions is the comedy on which it delivers, I’ve found in both cases that the mystery holds up as well. You could actually solve, but don’t feel bad if like me, you cannot see the solution until it is revealed to you and at which point, it will seem elementary my dear reader. Always the sign of a good mystery is when you can’t figure it out, but once it’s revealed you feel stupid for not solving it yourself. That means they didn’t cheat, but they kept it tricky enough that the answer took some critical thinking to solve which apparently, I don’t possess.

This latest Mystery takes place at the Wedding of Tara Ball played by Nissa Nordland and Duncan Schoen played by Brian Hodge-Rice. The Wedding party is made up of familiar faces Casey Martin, Brittany Oberstadt, Josh Carson, and Jonah Smith. Wini Froelich is the mother of the bride and Brad Erickson is the groom’s grandfather. Tim Dybevik is the Bride’s Uncle who is also officiating the ceremony and the DJ is played by Sam Landman. So glancing over the cast list, that should reveal another reason I wanted to see this production, it’s filled with local favorites. Now the fun of this show is the details, the jokes, the mystery, even the character names but I don’t want to spoil any of that for you. So trying not to reveal anything but still give you a feel for what to expect is the goal here. The audience plays the role of the guests at Tara and Duncan’s wedding, you’ll be seated at tables and if your table is far enough away from where the seating is set up for the ceremony, you’ll get the honor of sitting in the seats reserved for family of the bride and groom. After the ceremony and throughout the reception, you’ll be served your a three course meal, by the actors in character. The mystery will unfold throughout the evening so pay attention to the actors, though they will make sure your attention is on them for the critical moments there are a lot of jokes and comic bits happening at all times. At the end of the evening after you’ve enjoyed your slice of wedding cake, you will be given the opportunity to bribe members of the cast to answer questions using your allotted $20 of Mystery Cafe cash. Once you’ve learned all you can, you submit your guess as to who committed the murder and why. In terms of audience participation it ranges from being cast as the father of the bride or in my case as a line dancing guest our you can just sit back and observe, you really can participate as much or as little as you’d like.

The show is written by Brian Kelly and George Keller, comedy wise there are the odd clunkers here and there but overall its comedic writing and performances are very strong. I think sometimes people dismiss the mystery comedy genre, especially of the “dinner theater” variety as something less than other types of theater. I don’t know why that is, I imagine the script for something like this is just as challenging as any other. The performers need to be well rehearsed and able to stay in character and improvise as they interact with the audience. There are the usual design requirements and perhaps more given the non-theatrical venues. Most importantly, it’s as entertaining as any other type of theater. There’s nothing wrong with theater that is fun, escapism is one of the many reasons we go to the theater. And while it might seem like all this does is entertain, I’ll remind you that it also asks you to engage your problem solving skills and try and help bring the culprits to justice. I am having a great time with these shows they are a lot of fun, both clever and witty, and as an added bonus they are family friendly, so this is a great experience for a family theatrical outing, which is the best kind of family outing.

For more information and to purchase tickets to ‘Til Death Do Us Die go to https://www.themysterycafe.com/

I’ll be Homicidal for Christmas, A Laugh Filled Murder Mystery That You Get to Help Solve!

Eric Webster, Kathy Kupiecki and Paul Somers

I love a mystery, I mean it, I’m not just listing the name of an old radio program, I really do love a mystery. What I discovered today, but have suspected for a long time, is that I’m no good at solving them. But hey, maybe that’s why I like them so much, the solutions always strike me as ingenious. I’m content to be Dr. Watson along for the ride, baffled and then embarrassed at how elementary it all sounds when it’s explained to me like a fourth grader trying to grasp the difference between a semicolon and a colon. And like the mystery of the colons each time a new whodunnit arises I’m baffled all over again. All I know for certain is that a couple of years ago I had part of my : removed, so now I just have a ;. The Mystery Cafe has been baffling and making audiences laugh since 1989; but this was my first meal and a murder with them: and I found it delightful! The current show, I’ll be Homicidal for Christmas runs into January, but if you can’t make that they also have two other shows on their schedules and one of them runs into February.

I attended a brunch performance and aside from the very entertaining show there was a tasty buffet meal, I believe the evening performances come with a 3 course meal. The plot of I’ll be Homicidal for Christmas per the Mystery Cafe website is:

Albee Humphrey used to be a household name, but these days his star is fading. He’s got one last shot at a comeback – with a network televised Christmas special. There’s celebrity guests, variety acts, and…murder. This is his last chance to be a star again. He’ll either make it back on top… or die trying!

Albee Humphrey is played by Eric Webster of the MORLS or The Mysterious Old Radio Listening Society for long, which faithful readers will recognize as a favorite of mine. I’d seen and heard Webster Perform with the MORLS and in other shows for years, I’ve even interviewed him for the Twin Cities Theater Chat podcast (click on link to hear that episode https://bit.ly/TCTCMORLS ), so I knew he could act and that he’s very funny, but what I wasn’t aware of is that he’s a very good singer as well. Webster is perfectly cast, his love of classic radio and films informs his performance as Humphrey, he nails the look and style of the character. When I booked the show I was also excited to see his wife Shanan Custer was also in the cast. I was a little disappointed when I found out she wouldn’t be at the performance but her replacement Kathy Kupiecki was wonderful playing three different characters. My favorite of which was Sheila, one half of a knife throwing act, whose name I can remember because she kept introducing herself. Also doing triple duty in the show is Paul Somers who plays the other half of the knife throwing duo as well as Pickles the Ventriloquist and Bernie Bridges. Bridges is the other half of a comedy team with Humphrey in the mold of Martin and Lewis who hate each other and haven’t worked together in 20 years. Somers is hysterical in all three roles getting the most fabulous costume and wigs to round out his eccentric characters. The other main performers are the wonderful Randy Schmeling as the Director of the TV special and Rita Boersma as Frankie his assistant. Both are decked out in 1970’s attire really looking the part, hats off to whomever is in charge of costumes and wigs they add so much fun to the experience. And lastly, as the almost overlooked Production Manager Simon is Michael Franssen, he doesn’t get a lot to say but you can tell he’s the guy behind the scenes keeping everything on track.

The wonderful cast does a great job of performing in and amongst the audience. I’m always surprised at the ability of certain performers to stay in character while stand right next to the audience and even interacting with them. I know some of these performers from seeing them in improv shows and I suspect those skills serve them well here. I got the sense that a couple of the lines spoken to each other were unscripted and it was fun to see them trying not to laugh at the lines they were being fed. For more information and to purchase tickets to I’ll be Homicidal for Christmas or any of the Mystery Cafe shows go to https://www.themysterycafe.com/

This Holiday season why not start a new tradition of taking in a live theater production with family and friends? It’s a great way to create lasting memories and will give you something to look forward to every year as you experience the magic of live theater. Whether your budget is large or small, there is a show for you. Looking for gift ideas? Don’t we all have enough “stuff”? Give the gift of live theater, go to your favorite theaters website, see what shows they have coming up in the new year and give the gift of an experience over material.