
Six Points Theater’s production of The Last Yiddish Speaker is a terrifying look at what we want to tell ourselves “could have been,” yet something in it whispers, unsettlingly, “what might still come to be.”The premise is that the January 6th 2021 insurrection in Washington succeeded. The setting is a small rural community, the year 2029, the signpost up ahead, The Twilight Zone.
We open in the home of Paul and Mary, a father and daughter — Jewish by birth, Christian by necessity. Mary’s real name is Sarah, but that, like their true identity and beliefs, must remain hidden if they are to survive. Mary is a high school senior still reeling from the latest news: women are no longer allowed to attend universities. That was her path out.
Her boyfriend, John, is part of the MAGA youth movement. His after-school job? To search Paul and Mary’s house every day, checking browser history and making sure there are no banned books. They aren’t under suspicion, it’s simply protocol when someone new moves to the town. One more month, they tell themselves, until they hit their one-year mark and the surveillance ends.
They have internalized the roles they must play: a Jesus loving, Walmart working, churchgoing father and daughter. That fragile safety shatters one night when pounding on the door wakes them. They fear discovery, but instead, an elderly woman is dropped on their doorstep. She claims to be their great aunt Chava. She is the last Yiddish speaker of the title. She is not their relative in a literal sense, but a spiritual ancestor to be sure. A woman who has lived 1,000 years and as long as Jews exist, will live 1,000 more.
The play portrays John not as a villain, but as sheltered. Someone who has grown up surrounded only by people who believe exactly as he does. He could easily be one of the many Americans who receive all their “news” from Fox News and mistake it for truth. John respects Mary, and we can see the capacity for him to change; he has simply never had the opportunity. He is the blind led by the hateful, yet we sense within him the ability to see, if shown the truth. I appreciate that playwright Deborah Zoe Laufer makes the only non-Jewish character, and by default the antagonist, a figure of hope. A reminder that some minds may shift when exposed to love, truth, and humanity. Nothing can be done about those who knowingly stoke hate and greed, except, perhaps, to ensure they are not re-elected, assuming elections continue to exist at all.
Sally Wingert is, of course, perfect as Chava, carrying not only centuries of wisdom, but the heartbreak and clarity that come with witnessing humanity repeat its cycles. Avi Aharoni brings depth and conflict to Paul, a man choosing survival and safety for his child over resistance. It’s an argument that, outside ideology, becomes painfully understandable. But the true standouts are Charleigh Wolf as Sarah/Mary and Carter Graham as John, two performers I don’t recall having seen before, and I now hope to see much more from. They provide the drive and heart of the play, they are the future Chava and Paul are the past and present. It’s a scary view of the world, but it does end with a glimmer of hope. It may not be the light hearted entertainment you are looking for, but it is the kind of important work that needs to be seen.
A note on Michael Hoover’s set design: walking into Six Points Theater some patrons might be a little surprised at the decorations covering the walls. If I were John I would be saying “The lady doth protest too much, methinks.” If ever a show needed trigger warning for Jesus this is it. I don’t have a problem with Jesus he seems like a cool cat. I just disagree with what some people do in his name. I think people who have been victims of such misappropriations of his name, might actually appreciate the warning.
The Last Yiddish Speaker runs through November 9th at Six Points Theater in St. Paul. For more information and to purchase tickets go to https://www.sixpointstheater.org/last-yiddish-speaker
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