Mistletoe & Mayhem: The Hallmark Parody of the Season! Brings Merriment and Mirth to the Phoenix Theater

Dawn Krosnowski and Sam Poppen connect over cocoa Photo by Steve Aggergaard

Still bummed about the first real snow of the season? Still smarting from the Loons’ loss in the division semifinals? Don’t dwell on icy roads, think about the fact that this means we may get a White Christmas! And hey, the new MLS season kicks off February 21st! But if you need help seeing past the disappointments, Mistletoe & Mayhem: The Hallmark Parody of the Season! is just the ticket to kickstart your holiday spirit.

Using the Hallmark Channel Christmas movie template as fodder for comedy isn’t new, but that’s perfectly fitting, because neither are the movies themselves. What matters is the execution. From past experience, I’ve learned that the script determines how successfully this concept lands. It can’t simply skewer one trope after another; it still needs its own story. Just Us Theater’s production, written by Jami Newstrom, not only delivers a story packed with laughs, it even positions itself beautifully for a sequel.

The story follows Victoria Steele, a cold-as-steel big city corporate executive sent to evaluate the town of Snowberry Falls as a potential site for an Evergreen Resort. There, she joins the town’s over-the-top holiday festivities and of course, slowly warms to the cheerfully aggressive Christmas spirit of a place that celebrates the holiday eleven months out of the year. The town is filled with colorful characters: Hank and Betty Evergreen, Grandma Twinkles Evergreen, Mayor Kringle, Carol, Joy, and Nick Evergreen, the handyman and Mr. December in the Holiday Hunk Calendar. As Victoria begins thawing in the glow of Nick’s holiday hunk energy, her smug city boyfriend Chad inconveniently arrives. By the final bow, Newstrom ties up all the main plot threads nicely…but leaves just the right mysteries dangling: What did Carol do to land on Betty’s naughty list? Why only eleven months of Christmas? And what’s the real story with Marzipan, the goat?

The cast is a delight. Dawn Krosnowski is technically polished as the hard edged businesswoman but wonderfully vulnerable as Snowberry Falls works its magic. Instead of acting annoyed by the town’s chaos, she plays amused disbelief, giving us a human being to root for rather than a stock caricature. Tim Uren and Sarah Broude are hilarious as Hank and Betty Evergreen (for a peek of them in character, check out the Stages of MN Holiday Preview episode: https://bit.ly/TSOMNEp21YouTube). One of my favorite moments comes courtesy of Uren’s Hank after sampling a fudge that’s been…unexpectedly microdosed. Sam Poppen’s Nick plays the straight man to the madness brilliantly, even while doing wonderfully silly bits like solemnly adding a log to the fire from his handyman toolbox.

Newstrom, who also directs and designed the production, nails the tone. It sits perfectly between impossibly ridiculous and genuinely sincere. The production design is impressively elaborate for the Phoenix Theater’s small space. The holiday excess feels intentional, curated, and festive, not like someone simply threw tinsel at every surface and hoped for the best.

Let’s make Mistletoe & Mayhem: The Hallmark Parody of the Season! a hit so big that Just Us Theater has to cash in next year with: Mistletoeier & Mayhemier 2: Return to Snowberry Falls! To make that sequel happen, buy your tickets at https://mistletoe-mayhem.com/. The show runs through December 14th at the Phoenix Theater in Uptown.

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The Rainmaker Feels Very Modern, Very Funny, and Very Worth a Trip to Lyric Arts in Anoka

Eric Knutson, Jack Bonko, Warren Sampson, Nora Targonski-O’Brien, Samuel Burnham Photo by Molly Weibel

The Rainmaker was written in the early 1950’s, set during the great depression, but feels incredibly modern in its approach to interpersonal relationships. The Curry family are losing cattle due to a drought when a Rainmaker comes by and offers to make it rain within 24 hours for $100. That’s the tagline but it’s not really what the play is about. The play is really about believing in yourself, the importance of hope and of having dreams. It’s about the ways in which those without dreams sometimes only see them as dangers, and the damage they can do to those around them in trying to protect them from dreams. I wasn’t sure what to expect, never having seen the play or the famous 1956 film starring Burt Lancaster and Katharine Hepburn, but what expectations I did have were completely off base. I thought it would be a serious drama about the depression and a con man who takes advantage of people down on their luck. Instead it’s a warm, funny, and inspirational work that connects to the audience as they characters strive to make connections to themselves.

Director Ben Thietje has brought together a fantastic cast, some familiar faces and a couple of new ones that were quite impressive. Eric Knutson, as the titular Rainmaker Bill Starbuck, may be a liar but he wants to believe everything he says. His entrance and first scene sets the tone, he is boundless in his quest to find the right line to reel in his prey. With arms outstretched he makes his pitch in the Curry living room as if he was in a large outdoor church meeting tent speaking to a crowd of hundreds. Knutson has the perfect amount of charm to sell the act and make us see the dreamer inside the con man. Nora Targonski-O’Brien is wonderfully subtle and raw as the daughter and sister Lizzie Curry whom her family is worried will never marry, and thus become an old maid. It reminds me of the line in It’s a Wonderful Life when Clarence tells George that if he were never born Mary becomes an old maid!! Like not getting married is the worst possible fate for a woman. It’s a comment on the times in which the play was set and written, but for all that in many other ways it feels very permissive and forward thinking. The entire cast is solid, but there were two performers that I’m not sure I’d really seen before that were both great in their roles. I want to mention them, so as to hopefully have their names stick in my mind so I can watch for them in upcoming productions. Samuel Burnham plays the eldest son and brother Noah Curry and Christopher D. Knutson who plays the Sheriff’s deputy, File. Where other actors need to go big for their roles, these two ground it in a reality, perfect for their characters.

Adding to the evenings entertainment is a wonderful set design by Justin Hooper, Lighting design by Alyssa Kraft, sound design by Corinne Steffens, and some nice costuming from Samantha Fromm Haddow. I thoroughly enjoyed my time with the Curry family and it’s script by N. Richard Nash seems as relevant and modern as something written today, seventy years later. The Rainmaker runs through March 23rd at Lyric Arts in Anoka. For more information and to purchase tickets go to https://www.lyricarts.org/rainmaker

Now more than ever in the wake of the most recent election and the hailstorm of stupidity and hate it has unleashed, Theater companies need you and we need them. Buy tickets to shows go out and support work that reflects diversity and inclusiveness. Donate to your favorite theater companies, don’t wait until they are on the brink of shutting down. We all need to stand up and fight for our Theaters whose funding is under attack for promoting inclusion, equality and diversity.

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