OK, I feel like I’ve finally seen a typical Minnsky theatre production now. What I’ve learned is there is nothing typical about a Minnsky theatre production. I’m three shows into my Minnsky experience I can tell you this much: it could contain amazing singing or lip synching, a beautiful dance routine or striptease, it might have funny smart dialogue or the performers might seem lost on stage, there maybe acts of acrobatic wonder performed on poles, hoops, and giant swings or someone might fall off of a black box. More than likely it will contain some combination of all of these. In short a production at the Minnsky is something of a wild card. I guess you could say a show at the Minnsky is like a box of chocolates, you never know what you’re going to get. How the Grinch Stole XXXMas is no different. To be blunt, it’s a bit of a hot mess. The only thing wrong with describing it as such, is that you might think that’s a bad thing, you silly goose (that’s an inside joke for Betty Lou Whooterson).
I’m coming to relish these shows, there is always so much that works, that it offsets what doesn’t. In a more serious theatre the ratio might be maddening, but at Minnsky you tend to just enjoy what works and shrug off what doesn’t. One moment you are tickled at the sheer number of Dr. Seuss references they can squeeze into the first 5 minutes of the play, the next you’re trying to figure out if the chaos on stage is planned or if they didn’t remember what happens next. But before you can figure it out, someone is taking their clothes off, and it isn’t going to be who you think. Yes, I’m talking about you fishing husbands. This show was less than the sum of its parts. If you judge How the Grinch Stole XXXMas as a whole, it doesn’t add up to the fun you have as you watch it. That is the key to enjoying these shows, focus on the moment, the moments are where these shows come alive.
There is a story here that could be turned into a fun cohesive play. I could tell you the plot, explain where I think it could be tightened what could be added in order to develop a stronger theme. But again, that really isn’t the point. Suffice to say it’s the plot of the classic Grinch story filtered through a romantic comedy, with a healthy dose of Minnesota and risque humor, and topped off with iconic 90’s music. I can tell you who belongs on the stage, and I will point out the standouts, and who maybe wasn’t ready for the big show yet, which I will not do. Because this is another key to enjoying a Minnsky show, inclusion. You get the feeling watching a Minnsky show that if you have a desire to perform, they are going to give you a shot. Most productions that would be a negative, but somehow the Minnsky has turned this into one of it’s most winning characteristics. Not only are you being entertained by the cast but you are also being inspired by them. There are performers on stage doing things that require confidence and courage. A meaner audience might mock some of them, but that would be a comment on that audience not these performers. You feel watching them that they are embracing who they are and what they want to be doing. I am envious of those who achieve that level of unselfconsciousness. It is beautiful to see someone achieving this level of self love and embracing their beauty and talents. This is a cast to be celebrated, not criticised.
So let me briefly celebrated a few of the standouts, let me first acknowledge I know these are not their actual names, but I’m going off of the cards in the lobby. Jac Fatale as Betty Lou Whooterson the Mom of the Whooterville family the show is focused on. She is channeling the Fargo characterization to great effect. There was also a duet towards the beginning that starts out as a lip synch and then turns into the performers actually singing I’ll Always Love you … really good! it was a scene that was silly, funny and then amazing. Tifd Ynamite as The Grinch has an ease on stage and delivery that carries the show, whether it be interacting with Cindy Lou, The Narrator, or his Dog Max. Mimi Clochette as Cindy Lou Whooter also shines and comes across as an experienced performer who can bring the naughty and the nice. There are two near silent roles that were probably the most accomplished of the show Bookie Blues as Max and Miss Pussy Willow as Mittens the Cat. Both of these performers perfectly stayed in character, they were always doing some piece of business that fit, even when the audience wasn’t supposed to be looking at them. Mittens would be crawling across the table licking the food staying in true cat form. Max is allowed to be more than just a dog, he is more like Silent Bob to the Grinch’s Jay. That is a parallel that could probably be mined for a joke or two. The two animals also share my favorite acrobatic sequence when they take turns and then share the giant air hoop, again staying in character while doing so.
How the Grinch Stole XXXMas plays through December 13th for more information and to purchase tickets visit their website at https://www.minnsky.com/ If you are looking for something fun to do with your adult friends this holiday season check it out, it’s a wacky, Silly and naughtily fun. It is an 18+ show, it’s probably not something to take Grandma or your look obsessed judgemental friends too. But anyone else 18 or older, particularly if you were pop culturally aware in the 90’s will enjoy it.