Minnesota Fringe Day 6 : Songs Without Words (The Stages of MN Fringe of the Day Award winner), Our Zombie Town, Academonic, The Lasso Way: A Musical.

So it took 28 shows until I found one that I couldn’t wholeheartedly recommend. But you know what? Tonight was the kind of night that reminded me of what the Minnesota Fringe Festival is all about. It’s about trying new things and that doesn’t just mean the audience, that means the people on stage too. Look at my friend Kendra Plant, first time Fringe producer of The Kendra Plant Variety Hour. Her whole show is about trying something new and working through it even if you have some anxiousness. Fringe is a place for Artists to come and try new things. It’s also a place for artists to present their tried and true productions. You can be as polished as Melancholics Anonymous or as bare bones as one person standing on a blank stage reading from a script. As an audience member you rarely know really what you’ll be getting, sometimes the most excellent sounding premises fall flat and other times the show you see becuase you couldn’t get into the one you wanted to see blows you away. Tonight was really all over the place, but even the worst show of the evening had something good about it. And I want to champion everyone’s efforts. But, I’m also not honoring my promise to you if I don’t tell you what shows I’d skip. If I don’t try and help you decide where your time is better spent, than what use am I? I’m just a publicity machine, and that’s not why I started doing this. There are 99 shows to choose from and I owe it to you to help you make that choice if I can. So as promised these are my Minnesota Honest Reviews Truthful, but hopefully not hurtful.

Songs Without Words (or, The Mendelssohn Play) Is a show I did not have on my schedule originally, but word of mouth convinced me to make a change (sorry Ping Prov). I’m glad I did as I have given it my The Stages of MN Fringe of the Day Award. This is a show from an out of town Artist and I always feel like I should try and make sure I see more of those, but again 99 shows. You start making a list based on who’s work you’ve enjoyed in the past whether it’s a theater company or a performer, and then which shows the description sounds interesting, and then the all important factor, where you look at your schedule and say, you know if I see that show I can just stay at Open Eye all night and not have to drive back and forth. why am I spending so much time describing schedule making? Because I don’t have a lot to say about the content of this show. It’s very polished and elegant, it’s the story of sibling composers Fanny and Felix Mendelssohn. Is filled with beautiful music, a reminder of the injustices woman have suffered in the past not being allowed to have the same options, or sometimes any options as men. It’s a theme that pops up in several of the Fringe shows I’ve seen so far this year, because apparently half of the country need to be reminded of how things were and have it pointed out that, that was bad. Songs Without Words is not just a message play it is a fascinating exploration of two people that I knew nothing about, other than having heard some of their music. Jennifer Vosters who created and performs the shows is mesmerizing in both roles. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/songs-without-words-or-the-mendelssohn-play-

Now it starts to get interesting Our Zombie Town is a modern mash up of the Thornton Wilder play Our Town and the zombie world of George A. Romero. It’s a great idea and I feel like the script by Richard Chin is actually fairly solid, maybe even really good. The problem is that it feels like we are watching a run through of the performance two weeks into the planned four week rehearsal. Everyone is “mostly” off book but maybe haven’t entirely made all of their choices yet on how they plan to play a scene. There are a few good performances but too many of the cast seem content with having remembered their lines and spoken them. It may be a Fringe show, but the best Fringe shows regardless of budget or silliness of the subject matter, have actors that still try and create a character. Maybe it’s the amount of rehearsal time the cast had, maybe it’s weak direction, or an over reliance on the high concept to win the day. I’m not sure. But the one thing I don’t think that is at fault is the script. And there’s one set piece that almost makes this worth checking out. But with 98 other shows to choose from, I can’t recommend Our Zombie Town to everyone. Die hard zombie fans or people who have acted in a production of Our Town are probably the most likely to enjoy this. But, and I can’t stress this enough, this is my opinion, Faithful readers will know where our tastes diverge. A glance at the Minnesota Fringe Kitty meter or whatever they call that Kitty rating system has this at 4 1/2 Kitties. Does anyone else find that disturbing? I’m not a cat lover but even I don’t like the image of half a kitten. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/our-zombie-town

So apparently when I was making my schedule I thought what I needed was a Twin Cities Horror Fest wannabe night. Academonic has sort of the opposite issue of Our Zombie Town. This one I thought the performances were all fairly solid but the script needed another draft or two. This may be the result of someone’s ping pong ball being pulled without them having any idea what they wanted to do. In which case getting a play written at all is fairly impressive let alone casting and rehearsing and performing it. It’s not that you can’t follow the script or glean from what is happening the motivations and relationships. But a solid script doesn’t make you have to glean things or make assumptions. Pretty much everyone in the cast is good but especially Tamira Rashid as the protagonist Ellen Karass, which we assume is a play on the priest in The Exorcist, and Kiran Arquin who plays a demonic carpet. The only time the performances falter is when they are given too little to say or do and you feel like even they are gleaning what their characters motivations are supposed to be. If you gotta see one of these two horror themed plays this Fringe I’d bet on this one, but be warned the script is murky and directionless at times. It feels like they had thirty minutes of material, a story possibly able to support a longer running time, but ran out of time to flesh it out. And so, they wrote time filling dialogue that would challenge any actor to deliver convincingly. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/academonic-

The Lasso Way: A Musical is fun without rising to the level of other musicals I’ve seen this Fringe. Full disclosure, I’m a big Ted Lasso fan. When this show opens with Ted’s son in court because he’s spray painted the word “Wanker” all over New York City because he hates his Dad, who’s dead, the show had an up hill battle on it’s hands. Sentenced to community service directing a musical about his father or faced with years in person Henry must learn to be a Director and deal with his daddy issues. This is a little rough around the edges but overall if you are a Lasso fan, you’ll want to see this. Co-creator Travis Carpenter is well cast as Coach Beard and Noah Johnson as the actor Brent who is playing Roy Kent in the musical, does an uncanny vocal impersonation during his first line readings as the character. His song about saying the F word, is easily the best musical number in the show. There are a lot of nice touches throughout including a hallucination conversation Henry has with his dead father. By the end it’s quite winning and remains faithful to the message of Ted Lasso. this is a recommend but if you don’t know the show Ted Lasso, that might hamper your enjoyment. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/the-lasso-way-a-musical

That’s it for day six of the Minnesota Fringe Festival you can click on the Fringe website here to get details on all of the shows https://minnesotafringe.org/shows/2025. Don’t forget to tune into The Stages of MN YouTube channel for mini episodes all week long from The MN Fringe Festival https://www.youtube.com/@TheStagesofMN

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Minnesota Fringe Day 5: I Have Griefances, The Gentlemen’s Pratfall Club (The Stages of MN Fringe of the Day Award winner), OPERA PUNKS, Shrieking Harpies Presents: Period Piece.

I’m just back from Day 5 of the Minnesota Fringe I’ve got my reviews below. I also want to let folks know there is a new Minnesota Fringe edition of the YouTube show up today, so check it out it’s full of Artists telling about their shows and Audience members giving recommendations of the best shows they’ve seen so far. click here to view it https://bit.ly/TSOMNFringe2025miniEpisode2

I Have Griefances is closer to the show Wells Farnham wanted to do in 2023 when he first came off the Fringe waitlist. But he couldn’t because it was all about making fun of his family, and they had all just gotten cancer. So instead he did a very funny show in which he talked through the Fast and the Furious film series and the children’s show Paw Patrol. That show was funnier, but what this one loses in humor it makes up for in heart. This isn’t a lesser show it’s just a different blend of humor and pathos and both are equally effective. My favorite bit is the explanation of the lamp shade story that has plagued him for years. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/i-have-griefances

The Gentlemen’s Pratfall Club By Comedy Suitcase is the latest show from Joshua English Scrimshaw and Levi Weinhagen their 2022 show Bob and Reggie Go To Bed was the third Fringe show I ever saw and the First to win the then completely unknown, though just as highly regarded as it is now, The Stages of MN Fringe of the Day Award. Where that show relied entirely on physical comedy, the new one which, in case you haven’t read the headline, has also won The Stages of MN Fringe of the Day Award, strikes an unexpected balance between physical and verbal humor. I’m not going to say I was disappointed by the addition of dialogue, it’s too well written and funny for that. But there was something special about seeing what amounted to a live silent comedy performed on stage. Faithful readers will have gleaned from past reviews that I have a love of silent cinema, but I also love the comedies of the 1930’s and 40’s which relied much more on verbal comedic acrobatics, and so I’m game to go along with the boys as they transition to the talkies, I just hope they don’t sign a contract with MGM and lose all creative control. Besides the reality is probably that these guys are aging, I’m not calling anyone old, but our bodies can only take so much abuse and cutting back on the poundings their bodies have to take is probably a good idea and will prolong their ability to do these shows in the long run. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/the-gentlemen-s-pratfall-club

OPERA PUNKS is the first of two Musical improv shows I saw on Day 5. It’s really hard to say much about an improv show as by its very nature it will be different every night. This is improv in which the performers take suggestions shouted out by the audience and then create songs around them acting out these comedic scenes as if they were operas. The cast is great and features among others Brave New Workshop member Isabella Dunsieth and Michael Rogers who, listening to his singing here, one wonders why we haven’t been seeing him starring in musicals around town? This was a great show, very funny and the cast is so strong that if the performance you see isn’t good, it’s probably that your audience threw out dumb suggestions. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/opera-punks

Shrieking Harpies Presents: Period Piece is another musical improv show but the difference is that the Shrieking Harpies shows are long form improv. So instead of creating short comedic scenes with singing, the create a musical with a beginning, middle, and an end. The “period piece in the title refers to the fact that this years show the stories will be sent in a particular time period. Apparently the time period for each performance is voted for online before the show. I missed that memo and so we ended up with the 1990’s, which frankly, I lived through, and didn’t find all that interesting while I was doing so. I would have loved to have seen them do something from long ago, or if it had to be in the 20th century the 1950’s or 1960’s. That said it was still very entertaining, very funny and confirmed for me that any time I can see the Shrieking Harpies, which are made up of Lizzie Gardner, Taj Ruler, Hannah Wydeven and Justin Nellis on the Keys, I will. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/shrieking-harpies-presents-period-piece

That’s it for day five of the Minnesota Fringe Festival you can click on the Fringe website here to get details on all of the shows https://minnesotafringe.org/shows/2025. Don’t forget to tune into The Stages of MN YouTube channel for mini episodes all week long from The MN Fringe Festival https://www.youtube.com/@TheStagesofMN

Minnesota Fringe Day 4: Journey to Joy, Again, I Am Here, The Book of Mordor (The Stages of MN Fringe of the Day Award winner), Against My Will,Boxcutter Harmonica, Breakneck Twelfth Night, The Spirit Moves You To Color The Unseen.

OK, day four of the Minnesota Fringe festival is behind u. Here are my reviews for the shows I saw on day four, including The Stages of MN Fringe of the Day Award winner. I’ve now seen 22 of my projected 45 shows, keep checking back for my reviews of the remaining 23. Haven’t made it out yet yourself? Here’s the link to the Fringe website so you can pick some shows https://minnesotafringe.org/shows/2025

Journey to Joy, Again, Marie Cooney’s latest solo story telling show is funny, endearing, and empowering. It begins with coming out as a lesbian woman and ends with coming out as a person with a disability. The success of her show is a testament to the reality that our set backs don’t have to stop us, they can redefine us. Cooney has taken her injuries and turned them into a story of overcoming adversity, and of of developing advocacy. It’s filled with moments of triumph and Joy as well as sprinkled with advice for anyone who is going through something similar. Cooney who has suffered two traumatic brain injuries uses moments in her show where she searches for a word or loses her place (this doesn’t happen often) as an opportunity to educate the audience on techniques she has learned to help her navigate those moments. This is such an inviting experience which opens with Cooney asking the Artists in the audience to tell about their shows and audience members to share their recommendations. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/journey-to-joy-again

I am Here is a storytelling anthology with rotating performers, so each performance will be different. But the connecting thread is about existence and resistance. The performance I saw had moments of laughter and moments of stunned silence. Go to the shows page and see what performers you are most interested in seeing and then go to that performance. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/i-am-here

The Book of Mordor is a musical version of The Lord of the Rings film trilogy using the music from the musical The Book of Mormon. It kind of amazing how much of the 10 + hour runtime they are able to cover in 60 minutes. It’s also very impressive how funny the songs are and how good the singers are especially given the fact I’m unfamiliar with most of them, I assume that’s because they appear to be from Mankato. Like Hamluke from Day 2 it’s kind of surprising how well these two wildly different properties mash up. The Costumes are well done and cleverly conceived and the humor goes beyond just funny songs. But it also feels respectful of The Lord of the Rings you get the feeling that the creators of the show Carissa Christenson and Kendra Braunger are genuine fans. I really enjoyed The Book of Mordor and have awarded it The Stages of MN Fringe of the Day Award! To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/the-book-of-mordor

Against My Will is local Actor Michael Quadrozzi’s solo show about the childhood environment in which he grew up and the ramifications it has caused throughout his life. From a narcissistic Mother to his Dad dying when he was in his early 20’s. The glimpses we get into his formative years are indeed traumatic. Quadrozzi is an open and sympathetic performer, and he forges a genuine connection with the audience. Given the subject matter it is surprisingly funny and entertaining. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/against-my-will

Boxcutter Harmonica this two man show by and starring J. Merrill Motz (rhymes with Boats) along with Martin Dockery is a fascinating investigation into the Crossroads legend. Which is where one goes to make a deal with the devil in order to become the best at whatever they are trying to be the best at. The story dates back to Faust but the most common variation on this story in modern history revolves around a blues guitar player Robert Johnson. And that is the focus of The show ,which is presented as a lecture given by Detective White played by hardcore Fringe performer and visiting Artist Martin Dockery and Inspector Black played by local amateur performer Motz. Motz is competent in the role, but to be completely honest, Dockery carries him throughout the performance. And it’s Dockery’s skills on the guitar that are really what makes this show worth putting on your list. I suspect Motz leaned on a friendship and the promise of giving all the best lines to Dockery that got him in the show. Warning: the promised build-your own Reuben sandwich buffet never materialized as promised following the show. It was still worth seeing, but don’t plan your meal break around it like I did. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/boxcutter-harmonica

Breakneck Twelfth Night by Timothy Mooney, with assist from Will Shakespeare is Twelfth Night performed at breakneck speed. Somehow Mooney gets through the entire twelfth Night in an hour. I mean I don’t have the play memorized or anything and I’m sure there are cuts to the text, but the plot is intact. Mooney does a great job of making the language accessible and even adds in some footnotes to help the audience understand what is happening . He’s a consummate performer and I’m glad I adjusted my schedule to see it. Full confession and an apology to the Artist and any other Artist this may happen to throughout the Festival. I kept catching myself nodding off throughout the performance. This had absolutely nothing to do with what was happening on stage, this was a physiological response to seeing 22 shows in four days getting at most 5 hours of sleep a night and feeling completely wiped out by the 8:30 time slot. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/breakneck-twelfth-night

The Spirit Moves You To Color The Unseen is Created by The Winding Sheet Outfit. They are a theater company I am always impressed with whether it’s a Fringe presentation or at the Twin Cities Horror Fest their shows are always beautifully designed and executed while having impossible to remember or sometimes even pronounce titles. When I go to a show I’m not expecting to learn anything, but I love it when I do. This show is about the artist Hilma af Klint played by Boo Segersin and to a lesser extent her four friends with whom she made up De Fem (the Five), played by Heather Meyer, Kayla Dvorak Feld, Megan Campbell Lagas, and Peyton McCandless. They were a group devoted to Theosophy which appears to be a combination of spiritualism and science. She is the true creator of the abstract art style. The show is dedicated to making her story known and setting the record straight at least for those who attend this show. It is a reminder of the injustices done throughout history in order to preserve the patriarchy. Hilma af Klint lived from 1862-1944 and because she was a woman, she has been sidelined and had her accomplishments obscured and stolen by men and the art world in general. Aside from the subject matter, which is completely fascinating, the production itself is beautifully rendered. Particularly the costume of the Spirit played by Kristina Fjellman and designed by Mandi Johnson. It is also features unexpected humor by way of occasional interjections and interactions with the shows Director, Amber Bjork. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/the-spirit-moves-you-to-color-the-unseen

That’s it for day four of the Minnesota Fringe Festival you can click on the Fringe website here to get details on all of the shows https://minnesotafringe.org/shows/2025. Don’t forget to tune into The Stages of MN YouTube channel for mini episodes all week long from The MN Fringe Festival https://www.youtube.com/@TheStagesofMN

Minnesota Fringe Day 3: Invasive Species or: In Space No-One Can Hear Your Steam, The Abortion Chronicles, Breach, Joan of Arc For Miss Teen Queen USA (The Stages of MN Fringe of the Day Award winner), Rec League, Jewelry Power Elite, That Which is Green.

Another great day at The Minnesota Fringe Festival. I’ve yet to see a show that I wouldn’t enthusiastically recommend. Maybe it’s that I’m not very adventurous with my picks, but I guess the trade off of playing it safe, being I never see a bad show, is worth it. Read my quick reviews of the seven shows I saw on day three below, including today’s The Stages of MN Fringe of the Day Award winner.

Invasive Species or: In Space No-One Can Hear Your Steam features of a fantastic script by Tim Wick which reimagines alien as a nautical mystery set in a steampunk London of the late 1800s. But the humor isn’t limited to that era, it pulls from all time periods but mostly we see it through the lens of the 20th century. A running gag featuring a variation on the classic Abbott and Costello “Who’s On First” routine is a highlight as is the explanation of steampunk technology. The cast is amazing especially Dawn Krosnowski as Ripley and Kjer Whiting as Inspector Dunkleputty (no relation). The creature effects are at once both low-tech and spectacularly effective. Re-creating all of the fabulous moment you expect from the film, but in a way that gets a laugh. We get the chestburster scene, the Face hugger Alien as well as a stand off that mirrors the final battle between Ripley and the Alien Queen in Aliens. The fabulous Creature effects are by Seán McCardle and the Props are by Liz Cummings. There’s one brilliant bit of stage business that subverts our expectations beautifully. The character of Ash is seen drinking from milk cartons several times, leading me to expect a recreation of, what for me was one of the biggest gross out scenes in the film, when Ash is killed and we learn he was an android and he’s spitting up a milky substance. I always hated that scene and I felt sure they were building up to it with the milk cartons, and then they don’t go there. They get to build up the anticipation of the scene without actually making us watch it, or them having to deal with the cleanup, which was an effective way to play that sequence. for more information and to purchase tickets go to the shows page on the Minnesota Fringe website https://minnesotafringe.org/shows/2025/invasive-species-or-in-space-no-one-can-hear-your-steam

The Abortion Chronicles is an anthology of woman’s stories revolving around abortion, all of them true, all of them deeply affecting. This is a remount of previous productions, which I did not see, but with mostly new stories. It was always an important show to produce, but it is becoming more and more vital everyday. These stories need to be told, heard, and understood. As a man I found it to be a privilege to be allowed to sit and listen to these stories. Allowing me a greater understanding of something I can never fully understand being in the body I am. The stories alternate with comments from two characters played by Christy Johnson who plays a nurse at an abortion clinic and Patti Gage who plays a patient escort at the clinic. They tell little anecdotes of their experiences between the main stories which are told by the the performers, some of whom are reenacting their own stories others as surrogates for other women. The women’s stories cover a range of circumstances that help to illuminate how complicated the issue really is. For more information and to purchase tickets, visit the shows page on the Minnesota Fringe Website https://minnesotafringe.org/shows/2025/the-abortion-chronicles#tickets

Breach features a powerful cast! I had it on my schedule because of Em Adam Rosenberg and Stephanie Kahle, who are The Stages of MN favorites. They play siblings, who own a crab fishing boat left them by their Father. Kahle is the Captain while Rosenberg plays the First Mate, and they are as always fantastic. But every single member of the cast is incredible. This is a harrowing story of a crab fishing ship and its crew. This trip hasn’t been very successful and so when they receive word of a storm, the Captain heads into a storm despite the risks rather than turn back without enough Crab to make the trip financially worthwhile. But there are secrets being concealed and as the storm looms ahead loyalties will be tested. The show actually gets a little spooky at times. It’s directed with precision by Alex Church who also cowrote the play with Mariabella Sorini. The lighting and sound design are highly effective and build genuine tension. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/breach

Joan of Arc For Miss Teen Queen USA is this year’s Melancholics Anonymous show, and for most that’s probably all I need to write. If you are a Minnesota Fringe regular you know who Melancholics Anonymous are. If this is your first time, you’ll want to try and reserve tickets for this show. It’s in one of the largest venues, which would be hard to sell out, but if anyone can it’s them. A Fringe show can be anything, that’s the joy of the Fringe. But when I think of Fringe as a Style, Melancholics Anonymous is what I think of. In this years show Timothy Kelly, who cowrote the show and whose bright blonde hair and 100 watt smile will always be the face of Melancholics Anonymous to me, plays the MC of the South Dakotan Miss Teen Queen USA Pageant. Things get disrupted when Joan of Arc suddenly appears as a new contestant 588 years after her execution. Like the Blues Brothers before her, she is on a mission from God! Outrageousness ensues, pants are nearly wet from laughter, and we all learn a little something about the importance of women supporting each other. It’s fantastically designed and orchestrated and probably the best thing yet from this company that always hits it out of the park. And, it is The Stages of MN Fringe of the Day Award winner. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/joan-of-arc-for-miss-teen-queen-usa

Rec League is one of the Festivals independently produced shows running at Strike Theater in North Minneapolis. It is one of the most successful improv shows I’ve seen at a Fringe Festival. I’m always a fan of Mike Fotis’ shows but this one surpassed all of the others. There wasn’t a single story thread that got dropped or taken in a dead end direction. And, they kept the fictional softball game actually going which was really impressive. But as they say in the show notes you don’t have to know anything about softball to enjoy the show. It’s about friends and their relationships and the different places we are all at when we get to our 40’s. And speaking of different, this is improv so every show will be different but it’s full of local favorites like Fotis, Allison Vincent, and Rita Boersma who are always funny, so it’s a pretty safe bet when you need some laughs in your schedule. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/rec-league

Jewelry Power Elite is surprisingly, Brave New Workshop company member and local legend, Lauren Anderson’s first solo show. I added it to my schedule because, well, Lauren Anderson. Ask any of my wives, current or past and they will tell you I do not notice jewelry, hair, or shoes, and as far as clothes go, I only notice if you aren’t wearing any, but I think that’s true of anyone, the noticing if someone is naked. Jewelry couldn’t break into the top 1,000 on my list of interests even if you eleminated my top 500 interests. I left this show with a new appreciation of jewelry, but mostly feeling like I’d been let into Anderson’s inner circle, if only for 45 minutes. Directed by Duck Washington, Jewelry Power Elite feels similar to his 2023 The Stages of MN Fringe of the day Award winning solo show My Only hope For a Hero. It takes something she is passionate about and through the lens of that passion shares stories that inform us of who she is and how she became the person we see before us. It’s funny, personal, and you get a free jelly bracelet! For those who love jewelry, this will be heaven, for the rest of us it’s the next best thing (that’s right, it’s a soft serve vanilla ice cream Crunch cone from Dairy Queen). Highly recommend this show, no love of jewelry required. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/jewelry-power-elite

That Which is Green is possibly the final Minnesota Fringe show from Michael Rogers who is moving away from the Twin Cities this fall. It’s a loss to the community, but one hopes that his connections and friends here in Minnesota will bring him back at least for more Fringe fun in the future. Fun isn’t the first word that comes to mind with his new show which he wrote, directed, and performs in along with Alex Van Loh. Though it does have laughs it’s concerned more with exploring the ideas of religion, Friendship, and the paths our lives take us down. A journey to an old and holy tree by two old friends brings up memories of the past. Set in what appears by their costumes to be another reality in which the tree is somehow related to that world’s version of Christianity. It’s another powerful performance from Rogers who is clearly connecting with this work. It may have been the 10:00 PM time slot on day three of the Fringe Festival in which I’ve seen a show in every possible time slot and spent additional energy putting myself forward to capture interviews with Artists and Audience members. But I found the show putting me almost in a trance like state. like I was in the forest with the characters communing with nature. Don’t miss this chance to see Michael Rogers, there may not be many chances left. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/that-which-is-green

That’s it for day three of the Minnesota Fringe Festival you can click on the Fringe website here to get details on all of the shows https://minnesotafringe.org/shows/2025. Don’t forget to tune into The Stages of MN YouTube channel for mini episodes all week long from The MN Fringe Festival https://www.youtube.com/@TheStagesofMN. We’ll hopefully have the second one up on Monday!

Minnesota Fringe Day 2: This, Death! A Musical, Clown Funeral, Hamluke (The Stages of MN Fringe of the Day Award winner)

Day two was another Fringetacular evening of entertainment! I’m 8 shows in now and haven’t seen a show yet that I wouldn’t recommend. Here are my quick reviews of Day two.

This is Tim Uren’s autobiographical solo show that touches on his tendency to believe almost anything, he believes in Bigfoot and that aliens built the Pyramids. Who knew we had so much in common? Tim is a member of The Mysterious Old Radio Listening Society (MORLS) and it’s pretty much a guarantee that I’m going to see anything anyone associated with the MORLS is in. I seem to vibe with all of their sensibilities, and This only deepens that belief. Uren covers a lot of ground, maybe too much. I only say that because for the first time ever I witnessed a show get cut off because their time was up. I spoke with Uren later and I missed about 3 minutes. I can’t miss another show to see it again for the last three minutes but I may try and corner him at some point and see if I can get him to finish the performance. Maybe it’s because I’m interested in how people come together and their journey’s but I loved getting a lot of Uren’s background filled in for me, and I thought his writing and performance was filled with humor and reality. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/this

Death! A Musical is sort of amazing, it’s a large scale production featuring a full orchestra some very legit equipment, and it’s all written and Directed by a seventh grader named Gabriel Shen. Is it perfect? No. There are issues not with the songs but at times with hearing the lyrics. Some performers were either mic’d better or projected better, but some of the songs were pretty darn good and the lead Vivienne Steele who plays Alana is really quite good. I generally make it a point nowadays not review the performances of young Actors unless they are in a professional production, and then really only if they are very good, but Steele, is really quite good. What makes this show worth your time, and it is worth your time, is to see what this 7th grader has accomplished. It’s really impressive, everything from the songs themselves, the script which has lots of strong moments and a few genuine laughs, which is pretty good for a show about death. Even the program contained ads and I don’t think I’ve ever seen that at a Fringe show before. Shen must be a very creative, focused, and motivated teenager, and this is an accomplishment to be very proud of. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/death-a-musical

Clown Funeral. The title kind of says it all. We the audience are mourners at the funeral for Bongo J. Sprinkles. As we file in to the theater we are encouraged to sign the guest book and next to it on the floor is a box filled with red clown noses, with a note saying take a nose, leave a nose. We are handed a program with the order of the service including congregation replies at certain points. It all seems very straightforward and then the clowns in charge enter the space and it’s the funniest funeral since Mary Richards attended the funeral of Chuckles the clown on The Mary Tyler Moore Show. The cast of clowns is played by Mark Benzel, Chris Rodriguez, Jen Scott, and Levi Weinhagen, with a special appearance by Reverand Matt Kessen as a banana version of his Monster Science Lecturer. Thank God for that as it wouldn’t feel like Fringe to me without a little Monster Science. This show is very silly, there’s lots of laughs and ingenious gags. If you enjoy laughing and/or funerals, this is the show for you! To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/clown-funeral-

Hamluke reminded me a lot of what is still probably the best Fringe show I’ve ever seen since Clevername’s Who’s Afraid of Winnie the Pooh? in the way it mashes up two completely different sources, that don’t seem to belong together and surprise us by how completely compatible they are. I know Hamlet probably better than any other play and I was the perfect age when Star Wars came out in 1977 and thus know most of the original trilogy by heart. Combining them, works really well. The script is ingenious in finding where and when to supplant Shakespeares prose with Star Wars jargon, Famous lines fit into the basic story of Hamlet perfectly. I loved the script, the costumes, the music, the sound effects, the performances. I realize I could write a full review on this show, but it’s 2:36 AM so I think I say it all when I say that Hamluke is the winner of todays The Stages of MN Fringe of the Day Award, and it wasn’t even a close race, in a day that was filled with great shows. This is the one to beat for best of the fringe festival for me. It hits all my sweet spots and It’s the kind of show that tempts me to give up a precious show slot to see it again. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/hamluke

That’s it for day two of the Minnesota Fringe Festival you can click on the Fringe website here to get details on all of the shows https://minnesotafringe.org/shows/2025. Don’t forget to tune into The Stages of MN YouTube channel for mini episodes all week long from The MN Fringe Festival https://www.youtube.com/@TheStagesofMN

Minnesota Fringe Day 1: A Sad Carousel 2: The Timely Death of Herschel Douscheburg, Fangs and Bangs (and Sangs), The Kendra Plant Variety Hour, In the Garden of American Heroes (The Stages of MN Fringe of the Day Award winner)

The Minnesota Fringe Festival began with a bang this year. That may be partially my fault, I deliberately stacked the first night so that Micky would get to see these four shows. The unforeseen problem was that any of these four shows could easily have garnered the highly unknown and mostly uncoveted (which spellcheck assures me is not a word, but you know what I mean and therefore I’m laying claim to inventing it!) The Stages of MN Fringe of the Day Award. Only one show made me get a little teary eyed and that was The Kendra Plant Variety Hour, but if I pick that will you all say I’m giving it to that show because she’s a fellow Theater Blogger? What about Sam Landman and Nissa Nordland’s shows? They are both very funny “currently” a couple, what if awarding one of them the Award over the other drives a wedge of jealousy between them and causes their status to change to “formerly”? That’s a lot of imaginary power for one Theater Blogger. And so I decided to go with Andrew Erskine Wheeler’s In the Garden of American Heroes, because I was too afraid to pick any of the others. No that’s not true, but it was a tough call on this first night of the 2025 Minnesota Fringe Festival. Here are my quick reviews of the first four shows I saw.

A Sad Carousel 2: The Timely Death of Herschel Douscheburg is apparently a sequel to a show Sam Landman did 15 years ago. That was well before my time on the Fringe beat, so I never saw the original. I can tell you with all confidence that this is one sequel, unlike the latest marvel movies, that you can enjoy without ever having seen the previous show. The humor comes from Landman’s character, an insult comic who is considered toxic by todays comedians, dealing with a world that has moved on since he went into a coma. It takes shots at the toothless comedy of the younger generation. I’m old enough to find a lot of it funny and to recognize Douscheburg as an exaggeration of my generation’s sometimes eye rolling at how far the pendulum has swung in terms of what can be joked about. I’m not saying Douscheburg speaks for me, but I understand where he’s coming from. Featuring a totally committed performance from Landman, including a hair and costume that perfectly complete the picture. We are treated to a fun supporting cast which includes Director Shanan Custer’s husband Eric Custer (for those who were at the show, you’ll know that now they are even), Eric Webster does a great job changing hats and in doing so changing from Eric Webster wearing one hat, to Eric Webster wearing a different hat. An Actor of his calibre is only limited by the number of hats available to him. I’m not criticizing Webster, it’s a play on a joke in the show. Webster is a favorite and a lot of fun here. To learn more about the show which performs in the Rarig Thrust stage and to purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/a-sad-carousel-2-the-timely-death-of-herschel-douscheburg

Fangs and Bangs (and Sangs) is equal parts funny and endearing. Nordland has been a Stages of MN favorite along with her “current” Plus one since I saw them both in Nordland’s Twin Cities Horror Festival show, Incarnate. This is one of those shows that will be different every night and makes me wish there were only 40 shows in the festival so I could see them all and this one for all five performances. The format is that Nordland shares her journal entries and poems she wrote in Junior High and High School. A lot of us did those things, but how many would have the guts to share them now with an audience of strangers. She also wrote vampire romantic fiction which she has a rotating crew of guest actors perform from cold readings. Peppered throughout are songs that mattered to her during those years, but they are not played via the sound system they are performed as well by a rotating group of guest musicians, of which Nordland is one and also sings some of the songs. I had the honor of being present at Executive Director of the Minnesota Fringe Festival made her Fringe performance debut on Violin! This is really an especially sweet and funny show that is led by that little pixie with the twinkle in her eye who shares her teenage soul with the audience, understanding that we love her and are laughing with her, not at her. I’ve looked at the page and guarantee that the rotating artists pool doesn’t have a weak link, so it’s going to be great whenever your slot it into your schedule. For more info and to get tickets go to this shows page here https://minnesotafringe.org/shows/2025/fangs-and-bangs-and-sangs-

The Kendra Plant Variety Hour: Good Things Edition! -with special guests- full disclosure this is a show put on my my friend and fellow Twin Cities Theater Blogger Kendra Plant. I think it’s great! It’s the one show that got my eyes watering a little bit. Kendra is pushing herself to try something new and that’s a general theme throughout her show. There are three guests the first is the TAM Edo Bayashi Ensemble which performs traditional Japanese arts, and in this case accompanied by flute and drums a performer in a giant lion puppet performs an enchanting traditional Lion Dance. The Puppet alone is worth the price of admission as it’s quite exquisite. The second Act is Emily Boyajian a composer who absolutely thrilled me last year with her Opera Transition. It is I believe the only Fringe show I’ve ever seen twice. Last year the Opera about two Transgender people transitioning together was basically a staged performance of the piece, with two fabulous singers and an 11 piece orchestra backing them. Here we get Boyajian playing a keyboard and singing the songs herself. And while we don’t get the full Opera or the full effect of an orchestra what we do get is something that feels even more personal. Boyajian is such a talented human and I hope I get to see Transition performed again in full someday. The final act is Jolie Meshbesher who performs dance routines to two songs. the second of which ends with a nearly nude Meshbesher on stage. Which makes it the second most graphic display of nudity I saw on day one of the Fringe Festival. For more about the show and to purchase tickets go to https://minnesotafringe.org/shows/2025/the-kendra-plant-variety-hour-good-things-edition-with-special-guests#tickets

In The Garden Of American Heroes Andrew Erskine Wheeler gives what I believe is referred to as a brave performance. Translation: this is the most graphic display of nudity I saw on day one of the festival. But it’s more than brave, it’s a reminder of what a captivating Actor Wheeler is. My first exposure (I’m sorry I couldn’t help it) to Wheeler was his Fringe show Whoosh! which I later saw a remount of at Mill Stone Museum the next summer and will be getting a run this coming winter in early 2026 at History Theater in St. Paul. That was a favorite show of that festival and Wheeler again dives into history and comes up with the story of General Custer who we exam in all his glory (honestly you try and do this without saying things like that). What makes this show the winner of The Stages of MN Fringe of the Day Award is Wheeler’s penis, I mean performance. No seriously, it’s the way he digs into a character and gives such a focused and intense penis, Goddammit! performance! Man this is hard (now stop it!) It’s a great performance, a fascinating look at history and the perfect show to bring your Grandmother to. For more information and purchase tickets here’s the link to the show page https://minnesotafringe.org/shows/2025/in-the-garden-of-american-heroes

That’s it for day one of the Minnesota Fringe Festival you can click on the Fringe website here to get details on all of the shows https://minnesotafringe.org/shows/2025. That’s it for day one of the Minnesota Fringe Festival you can click on the Fringe website here to get details on all of the shows https://minnesotafringe.org/shows/2025 don’t forget to tune into The Stages of MN YouTube channel for mini episodes all week long from The MN Fringe Festival https://www.youtube.com/@TheStagesofMN

Zephyr Theatre’s Robin Hood Steals From the Rich and Gives to the Audience

Robin Hood by Greg Banks marks the directorial debut of Twin Cities Actor and Children’s Theatre Company (CTC) Member Reed Sigmund. His greatest gift as a Director is in the casting of the play and then empowering that cast to bring their own voices to their characters and the production. The character work in this show is strong and so funny that one doesn’t know if it’s the script or the performers that make it so hysterical. This version of the Robin Hood tale is framed by a homeless camp sequence in which the four actors playing unhoused people share with the audience the legendary story, which they then enact. The Set Design and all of the costumes come from items that one might expect to be found discarded in such an encampment. There’s no note in the program of who is responsible for those aspects but they are well found and add to the surreal feel of this adventurous retelling. These aspects add a touch of appropriate timeliness to what is mostly a hilarious entertainment. I loved Sherwood when I saw it a couple of years ago at Theatre in the Round, which also featured the comedic genius of Jeffrey Nolan. I think this version of Robin Hood is my new favorite comedic take on the folklore hero. The Temperature was 109 in the shade and everyone in the audience was so entertained but what we were seeing that we forgot to even sweat.

The usual question my wife and I always ask each other is who was your favorite. But as you might expect, the question this time is who was your favorite character played by Jeffrey Nolan? I’m going to go with Prince John, but the five other characters tie as a close second. Nolan is enough to get me to any production as faithful readers will no doubt have realized by now. A more original and unique comedic voice you will not find, it feels like only a matter of time before we see him on SNL. What pushes this show into the stratosphere is the rest of the cast. Finding four other performers who aren’t going to be overshadowed by Nolan, particularly in a comedy where he plays about six different parts including a horse, seven if you include a remarkable, though brief, portrayal of a deer, is an amazing feat. But that’s what we have here. Grace Hillmyer, who readers will also be familiar with as someone who has impressed us in every role we’ve seen her in since first coming to our attention in Kinky Boots at Lyric Arts, plays among other roles Maid Marian. Hillmyer again shows us a new side of herself and her talent with this comedic side that previous roles had only hinted at.

Two of the performers I wasn’t familiar with is Antonisia Collins who plays Robin Hood, and Brandon Brooks as the Sheriff of Nottingham. From what I gather Collins has been racking up small supporting roles at CTC, well. I hope the people at CTC see this production because Collins is clearly ready for leads, which I hope to see her in again very very soon. Brooks, had apparently stepped away from acting a bit, clearly on stage is where he belongs. He is the villain of the piece, but the kind of villain you kinda love to watch. It feels like we are watching the convergence of the next group of actors that will be the ones who move on to bigger cities (please don’t) or are the ones we see constantly working at all the big theaters around town. The cast is rounded out by Jay Scoggin, who has a few small roles but mostly plays live music and provides sound effects throughout the show, which is such a fun treat, I love a live musical score in a play, especially when they are on stage and you can watch them creating the soundscape. When Scoggin does join in the show, he’s as funny as the others and very protective of his Skittles.

The Zephyr Theatre’s production of Robin Hood Runs through August 3rd at Aamodt’s Apple Farm in Stillwater, MN. It’s performed in the great outdoors which reminded me of my childhood theater going experiences at Trollwood Park in Fargo, ND. This is another great show to take the whole family too, but don’t think on it too long as there is just one more weekend to catch it. For more information and to purchase tickets either the chair seats or bring your own chair go to https://www.stillwaterzephyrtheatre.org/home/#events

I’ve officially launched The Stages of MN YouTube Channel which you can view by clicking on this link. https://www.youtube.com/@TheStagesofMN. Check out the intro videos and the weekly episodes. Subscribe to the channel so you’ll always know when a new episode has dropped. Think I may have steered you wrong on a show? Well, I’m also a member of the Twin Cities Theater Bloggers (TCTB), where you can read review roundups of shows by m’colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers.