Minnesota Fringe Day 3: Invasive Species or: In Space No-One Can Hear Your Steam, The Abortion Chronicles, Breach, Joan of Arc For Miss Teen Queen USA (The Stages of MN Fringe of the Day Award winner), Rec League, Jewelry Power Elite, That Which is Green.

Another great day at The Minnesota Fringe Festival. I’ve yet to see a show that I wouldn’t enthusiastically recommend. Maybe it’s that I’m not very adventurous with my picks, but I guess the trade off of playing it safe, being I never see a bad show, is worth it. Read my quick reviews of the seven shows I saw on day three below, including today’s The Stages of MN Fringe of the Day Award winner.

Invasive Species or: In Space No-One Can Hear Your Steam features of a fantastic script by Tim Wick which reimagines alien as a nautical mystery set in a steampunk London of the late 1800s. But the humor isn’t limited to that era, it pulls from all time periods but mostly we see it through the lens of the 20th century. A running gag featuring a variation on the classic Abbott and Costello “Who’s On First” routine is a highlight as is the explanation of steampunk technology. The cast is amazing especially Dawn Krosnowski as Ripley and Kjer Whiting as Inspector Dunkleputty (no relation). The creature effects are at once both low-tech and spectacularly effective. Re-creating all of the fabulous moment you expect from the film, but in a way that gets a laugh. We get the chestburster scene, the Face hugger Alien as well as a stand off that mirrors the final battle between Ripley and the Alien Queen in Aliens. The fabulous Creature effects are by Seán McCardle and the Props are by Liz Cummings. There’s one brilliant bit of stage business that subverts our expectations beautifully. The character of Ash is seen drinking from milk cartons several times, leading me to expect a recreation of, what for me was one of the biggest gross out scenes in the film, when Ash is killed and we learn he was an android and he’s spitting up a milky substance. I always hated that scene and I felt sure they were building up to it with the milk cartons, and then they don’t go there. They get to build up the anticipation of the scene without actually making us watch it, or them having to deal with the cleanup, which was an effective way to play that sequence. for more information and to purchase tickets go to the shows page on the Minnesota Fringe website https://minnesotafringe.org/shows/2025/invasive-species-or-in-space-no-one-can-hear-your-steam

The Abortion Chronicles is an anthology of woman’s stories revolving around abortion, all of them true, all of them deeply affecting. This is a remount of previous productions, which I did not see, but with mostly new stories. It was always an important show to produce, but it is becoming more and more vital everyday. These stories need to be told, heard, and understood. As a man I found it to be a privilege to be allowed to sit and listen to these stories. Allowing me a greater understanding of something I can never fully understand being in the body I am. The stories alternate with comments from two characters played by Christy Johnson who plays a nurse at an abortion clinic and Patti Gage who plays a patient escort at the clinic. They tell little anecdotes of their experiences between the main stories which are told by the the performers, some of whom are reenacting their own stories others as surrogates for other women. The women’s stories cover a range of circumstances that help to illuminate how complicated the issue really is. For more information and to purchase tickets, visit the shows page on the Minnesota Fringe Website https://minnesotafringe.org/shows/2025/the-abortion-chronicles#tickets

Breach features a powerful cast! I had it on my schedule because of Em Adam Rosenberg and Stephanie Kahle, who are The Stages of MN favorites. They play siblings, who own a crab fishing boat left them by their Father. Kahle is the Captain while Rosenberg plays the First Mate, and they are as always fantastic. But every single member of the cast is incredible. This is a harrowing story of a crab fishing ship and its crew. This trip hasn’t been very successful and so when they receive word of a storm, the Captain heads into a storm despite the risks rather than turn back without enough Crab to make the trip financially worthwhile. But there are secrets being concealed and as the storm looms ahead loyalties will be tested. The show actually gets a little spooky at times. It’s directed with precision by Alex Church who also cowrote the play with Mariabella Sorini. The lighting and sound design are highly effective and build genuine tension. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/breach

Joan of Arc For Miss Teen Queen USA is this year’s Melancholics Anonymous show, and for most that’s probably all I need to write. If you are a Minnesota Fringe regular you know who Melancholics Anonymous are. If this is your first time, you’ll want to try and reserve tickets for this show. It’s in one of the largest venues, which would be hard to sell out, but if anyone can it’s them. A Fringe show can be anything, that’s the joy of the Fringe. But when I think of Fringe as a Style, Melancholics Anonymous is what I think of. In this years show Timothy Kelly, who cowrote the show and whose bright blonde hair and 100 watt smile will always be the face of Melancholics Anonymous to me, plays the MC of the South Dakotan Miss Teen Queen USA Pageant. Things get disrupted when Joan of Arc suddenly appears as a new contestant 588 years after her execution. Like the Blues Brothers before her, she is on a mission from God! Outrageousness ensues, pants are nearly wet from laughter, and we all learn a little something about the importance of women supporting each other. It’s fantastically designed and orchestrated and probably the best thing yet from this company that always hits it out of the park. And, it is The Stages of MN Fringe of the Day Award winner. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/joan-of-arc-for-miss-teen-queen-usa

Rec League is one of the Festivals independently produced shows running at Strike Theater in North Minneapolis. It is one of the most successful improv shows I’ve seen at a Fringe Festival. I’m always a fan of Mike Fotis’ shows but this one surpassed all of the others. There wasn’t a single story thread that got dropped or taken in a dead end direction. And, they kept the fictional softball game actually going which was really impressive. But as they say in the show notes you don’t have to know anything about softball to enjoy the show. It’s about friends and their relationships and the different places we are all at when we get to our 40’s. And speaking of different, this is improv so every show will be different but it’s full of local favorites like Fotis, Allison Vincent, and Rita Boersma who are always funny, so it’s a pretty safe bet when you need some laughs in your schedule. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/rec-league

Jewelry Power Elite is surprisingly, Brave New Workshop company member and local legend, Lauren Anderson’s first solo show. I added it to my schedule because, well, Lauren Anderson. Ask any of my wives, current or past and they will tell you I do not notice jewelry, hair, or shoes, and as far as clothes go, I only notice if you aren’t wearing any, but I think that’s true of anyone, the noticing if someone is naked. Jewelry couldn’t break into the top 1,000 on my list of interests even if you eleminated my top 500 interests. I left this show with a new appreciation of jewelry, but mostly feeling like I’d been let into Anderson’s inner circle, if only for 45 minutes. Directed by Duck Washington, Jewelry Power Elite feels similar to his 2023 The Stages of MN Fringe of the day Award winning solo show My Only hope For a Hero. It takes something she is passionate about and through the lens of that passion shares stories that inform us of who she is and how she became the person we see before us. It’s funny, personal, and you get a free jelly bracelet! For those who love jewelry, this will be heaven, for the rest of us it’s the next best thing (that’s right, it’s a soft serve vanilla ice cream Crunch cone from Dairy Queen). Highly recommend this show, no love of jewelry required. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/jewelry-power-elite

That Which is Green is possibly the final Minnesota Fringe show from Michael Rogers who is moving away from the Twin Cities this fall. It’s a loss to the community, but one hopes that his connections and friends here in Minnesota will bring him back at least for more Fringe fun in the future. Fun isn’t the first word that comes to mind with his new show which he wrote, directed, and performs in along with Alex Van Loh. Though it does have laughs it’s concerned more with exploring the ideas of religion, Friendship, and the paths our lives take us down. A journey to an old and holy tree by two old friends brings up memories of the past. Set in what appears by their costumes to be another reality in which the tree is somehow related to that world’s version of Christianity. It’s another powerful performance from Rogers who is clearly connecting with this work. It may have been the 10:00 PM time slot on day three of the Fringe Festival in which I’ve seen a show in every possible time slot and spent additional energy putting myself forward to capture interviews with Artists and Audience members. But I found the show putting me almost in a trance like state. like I was in the forest with the characters communing with nature. Don’t miss this chance to see Michael Rogers, there may not be many chances left. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/that-which-is-green

That’s it for day three of the Minnesota Fringe Festival you can click on the Fringe website here to get details on all of the shows https://minnesotafringe.org/shows/2025. Don’t forget to tune into The Stages of MN YouTube channel for mini episodes all week long from The MN Fringe Festival https://www.youtube.com/@TheStagesofMN. We’ll hopefully have the second one up on Monday!

Subscribe to the channel so you’ll always know when a new episode has dropped. Think I may have steered you wrong on a show? Well, I’m also a member of the Twin Cities Theater Bloggers (TCTB), where you can read review roundups of shows by m’colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers.

Don’t depend on a Facebook or Instagram algorithm to ensure you hear about a great show. You can subscribe and have every post from The Stages of MN sent directly to your email box. It’s the best way to ensure you don’t miss out on any of the theater action. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also foll

Minnesota Fringe Day 2: This, Death! A Musical, Clown Funeral, Hamluke (The Stages of MN Fringe of the Day Award winner)

Day two was another Fringetacular evening of entertainment! I’m 8 shows in now and haven’t seen a show yet that I wouldn’t recommend. Here are my quick reviews of Day two.

This is Tim Uren’s autobiographical solo show that touches on his tendency to believe almost anything, he believes in Bigfoot and that aliens built the Pyramids. Who knew we had so much in common? Tim is a member of The Mysterious Old Radio Listening Society (MORLS) and it’s pretty much a guarantee that I’m going to see anything anyone associated with the MORLS is in. I seem to vibe with all of their sensibilities, and This only deepens that belief. Uren covers a lot of ground, maybe too much. I only say that because for the first time ever I witnessed a show get cut off because their time was up. I spoke with Uren later and I missed about 3 minutes. I can’t miss another show to see it again for the last three minutes but I may try and corner him at some point and see if I can get him to finish the performance. Maybe it’s because I’m interested in how people come together and their journey’s but I loved getting a lot of Uren’s background filled in for me, and I thought his writing and performance was filled with humor and reality. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/this

Death! A Musical is sort of amazing, it’s a large scale production featuring a full orchestra some very legit equipment, and it’s all written and Directed by a seventh grader named Gabriel Shen. Is it perfect? No. There are issues not with the songs but at times with hearing the lyrics. Some performers were either mic’d better or projected better, but some of the songs were pretty darn good and the lead Vivienne Steele who plays Alana is really quite good. I generally make it a point nowadays not review the performances of young Actors unless they are in a professional production, and then really only if they are very good, but Steele, is really quite good. What makes this show worth your time, and it is worth your time, is to see what this 7th grader has accomplished. It’s really impressive, everything from the songs themselves, the script which has lots of strong moments and a few genuine laughs, which is pretty good for a show about death. Even the program contained ads and I don’t think I’ve ever seen that at a Fringe show before. Shen must be a very creative, focused, and motivated teenager, and this is an accomplishment to be very proud of. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/death-a-musical

Clown Funeral. The title kind of says it all. We the audience are mourners at the funeral for Bongo J. Sprinkles. As we file in to the theater we are encouraged to sign the guest book and next to it on the floor is a box filled with red clown noses, with a note saying take a nose, leave a nose. We are handed a program with the order of the service including congregation replies at certain points. It all seems very straightforward and then the clowns in charge enter the space and it’s the funniest funeral since Mary Richards attended the funeral of Chuckles the clown on The Mary Tyler Moore Show. The cast of clowns is played by Mark Benzel, Chris Rodriguez, Jen Scott, and Levi Weinhagen, with a special appearance by Reverand Matt Kessen as a banana version of his Monster Science Lecturer. Thank God for that as it wouldn’t feel like Fringe to me without a little Monster Science. This show is very silly, there’s lots of laughs and ingenious gags. If you enjoy laughing and/or funerals, this is the show for you! To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/clown-funeral-

Hamluke reminded me a lot of what is still probably the best Fringe show I’ve ever seen since Clevername’s Who’s Afraid of Winnie the Pooh? in the way it mashes up two completely different sources, that don’t seem to belong together and surprise us by how completely compatible they are. I know Hamlet probably better than any other play and I was the perfect age when Star Wars came out in 1977 and thus know most of the original trilogy by heart. Combining them, works really well. The script is ingenious in finding where and when to supplant Shakespeares prose with Star Wars jargon, Famous lines fit into the basic story of Hamlet perfectly. I loved the script, the costumes, the music, the sound effects, the performances. I realize I could write a full review on this show, but it’s 2:36 AM so I think I say it all when I say that Hamluke is the winner of todays The Stages of MN Fringe of the Day Award, and it wasn’t even a close race, in a day that was filled with great shows. This is the one to beat for best of the fringe festival for me. It hits all my sweet spots and It’s the kind of show that tempts me to give up a precious show slot to see it again. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/hamluke

That’s it for day two of the Minnesota Fringe Festival you can click on the Fringe website here to get details on all of the shows https://minnesotafringe.org/shows/2025. Don’t forget to tune into The Stages of MN YouTube channel for mini episodes all week long from The MN Fringe Festival https://www.youtube.com/@TheStagesofMN

Minnesota Fringe Day 1: A Sad Carousel 2: The Timely Death of Herschel Douscheburg, Fangs and Bangs (and Sangs), The Kendra Plant Variety Hour, In the Garden of American Heroes (The Stages of MN Fringe of the Day Award winner)

The Minnesota Fringe Festival began with a bang this year. That may be partially my fault, I deliberately stacked the first night so that Micky would get to see these four shows. The unforeseen problem was that any of these four shows could easily have garnered the highly unknown and mostly uncoveted (which spellcheck assures me is not a word, but you know what I mean and therefore I’m laying claim to inventing it!) The Stages of MN Fringe of the Day Award. Only one show made me get a little teary eyed and that was The Kendra Plant Variety Hour, but if I pick that will you all say I’m giving it to that show because she’s a fellow Theater Blogger? What about Sam Landman and Nissa Nordland’s shows? They are both very funny “currently” a couple, what if awarding one of them the Award over the other drives a wedge of jealousy between them and causes their status to change to “formerly”? That’s a lot of imaginary power for one Theater Blogger. And so I decided to go with Andrew Erskine Wheeler’s In the Garden of American Heroes, because I was too afraid to pick any of the others. No that’s not true, but it was a tough call on this first night of the 2025 Minnesota Fringe Festival. Here are my quick reviews of the first four shows I saw.

A Sad Carousel 2: The Timely Death of Herschel Douscheburg is apparently a sequel to a show Sam Landman did 15 years ago. That was well before my time on the Fringe beat, so I never saw the original. I can tell you with all confidence that this is one sequel, unlike the latest marvel movies, that you can enjoy without ever having seen the previous show. The humor comes from Landman’s character, an insult comic who is considered toxic by todays comedians, dealing with a world that has moved on since he went into a coma. It takes shots at the toothless comedy of the younger generation. I’m old enough to find a lot of it funny and to recognize Douscheburg as an exaggeration of my generation’s sometimes eye rolling at how far the pendulum has swung in terms of what can be joked about. I’m not saying Douscheburg speaks for me, but I understand where he’s coming from. Featuring a totally committed performance from Landman, including a hair and costume that perfectly complete the picture. We are treated to a fun supporting cast which includes Director Shanan Custer’s husband Eric Custer (for those who were at the show, you’ll know that now they are even), Eric Webster does a great job changing hats and in doing so changing from Eric Webster wearing one hat, to Eric Webster wearing a different hat. An Actor of his calibre is only limited by the number of hats available to him. I’m not criticizing Webster, it’s a play on a joke in the show. Webster is a favorite and a lot of fun here. To learn more about the show which performs in the Rarig Thrust stage and to purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/a-sad-carousel-2-the-timely-death-of-herschel-douscheburg

Fangs and Bangs (and Sangs) is equal parts funny and endearing. Nordland has been a Stages of MN favorite along with her “current” Plus one since I saw them both in Nordland’s Twin Cities Horror Festival show, Incarnate. This is one of those shows that will be different every night and makes me wish there were only 40 shows in the festival so I could see them all and this one for all five performances. The format is that Nordland shares her journal entries and poems she wrote in Junior High and High School. A lot of us did those things, but how many would have the guts to share them now with an audience of strangers. She also wrote vampire romantic fiction which she has a rotating crew of guest actors perform from cold readings. Peppered throughout are songs that mattered to her during those years, but they are not played via the sound system they are performed as well by a rotating group of guest musicians, of which Nordland is one and also sings some of the songs. I had the honor of being present at Executive Director of the Minnesota Fringe Festival made her Fringe performance debut on Violin! This is really an especially sweet and funny show that is led by that little pixie with the twinkle in her eye who shares her teenage soul with the audience, understanding that we love her and are laughing with her, not at her. I’ve looked at the page and guarantee that the rotating artists pool doesn’t have a weak link, so it’s going to be great whenever your slot it into your schedule. For more info and to get tickets go to this shows page here https://minnesotafringe.org/shows/2025/fangs-and-bangs-and-sangs-

The Kendra Plant Variety Hour: Good Things Edition! -with special guests- full disclosure this is a show put on my my friend and fellow Twin Cities Theater Blogger Kendra Plant. I think it’s great! It’s the one show that got my eyes watering a little bit. Kendra is pushing herself to try something new and that’s a general theme throughout her show. There are three guests the first is the TAM Edo Bayashi Ensemble which performs traditional Japanese arts, and in this case accompanied by flute and drums a performer in a giant lion puppet performs an enchanting traditional Lion Dance. The Puppet alone is worth the price of admission as it’s quite exquisite. The second Act is Emily Boyajian a composer who absolutely thrilled me last year with her Opera Transition. It is I believe the only Fringe show I’ve ever seen twice. Last year the Opera about two Transgender people transitioning together was basically a staged performance of the piece, with two fabulous singers and an 11 piece orchestra backing them. Here we get Boyajian playing a keyboard and singing the songs herself. And while we don’t get the full Opera or the full effect of an orchestra what we do get is something that feels even more personal. Boyajian is such a talented human and I hope I get to see Transition performed again in full someday. The final act is Jolie Meshbesher who performs dance routines to two songs. the second of which ends with a nearly nude Meshbesher on stage. Which makes it the second most graphic display of nudity I saw on day one of the Fringe Festival. For more about the show and to purchase tickets go to https://minnesotafringe.org/shows/2025/the-kendra-plant-variety-hour-good-things-edition-with-special-guests#tickets

In The Garden Of American Heroes Andrew Erskine Wheeler gives what I believe is referred to as a brave performance. Translation: this is the most graphic display of nudity I saw on day one of the festival. But it’s more than brave, it’s a reminder of what a captivating Actor Wheeler is. My first exposure (I’m sorry I couldn’t help it) to Wheeler was his Fringe show Whoosh! which I later saw a remount of at Mill Stone Museum the next summer and will be getting a run this coming winter in early 2026 at History Theater in St. Paul. That was a favorite show of that festival and Wheeler again dives into history and comes up with the story of General Custer who we exam in all his glory (honestly you try and do this without saying things like that). What makes this show the winner of The Stages of MN Fringe of the Day Award is Wheeler’s penis, I mean performance. No seriously, it’s the way he digs into a character and gives such a focused and intense penis, Goddammit! performance! Man this is hard (now stop it!) It’s a great performance, a fascinating look at history and the perfect show to bring your Grandmother to. For more information and purchase tickets here’s the link to the show page https://minnesotafringe.org/shows/2025/in-the-garden-of-american-heroes

That’s it for day one of the Minnesota Fringe Festival you can click on the Fringe website here to get details on all of the shows https://minnesotafringe.org/shows/2025. That’s it for day one of the Minnesota Fringe Festival you can click on the Fringe website here to get details on all of the shows https://minnesotafringe.org/shows/2025 don’t forget to tune into The Stages of MN YouTube channel for mini episodes all week long from The MN Fringe Festival https://www.youtube.com/@TheStagesofMN

Zephyr Theatre’s Robin Hood Steals From the Rich and Gives to the Audience

Robin Hood by Greg Banks marks the directorial debut of Twin Cities Actor and Children’s Theatre Company (CTC) Member Reed Sigmund. His greatest gift as a Director is in the casting of the play and then empowering that cast to bring their own voices to their characters and the production. The character work in this show is strong and so funny that one doesn’t know if it’s the script or the performers that make it so hysterical. This version of the Robin Hood tale is framed by a homeless camp sequence in which the four actors playing unhoused people share with the audience the legendary story, which they then enact. The Set Design and all of the costumes come from items that one might expect to be found discarded in such an encampment. There’s no note in the program of who is responsible for those aspects but they are well found and add to the surreal feel of this adventurous retelling. These aspects add a touch of appropriate timeliness to what is mostly a hilarious entertainment. I loved Sherwood when I saw it a couple of years ago at Theatre in the Round, which also featured the comedic genius of Jeffrey Nolan. I think this version of Robin Hood is my new favorite comedic take on the folklore hero. The Temperature was 109 in the shade and everyone in the audience was so entertained but what we were seeing that we forgot to even sweat.

The usual question my wife and I always ask each other is who was your favorite. But as you might expect, the question this time is who was your favorite character played by Jeffrey Nolan? I’m going to go with Prince John, but the five other characters tie as a close second. Nolan is enough to get me to any production as faithful readers will no doubt have realized by now. A more original and unique comedic voice you will not find, it feels like only a matter of time before we see him on SNL. What pushes this show into the stratosphere is the rest of the cast. Finding four other performers who aren’t going to be overshadowed by Nolan, particularly in a comedy where he plays about six different parts including a horse, seven if you include a remarkable, though brief, portrayal of a deer, is an amazing feat. But that’s what we have here. Grace Hillmyer, who readers will also be familiar with as someone who has impressed us in every role we’ve seen her in since first coming to our attention in Kinky Boots at Lyric Arts, plays among other roles Maid Marian. Hillmyer again shows us a new side of herself and her talent with this comedic side that previous roles had only hinted at.

Two of the performers I wasn’t familiar with is Antonisia Collins who plays Robin Hood, and Brandon Brooks as the Sheriff of Nottingham. From what I gather Collins has been racking up small supporting roles at CTC, well. I hope the people at CTC see this production because Collins is clearly ready for leads, which I hope to see her in again very very soon. Brooks, had apparently stepped away from acting a bit, clearly on stage is where he belongs. He is the villain of the piece, but the kind of villain you kinda love to watch. It feels like we are watching the convergence of the next group of actors that will be the ones who move on to bigger cities (please don’t) or are the ones we see constantly working at all the big theaters around town. The cast is rounded out by Jay Scoggin, who has a few small roles but mostly plays live music and provides sound effects throughout the show, which is such a fun treat, I love a live musical score in a play, especially when they are on stage and you can watch them creating the soundscape. When Scoggin does join in the show, he’s as funny as the others and very protective of his Skittles.

The Zephyr Theatre’s production of Robin Hood Runs through August 3rd at Aamodt’s Apple Farm in Stillwater, MN. It’s performed in the great outdoors which reminded me of my childhood theater going experiences at Trollwood Park in Fargo, ND. This is another great show to take the whole family too, but don’t think on it too long as there is just one more weekend to catch it. For more information and to purchase tickets either the chair seats or bring your own chair go to https://www.stillwaterzephyrtheatre.org/home/#events

I’ve officially launched The Stages of MN YouTube Channel which you can view by clicking on this link. https://www.youtube.com/@TheStagesofMN. Check out the intro videos and the weekly episodes. Subscribe to the channel so you’ll always know when a new episode has dropped. Think I may have steered you wrong on a show? Well, I’m also a member of the Twin Cities Theater Bloggers (TCTB), where you can read review roundups of shows by m’colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers.

Episode 6: The Stages of MN “Good Things Edition” With Special Guest Kendra Plant

Faithful readers, if you aren’t already faithful viewers, what are you waiting for? click here for the latest episode https://bit.ly/TSOMNEpisode6YT. Or listen to the podcast version here https://bit.ly/TSOMNEpisode6Podcast. On which The Stages of MN chats with fellow Twin Cities Theater Blogger Kendra Plant of Artfully Engaging https://www.kendraplant.com/blog-artfully-engaging about her upcoming https://minnesotafringe.org/ Show. https://minnesotafringe.org/shows/2025/the-kendra-plant-variety-hour-good-things-edition-with-special-guests

My MN Honest Reviews are Love and Baseball running through 7/28 at Artistry in Bloomington click here for tickets https://artistrymn.org/loveandbaseball and the 10th Anniversary production of Glensheen running through 7/27 at History Theatre, click here for those tickets https://www.historytheatre.com/2024-2025/glensheen

Follow me on Facebook / thestagesofmn and Instagram / thestagesofmn The show will also be available tomorrow in podcast form at https://robdunkelberger.podbean.com/ or wherever you enjoy podcasts

Love and Baseball is a Home Run at Artistry

Dustin Bronson and Kendra Mueller *Photo by Alyssa Kristine Photography*

Love and Baseball reopens the Artistry Black Box Theatre in Bloomington. How long has it been closed? I have no idea, I didn’t even know they had one. So I’m guessing since the Pandemic. I’ll tell you what though, it is a great space and I’m looking forward to next season at Artistry even more knowing there is programming for this space as well. You can get a gander at Artistry’s terrific looking 2026 season here https://artistrymn.org/2026season. Love and Baseball is a two hander directed by one of The Stages of MN favorites as an Actor, Director, and Theater owner (The Hive Collaborative) Eric Morris. Here Morris creatively tells the story of three meetings between two people who seem to belong together. Each meeting between Will and Michele begins awkwardly and ends with you yearning for them to kiss. It’s a Romcom about two people you want to get together but something keeps getting in their way, their own life choices mostly.

The script Jerry Montoya is full of baseball stories and analogies, some straightforward but some that only occurs to you the longer you think about it, even the structure of the play seems to correlate to baseball, three strikes, three outs, three acts. But you do not need to know anything about baseball to fully connect and enjoy this play. Everything that you need to know is explained to you, and if you are worried that it will all be about baseball, it isn’t. Will loves baseball and so he uses it to illustrate a point and that becomes the template for their subsequent meetings. Morris finds ways to incorporate the baseball theme into every aspect of the show including having the actors change on stage between scenes as if they were in locker rooms on either side of the stage. The set design by Katie Phillips cleverly incorporates the baseball theme. The play is set in the living room of a rented house and along the floor is the outline of a baseball diamond. The walls are the chainlink fence of a park baseball field, which allows us to see through into the kitchen or bathroom when one of the characters leaves the room. There are some nice technical touches as well from Lighting Designer Grant E. Merges whose subtle dimming of the lights at key moments nurtures the emotional connection that is forming between the characters and the audience. Sound Designer Richard Graham adds cute sound cues that tie everything back in to baseball, and there are some great music cues as well.

Montoya’s script is smart, funny, and emotionally nuanced but it takes just the right actors to hit it out of the park. Thankfully, Morris has perfectly cast this production. This show works because we want the characters to get together in the end. We only have 90 minutes with them, so their chemistry has to be almost immediate. It may sound shallow to say but, the short cut to manifesting that acceptance in the audience, of their almost instant attraction is to cast two Actors who are attractive to the audience. We find them attractive and therefore believe they would find each other attractive. In Dustin Bronson and Kendra Mueller we have two very attractive Actors to be sure, but also two very talented Actors. That shortcut allows us to get onboard quickly but it’s the Actors charm, their playful interactions, the way they seem completely caught off guard every Act by the feelings the other stirs in them that makes this a grand slam of a play. Bronson’s awkwardness at unexpectedly finding Michele, who is waiting for his roommate in the house, is beautifully played. We see the struggle in him initially between his desire to turn on the Dodgers play off game or be polite to the stranger. The longer the scene goes on Bronson, motivations gradually shift from a desire to be polite to genuine desire. Mueller, who has apparently been in hiding for a number of years, because I’m completely unfamiliar with her, is confidant, intelligent, and perfect in the role. I think it’s her playful confidence contrasted with Bronson’s timidity at first that really cements her appeal. She draws him out and once they get on equal footing we realize there is a yearning in ourselves to see these two together that harmonizes with the characters own feelings. It’s interesting to me the similarities between the emotions I felt during this play and those I feel during a Jane Austen book, film or play. Especially since Bronson earned a place on my MUST SEE list in Georgiana and Kitty: Christmas at Pemberley at The Jungle Theater in 2022. In fact it feels like a modern Jane Austen story, the secret that keeps them apart, the longing for the two to come together.

Love and Baseball runs through July 28th at Artistry in Bloomington. I loved the space, the play, the cast. If you love baseball you’ll love it. If you hate baseball, I assure you you’ll still love this play, liking baseball has nothing to do with the enjoyment of this play in any way. For more information and to purchase tickets visit https://artistrymn.org/loveandbaseball

Episode 5: The Stages of MN Hits the Road in Search of the Great River Shakespeare Festival

Faithful readers, if you aren’t already faithful viewers, what are you waiting for? click here for the latest episode https://bit.ly/TSOMNEpisode5. On which The Stages of MN traveled down to Winona, MN for The Great River Shakespeare Festival (GRSF). I talked to the people behind the scenes and those on stage to give you a complete picture of the festival. I even got a lesson in Intimacy Coordination from the Artistic Director Doug Scholz-Carlson. But I didn’t do it alone I had a little help from my friend fellow Twin Cities Theater Blogger Jil Schafer of Cherry and spoon. You can read her reviews at http://www.cherryandspoon.com/

My MN Honest Reviews are of the two shows playing in the festival Romeo & Juliet and The Comedy of Errors. For info on the GRSF, those shows and to purchase tickets go to https://www.grsf.org/. We also have our customary “At a Show With…” montage of who I saw out at the Theater this week.

Special thanks this week to Chanhassen Dinner Theaters (CDT) for Sponsoring this episode. Check out all the happening out at CDT here https://chanhassendt.com/. If you are interested in sponsoring an episode you can email me at robdunkelberger@thestagesofmn.com

Follow me on Facebook / thestagesofmn and Instagram / thestagesofmn The show will also be available tomorrow in podcast form at https://robdunkelberger.podbean.com/ or wherever you enjoy podcasts