Twin Cities Horror Festival XIII Day 4 Reviews: Gh0stChaser04, The Regular, Campfire Stories

This will be my last batch of reviews until I see the final show Keith Hovis’ Schaulust on 10/30. As I prep this I’m told there is a single ticket left for the final performance of Let’s Summon a Demon at Debbie’s, it’s not to be missed so snatch it up if it’s still available. To read more about all the shows and to purchase tickets goo to https://www.tchorrorfestival.com/tchf-xiii-schedule.html Now without further ado here are my reviews for the three shows I saw on Day 4 of the festival.

Gh0stChaser04 plays like an old episode of the Twilight Zone crossed with Scooby-Doo, yet taken almost entirely seriously. It’s another in the increasingly rare shows that attempts some actual scares and creepiness and for that it is very welcome. This one has a great cast including a couple a favorite comedic performers Rita Boersma and Heather Meyer. The script by Rachel Teagle is clear and witty, particularly in the opening dialogue between the three ghost chasers. Jenny Moeller pulls off a tricky directing job, keeping it mostly grounded but also giving in to the more absurd aspects of the script, the Scooby-Doo aspects if you will. It’s hard to change tone from the realistic to the absurd and then come back to a reality established in the opening, but Moeller makes it work. The plot follows three ghost chasers in the late 1990s and simultaneously a journalist and a spiritualist from the early 1900s. How the two intersect and the surprises in store I’ll leave you to discover in wherever it is that signpost up ahead reads as the next stop.

The Regular is best explained as an episode of Cheers, which it openly acknowledges as an inspiration, gone horribly horribly wrong. Wait, let me amend that, it’s like the funniest fucking episode of Cheers getting hijacked by Kevin Spacey’s character in Seven. Josh Carson writes and directs the show and I’m not sure why he isn’t writing his own number one sitcom, or maybe that’s in the works. I thought the script was brilliant as was the staging including some great fight choreography by Annie Enneking. Filled with clever music cues that add repeated laughs throughout the show. Set in a bar an hour before closing the brilliant Sam Landman plays Charlie who sees himself as the loveable Norm character of the local bar. He banters with the bar staff, the bartender Teddy played by Claire Chenoweth, and the server Wes played by Lukas Ramsey, who humor him. Things take an odd turn though when a stranger arrives played by Jay Melchior who once left alone with Charlie informs him that he’s going to kill him when they leave the bar. Charlie doesn’t know why or what to do with this information or whether the stranger is being serious or not. The four person cast is top notch they make Carson’s jokes feel fresh and spontaneous like the best comedy. Special spotlight though on Landman and Chenoweth, they have the meatiest roles to be sure, but both have that something extra that makes it impossible not to believe their performances. This is a genre mashup of sitcom, thriller, horror, not the most naturalistic performance styles generally, and yet, for an hour they were Charlie and Teddy. This is so far, the best show the Festival.

Campfire Stories like Rev. Matt’s performances will be different every night. The line up changes but the structure is the same. Each night a group of four to five storytellers will take their turn at the microphone and tell true ghost stories. If the opening night is any indication they will run the gamut from funny, to moving, and even genuinely spooky. The show is accompanied musically by its curator and storyteller at each performance Nissa Nordland along with the multi talented Sam Landman. Here is the lineups for the remaining performances:

Monday, October 28th at 6:00 PM

Lauren Anderson

Jex Arzayus

Nissa Nordland

Shannon Twohy

Wednesday, October 30th at 9:00 PM

Lauren Anderson

Shanan Custer

Matthew Kessen

Heather Meyer

Nissa Nordland

Friday, November 1st at 7:30 PM**

Jex Arzayus

Nissa Nordland

Shannon Twohy

Derek “Duck” Washington

ASL Night

Saturday, November 2nd at 10:30 PM

Shanan Custer

Matthew Kessen

Heather Meyer

Nissa Nordland

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Drawing Lessons Explores the Power of Finding yourself Through Art at Children’s Theatre Company

Jim Lichtscheidl and Olivia Lampert Photo by Kaitlin Randolph

Drawing Lessons which runs for a couple more weeks at Children’s Theatre Company in Minneapolis caught me a bit off guard. I was hoping to enjoy it, but I wasn’t expecting to be moved by it the way I was. My favorite audiobook of all time is On Writing: A Memoir of the Craft by Stephen King. Stay with me here, it’s going to make sense. My favorite part of the book is when he sells the paperback rights to first novel Carrie, I cry everytime and I’ve listened to it four times at least. It’s not because now he will be rich and famous, it’s because of the difference it will make in his life to succeed at his art. The fact that now he will be able to more than scrape along an existence for he and his family. That he wont have to hope a short story sells and brings in that extra little bit of cash before one of the kids get sick and needs a bottle of the pink stuff. Drawing Lessons has a moment that felt similar emotionally, and it had the same effect on me as listening to Stephen King recount that moment that freed him from a world of simply existing into one in which he could let go of those concerns and devote his life to creating, the thing he was born to do.

Drawing lessons tells us the story of Kate, a twelve year old Korean American girl who has moved from St. Paul to Minneapolis, is starting a new school and is terribly shy, to the point of not even being able to speak in class. The one thing she has is her drawing. After school she walks to her father’s music studio where he gives music lessons, and through those she slowly makes friends with two classmates over the course of the play. But the person she meets that has the greatest impact on her is Paul who owns a local art supply store and draws a Sunday cartoon for the Star Tribune. Paul’s partner Matt encourages Paul to give Kate drawing lessons, which he is reluctant to do, though she wears him down over time. These lessons not only teach Kate how to grow as an artist but actually teaches the audience something about the artform of cartooning. It’s handled extremely well with video projections on the flats of the stage sometimes even showing us what the actors are drawing live. Kate’s school work is suffering particularly in Social Studies where the teacher threatens to fail her unless she can stop drawing, talk in class, and the worst, give a 5 to 7 minute speech about a cultural topic. Her father forbids her to go to Paul’s store and to stop drawing and focus on school and making friends. Kate’s Gomo (Great Auntie), comes to visit for her Dad’s birthday, and decides to stay as Kate and her father are no longer speaking. During her time there she at first seems like she will be strict and pull Kate further away from her passion but to Kate and our surprise, she encourages her and even teaches her about Manhwa, the South Korean comic form similar to Japan’s Manga’s. When she learns of a drawing contest for which first price is to have your comic book published on the internet and $250 she decides to go for it.

I loved the way this story took the time to also teach us about the techniques and concepts of cartoon drawing. I loved the Scenic Design by Junghyun Georgia Lee and the Projection design Elizabeth Barrett. I loved all of the illustrations by Blue Delliquanti that bring Drawing Lessons to life. I loved the cast with particular kudos to the performances of Olivia Lampert as Kate, Jim Lichtscheidl as Paul, De’Anthony Jackson as Kate’s friend Omar, and Katie Bradley as Kate’s Gomo. I loved that the show opened with the song Wonderwall, which as a Minnesota United fan is very dear to my heart. Most of all I loved the script by Michi Barall which feels authentic, grounded, and uplifting without being corny. I love the fact that Paul and Matt are casually presented as a couple and that the teacher is allowed to be a bitch. I loved the direction by Jack Tamburri, which gives us such creative staging that at times mirrors the lessons that Paul is giving Kate. We see scenes from four different perspectives, we see transitions where we have the actors in poses like different panels in a comic strip that seems to say meanwhile in various location…it all works perfectly

Drawing Lessons runs through 11/10/24 at Children’s Theatre Company in Minneapolis. For more information and to purchase tickets go to https://childrenstheatre.org/whats-on/drawing-lessons/

Twin Cities Horror Festival XIII Day Three Reviews: The Night Parade of a Hundred Demons…, Fractured Remembrances, Ghostrunners

Okay, so those paying close attention will notice that I labeled yesterday day one and today’s reviews day three. Well I wasn’t counting the Wednesday Cabaret, but I see from the TCHF posts they count that as day one, so I’m adjusting to their lead. If you want to see Let’s Summon a Demon at Debbie’s, good luck! As I prep this post the final performance lists, the tickets as almost gone. I suspect by the time I post this it will be sold out, making it a completely sold out run. Remember you can see the entire schedule and purchase tickets at this link https://www.tchorrorfestival.com/tchf-xiii.html . All Shows take place at the Crane theater in NE Minneapolis. I’ll be seeing all of the shows, so check back here for further reviews. I recommend seeing them all but if you are new to it at least plan a day or night to come and see three or four shows at once, there is such a variety of shows. When you do come they have some great mocktail additions to their concessions this year, I’ve tried the Cosmo and the Margarita so far and loved them both. Also don’t forget to purchase your merch, t-shirts, hoodies, even earrings, and dresses. That’s the pitch, now on with the reviews!

The Night Parade of a Hundred Demons for those of you familiar with Rev. Matt’s Monster Science you should know this years TCHF entry comes with a twist. Matt Kessen is joined by The Winding Sheet Outfit who act out elements of his humor filled lectures. If you’ve never seen Rev. Matt perform before you should, he’s a staple of the TCHF, the Minnesota Fringe Festival, and he performs monthly at Bryant Lake Bowl Theater. For most of us horror fans he’s like that favorite sweatshirt, it’s not your fanciest, it’s not your warmest, but it’s comforting and makes you feel warm inside. To describe the content would be pointless as each of his performances is a different topic. I will say that the addition of The Winding Sheet Outfit adds to the fun in all the right ways. For our performance the highlights was a parody song to the tune of “The Leader of the Pack” and they will be performing a different song for each program. I may try and catch another performance if I can, I enjoy these so much.

Fractured Remembrances is written and directed by Executive Director/Ticketing Director of the TCHF Duck Washington. Don’t worry his show is not the result of string pulling, it’s more than deserving of its place in the festival. Of the seven shows I’ve seen so far, this was the one with some real moments of unease and creepiness. The story of a young woman named Aster, played beautifully by Angela Fox, who undergoes a traumatic experience when she and her boyfriend disappear for five days. She is found but her boyfriend is not, but he’s not the only things missing, her memory of the five days is also gone. The show deals with her trying to recover her memories with the help of a hypnotherapist. This has a complex script, brought to life with minimal sets but with truly creepy lighting and sound design. The Make-up and special effects by Kyle Decker add an ooze factor that doesn’t go over the top like Dangerous Productions shows do, but just adds to the overall tone of dread. There are fun supporting performances from Tim Uren, Ariel Pinkerton, and Jean Wolf. This is one for horror fans!

Ghostrunners certainly has some effective and horrific moments, but at its heart, it doesn’t want to scare you, it wants to amuse. At that it succeeds admirably, the main focus is on word play. For example those words that have more than one meaning like bat, as is baseball bat or the flying rodent. Another example is words that sound alike, “I see”, being mistaken for “Icey”. If you enjoy this type of clever writing and it is clever, though like the magicians trick or Sherlock Holmes deductions, it seems simple once explained. But coming up with all of these variations and then fitting them into a story, they only make it look easy. The story centers around an accountant who, appears to have OCD and be on the spectrum, spends his spare time playing a baseball game that he invented with dice, which relies heavily on statistics and tables. This rang very true to me, I’ve a son on the spectrum and I remember the elaborate games he would create on his own when he was younger. The game he is playing is then acted out by performers who are representing what is happening in his head. Everything begins to go south when he rolls three ones, a triple snake eyes if that’s clearer. This roll takes him to a table that is hardly ever referenced and the results are murderous. It’s a great cast including, in for one of the actors who has been benched due to an injury, the Director Kevin Duong at some performances and Playwright Kyle Munshower at others.

Twin Cities Horror Festival XIII Day One Reviews: The Wrench, Let’s Summon a Demon at Debbie’s, The Alchemist’s Bargain, and Doctor Clown

TCHF XIII actually launched a day early this year on Wednesday night with the sold out, one night only, Leslie Vincent Presents: A Monster and Mayhem Cabaret. I think everyone in the audience that night is of the firm belief that this is the way to open every TCHF going forward. Here’s hoping that is in the works for next year. The Festival shows of which there are 11, began on Thursday, each will have 5 performances throughout the 11 days of the festival. To see the schedule and purchase tickets to any of the shows go to https://www.tchorrorfestival.com/tchf-xiii.html . But don’t wait to long, shows have already sold out performances.

The Wrench is a play written by Andrew Erskine Wheeler Who’s Whoosh!… remains in my memory as a highlight of my very first Minnesota Fringe Festival. Here again he dives into a real life event, but this time there is a dark side. A group of actors, most of whom were present at the 1849 Astor Place Riot, have been hired for a new production of Macbeth. The story of their experience with the riot and how it left one of them with a traumatic brain injury is recounted to the young understudy who will have to go on as Lady Macbeth after the leading lady met with an accident. Interesting how often the Scottish Play and it’s curse has been coming up lately, just Sunday it was a very fun antidote in Patrick Page’s All the Devils Are Here at the Guthrie and those of us on the theater beat know of the series of accidents that have plagued Theater Latte Da’s production of Scotland, PA. Wheeler is great as Roscius Denue, who was trampled by horses during the riot and now speaks gibberish most of the time, but has perfect recall of the Shakespearean roles he played before the accident. There is also nice work from Carolyn Pool and Shanan Custer as two actresses that have aged out of the Lady Macbeth role and into the three witches.

Let’s Summon a Demon at Debbie’s is this years breakout hit, and it was so even before anyone saw it. By the time of the first performance four of its five performance slots have sold out. So if you are interested get online and get your tickets tonight, they will be sold out in the next day I’ve little doubt. Is it worthy of all the advance hype, yeah I think it is. The show opens on the home of Debbie, who lives with her menagerie of dolls whom she thinks of as her children. When her doorbell rings for the first time in 10 years and 27 days she is on her guard, but it turns out to be her old friend Cara, that she hasn’t seen in 25 years. Not since the day they and their friend Lucy tried to summon a demon in Debbie’s house during their senior year of high school. Is it scary? not really but it certainly has horrific elements. It’s really a pitch black comedy with some messed up stuff in it. Reagan Kay James is perfect as the uptight and slightly off her rocker doll loving Debbie. Julia Weiss as Cara wows us first by downing and entire bottle of wine in one drink, then with a story about catching her husband cheating on her that becomes more and more outrageous as it goes on and on, none of which can be repeated here for fear on violating some obscenity laws. Ashley Rose Wellman is Lucy whose entrance provides what is probably the plays one genuine moment of fright.

The Alchemist’s Bargain is a charming puppet show performed using blacklights, which really brought me back to my childhood, when you could get a blacklight bulb and blacklight posters at Spencers Gifts in the mall. I even had blacklight crayons that I used to color with and than look at using the blacklight. The story follows a man who seeks out a Alchemist who he hopes will be able to bring his true love back to life. The Alchemist sends the man on a quest to retrieve three ingredients that he will need in order to bring the loved one back. There is a lesson learned by the end but even if there wasn’t the journey itself is worth attending the show for. It’s a visual treat that ends with the alchemist’s trick. This is a great show for families, kids while marvel at the creativity of the medium, In fact so will their parents. I didn’t just enjoy myself, I was very much delighted by Phantom Chorus Theatre’s production. It’s a great example of the variety of styles and shows on view at the TCHF.

Doctor Clown is this years entry from Dangerous Productions. Typically the one show you can count on to be bloody and scary. Well, that is until this year, the blood is still there, but the scares have been replaced by laughs. Many of the laughs coming from the use of blood. Was I a little disappointed? yes, not because what they did wasn’t successful, it is. And it isn’t because it’s just a bunch of gross out humor, there is actually a fair amount of political and social commentary involved. No, it’s just that the one thing I’ve always found about the TCHF, and I do love the TCHF, is that very few of the shows actually even attempt to be scary. So it’s a little bit of a let down when the one company that can be relied upon to try and get the blood pumping, in more ways than one, doesn’t, at least, not in more ways than one. Of course the company should be allowed to do something different, and this clowning show if very well done. So it is a good show and my hope is that by setting your expectations accordingly you will be able to appreciate it more fully. If you have issues with blood and gore, this is not a show for you, it isn’t used to scare you but it could trigger a gag reflex or two all the same.

All the Devils Are Here is a Masterclass in Shakespeare’s Villains at the Guthrie Theater

The Guthrie Theater opens it’s McGuire Proscenium Stage as the first stop for Octopus Theatricals national tour of Patrick Page’s All the Devils Are Here: How Shakespeare Invented the Villain. Created and performed by the award winning actor of stage and screen Patrick Page who walks us through Shakespeare’s plays taking a look at nine of his villains, and how the role of the villain changed over the course of his career. Page is a mesmerizing performer who commands the stage from the moment the lights go up. Open and engaging warmly with the audience as he discusses his experiences with these roles, he slips easily into masterful performances from the plays and shows himself to be an excellent Shakespearean actor. Setting up each performance with a discussion of how each role added to the complexities of the archetype and showed Shakespeare’s maturation. For any fan of Shakespeare this is an essential production on the journey of understanding the artist and his works.

For a one person show that contains very few props or set pieces I must say this is a very well designed production. Everything is elegantly presented and the lighting design by Stacey Derosier is especially effective. Sound Designer Darron L West also adds some excellent little touches like the manipulation of Page’s voice as the three witches in Macbeth. My favorite story Page tells of his own experiences with Shakespeare’s plays revolves around Macbeth, which touches on the curse of the Scottish play. As many of you know our local production of Scotland, PA has been dealing with some injuries which may or may not have to do with the curse. In his performance of shakespeare characters, my favorites were Iago from Othello and Shylock from the Merchant of Venice. I appreciated Page’s explanation of the prejudices and other societal views from Shakespeare’s day. Explaining how things were so we can look at the characters through the lense of the time, but also pointing out that thankfully we know better now.

All the Devils Are Here: How Shakespeare Invented the Villain runs through November 17th at the Guthrie Theater in Downtown Minneapolis. For more information and to purchase tickets go to https://www.guthrietheater.org/shows-and-tickets/2024-2025-season/all-the-devils-are-here/

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Dracula: A Comedy of Terrors at the Center for Performing Arts

Dracula: A Comedy of Terrors the comedic play by Gordon Greenberg and Steve Rosen is like most adaptations of the classic horror novel by Bram Stoker, very loosely based on the source material. You have some of the basic plot in tact, and many of the characters names, even if they are tweaked ala Jean Van Helsing or they are given to different characters like the swap of Lucy and Mina as the fiance of Jonathan Harker. This adaptation is played for laughs and isn’t meant to be a serious and straight representation of the Dracula story. Stoker’s novel has a sexual undercurrent to it that was quite bold considering it’s Victorian era publication, that is the element that this production has its most fun with. It doesn’t shy away from the sensual aspects of the vampire myth in fact it puts it front and center and isn’t afraid to be very modern in it’s portrayals of sexual fluidity.

This is a show like The 39 Steps or the [Un]Qualified Theater’s 2023 MN Fringe production H.G. Wells’ The Invisible Man where there is a small ensemble with one actor playing the lead, here Dustin Bronson as Dracula, and the rest of the cast playing a multitude of characters. There is no pretense that this is not a stage show, in fact much of the humor comes from jokes that acknowledge this is a play being put on for our amusement. From sexy Dracula spraying is own aerosol can of fog simply to make his appearance more sensual to an actor portraying multiple characters in the same scene simply by turning around and putting a different wig on or changing hats. These are not moves meant to fool us but to elicit laughter, which it does. I love a show like this that winks at the audience and uses theater conventions to not only tell its story but also as the source of amusement. Director Joy Donley clearly understand this style of humor and masterfully stages all manner of silliness.

Bronson’s Dracula is sexy as hell but also really funny. Having most recently seen him in the Guthrie Theater’s History plays, this was a nice reminder of his considerable comedic chops which first impressed me in Jungle Theater’s Georgiana & Kitty. He further showcased his comic skills in a few impromptu moments with the audience, knowing just how to add a little something when the situation worked. The other four actors Bradley Johnson, Katie Consamus, Bethany McCade, and Corey Mills get to wow the audience with their versatility and ability to create countless distinct and highly amusing characters. Mills in particular looks to be having a blast playing two extreme’s the especially goofy Mina and the heroic and intelligent Dr. Jean Van Helsing. There is some great design elements from set pieces, props, costumes, as well as the lighting and sound design. Everything is kept simple but effective in terms of size and mobility, which it needs to be because this show moves at a very quick pace. Stage Manager Melisa Kucevic deserve praise for keeping this freight train on the rails at such high speeds.

Dracula: A Comedy of Terrors runs through November 2nd at the Center for Performing Arts in South Minneapolis. It’s a great show for everyone who enjoys the pleasures of Monster Month and great laughs. For more information and to purchase tickets go to https://www.nocturnalgiraffetheatre.org/currentshow

Broomstick Sweeps in the Witching Season at Open Eye Theatre

Broomstick by John Biguenet and designed and directed by Joel Sass will get you in the mood for Monster Month! It is a monologue show that runs about 90 minutes, no intermission, in which a Witch speaks directly to us in the audience as if we are one of the children she took in long ago and who ran away after a “misunderstanding”. Cheryl Willis doesn’t just play one, she really is a Witch! I know because I witnessed her cast a spell over the entire audience. She spins her tales like a spider a web, drawing you ever inward until you are entirely captive to her appetite. Willis is absolutely mesmerizing surrounded by Joel Sass’ always stunning and detailed sets, she moves from one reminiscences to another speaking always in rhyme. The marriage of atmosphere and Willis’s witchy vocalizations at once playful, almost childlike, then underlined the next moment with a tone of menacingly dark humor. It is a marriage of performer and role that comes along only a few times a year. More than just storytelling this is an experience, Playwright Biguenet has written the audience into the script and Willis draws us into our roles like lambs to the slaughter. I have not the words to describe Willis’ accent, something celtic perhaps, but whatever it is, it’s devine. I could have listened to her for another hour. The character she creates is complicated, understanding, devious, sentimental, questioning, innocent, treacherous, and deadly all conveyed with the skillful inflections of Willis masterfully controlled voice.

If you are looking for something that’s funny without being a comedy, scary without being gross or horrifying, Broomstick is the show for you. Here are a group of theater artists that do what Open eye does better than any other theater their size, make every aspect of production work perfectly together and make it look like a million dollar show. Lighting Designer Kathy Maxwell, Costume Designer Claire Looker, and Sound Designer C. Andrew Mayer all put their mark on the show. It sounds and looks fantastic, which is one of the things I cherish most about Open Eye Theatre. Broomstick runs through October 31st at Open Eye Theatre in South Minneapolis. For more information and to purchase tickets go to https://www.openeyetheatre.org/broomstick