Showdown at the Kar-a-OK-e Corral, One Final Murder to Solve Before The Mystery Cafe Closes.

It was my fifth case with The Mystery Café, and the writing was on the email: this would be my last. After its 38th season, the Café is closing down. The head of the agency, Brian Kelly, cites rising food costs as one of the motives, though I just heard President Trump say grocery prices are lower than they’ve ever been since the Great Depression, so who knows what to believe. One thing was certain: a crime was going to be committed at the Kar-a-OK-e Corral, and I needed to be there to help find the murderer.

The problem? It was the worst weather of the season in Minnesota. The roads were slicker than the cap of an olive oil bottle after the kids have “helped” you cook dinner. I made it to the venue, though it was a white-knuckler if I’ve ever seen one. Mother Nature was angrier than a TSA agent without a paycheck, and I knew this crime needed to be solved quickly before the roads became completely impassable.

When I arrived, I was met at the entrance by Mama Myrna Shamwow herself, owner of the Kar-a-OK-e Corral. Mama was full of life, though her sense of fashion direction had clearly taken a turn down bargain basement alley. It was immediately clear that she might be a little down on her luck, but that didn’t affect her confidence. This was her place, and she was firmly in charge. Rumors of karaoke fixing had swirled around Mama like bees around a little black rain cloud for years, but so far she’d never been stung. This year, however, the Ham Lake City Council announced that things would be watched closely to ensure everything was above board.

The news that there would be no fix this year ran through the contestants like COVID through a senior center on grandkids’ day. They were elated, unlike the residents of a senior center four to seven days after grandkids’ day. All of them, that is, except Tiffany Shamwow, Mama’s daughter and six-time winner of the annual singing competition. Tiffany was none too pleased to learn she wouldn’t be handed the championship on a golden platter this time.

Not yet knowing what crime would be committed, I began making a mental list of potential victims and suspects. First up were Sully and Shar, a couple who saw this as their first real chance to win. Shar was so desperate for victory that she prevented Sully from singing, which clearly upset Sully, and seemed to relieve the audience. Next was Colt Yokum, Mama’s accountant and a man with friends in low places. Then there was Iris Vox, Tiffany’s perpetual second fiddle, who she played like a harp from hell. It wasn’t hard to imagine Iris getting as tired of Tiffany plucking her strings, as this metaphor is. Also in the mix was last-minute entrant Jimi Wylde, as gifted vocally as he was clueless about everything else. Finally, there was Bernie Love, the DJ, who opened with a musical number that left me wondering why he wasn’t competing.

As for the crime itself? I’ll leave that to you, faithful readers, to discover when you make your final journey to The Mystery Café.

This show gives audience members the opportunity to sign up and perform a karaoke song during the evening, for those so inclined. I attended a Sunday brunch performance, when the weather, and therefore the roads, were particularly terrible. I don’t drink, and I’m therefore unlikely to summon the courage to sing karaoke under any circumstances. Add in the time of day and the icy roads, and participation was understandably low. We did have two audience performances, both so good that they effectively shut down the rest of us who lack confidence in our vocal abilities. I’m told evening performances inspire much higher levels of participation, and that it’s a judgment free, just have fun space.

The food, as always, was enjoyable, and I loved seeing some of my favorite local performers. Josh Carson plays Sully and does finally get to sing, once the waitstaff had collected their tips. I’m not saying there’s a correlation, but I’m also not not saying it. Also performing are Twin Cities power couple Nissa Nordland and Sam “the Man” Landman as Tiffany Shamwow and Bernie Love.

This may not be the funniest Mystery Café show I’ve seen, and the mystery itself is no Agatha Christie or Conan Doyle puzzle. Though it’s fair to say it stumped me. But like all their productions, it’s an enjoyable outing with friends or family, but never both, don’t cross the streams. I gave tickets as a Christmas gift to the Aged P’s and my brother and sister-in-law; it’s been a bit of a tradition for us, and I’m genuinely sad to have to find something new next year.

The addition of karaoke is an inspired one and likely adds a lot to the fun. I happened to see it under less than ideal circumstances, but I’m confident that anyone who sings, or drinks enough to think they can, will enjoy it even more.

Showdown at the Kar-a-OK-e Corral runs through February 15 at Majestic Oaks Golf Club in Ham Lake. The show includes dinner (or brunch at matinees) and a crime. If karaoke isn’t your thing, there are two other shows in this final season: A Cruise-mas Carol, running through January 9 at the Sheraton Bloomington, and ’Til Death Do Us Die, playing January 16–31, also at the Sheraton Bloomington.

You can read my reviews of previous years’ productions here:
https://bit.ly/TSOMNCruismasCarol
https://bit.ly/41TqaJh

For performance dates and reservations, visit:
https://www.themysterycafe.com/

Don’t rely on Facebook or Instagram algorithms to keep you in the loop about great shows. Subscribe and have every post from The Stages of MN delivered straight to your inbox. It’s the best way to make sure you never miss out on the theater action. To subscribe on a computer, enter your email address on the home page (right-hand side) and click subscribe. On mobile, scroll to the bottom of the page to find the same option. You can also follow me on Facebook @thestagesofmn and on Instagram thestagesofmn.

The Stages of MN YouTube channel is home to the weekly Stages of MN Show. You can watch it by clicking here. Be sure to check out the latest episodes and subscribe so you’ll always know when a new one drops. Not sure you agree with one of my takes? I’m also part of the Twin Cities Theater Bloggers (TCTB), where you can find review roundups from my colleagues and me. Follow us on Facebook at @TwinCitiesTheaterBloggers.

Somewhere is a Play For Us at the Guthrie Theater

The Cast of Somewhere Photo by Dan Norman

It was the best of times; it was an age of analog dreams, when imagination was golden. It was before the dawn of cable television and 200 channels, before smart screens and the instant gratification of DVD’s and DVR. It was long, long ago in a world that feels far, far removed from today, a world where there were movies you could only see when they aired on television. Some of them were so special that you could count on them airing once a year, and it was an event.

My love of musicals was born in those early years, with annual screenings of The Wizard of Oz, The Sound of Music, and West Side Story. By the early ’80s, I wouldn’t say we had cable television, but we certainly stole it. With that proliferation of channels, and the addition of the VCR more musicals found their way into my orbit. I’ve spoken before of knowing The Music Man by heart before the age of ten, and Man of La Mancha made such an impression that even today I cannot see the flaws in the film version, though others assure me they exist. As a kid who loved musicals, romance, and Batman in equal measure, West Side Story was the one I acted out most often. It had a rumble, for God’s sake. Somewhere is the story of an even earlier generation, a family as much in the thrall of musicals and popular entertainment as I was.

Somewhere takes its name from a song in West Side Story. It is a beautiful family drama about both the power and the burden of dreams. The Candelaria family moved to Manhattan from Puerto Rico so the absent father, Pepe, could pursue his dream of becoming a singer and dancer. While he travels with a band, the rest of the family struggles to survive and follow their own dreams. Inez, the mother, is the dream pusher, always encouraging her children to reach for the stars. Alejandro, the oldest child, has stepped into the role of responsible adult, making sure the bills are paid and dinner is on the table. Once a dancer with small roles on Broadway, he hasn’t danced in two years. As often happens, when everyone else lives for their dreams, one person steps up to manage reality for the rest. His younger sister Rebecca is also a dancer, and his brother Cisco dreams of being an actor. A chance reconnection with Alejandro’s best friend Jamie, who was essentially raised as a Candelaria, sparks new possibilities. Jamie works as an assistant to Jerome Robbins, the Broadway director behind West Side Story, which seems to always be in the ether of this play. The play explores the give and take between dreams and reality and the importance of living with both.

Somewhere is billed as a play with dance. There isn’t a lot of it, but what there is is terrific, and I don’t think anyone in the theater would have objected to more. Maija Garcia does an excellent job with the choreography, including an ingenious onstage costume change. It’s a moment where the very real drama of the characters takes a soaring grand jeté away from reality, if only for a moment. Director Joseph Haj has such a firm grip on the production that the moment lands perfectly, despite completely fracturing the play’s realism. It’s a bold choice, and it pays off beautifully.

Maggie Bofill, as Inez, is so buoyantly enthusiastic as the ever optimistic mother that when she softens into a remembrance monologue about how she first met Pepe, the shift in energy acts like a vacuum, pulling us fully into the moment. Preston Perez grounds the piece as the ever sacrificing Alejandro, trying to rein in everyone’s dreams just enough to protect them from heartbreak but without extinguishing those dreams altogether. He is also an impressive dancer, and along with local rising star Sam Stoll, who plays Jamie, they deliver some truly elegant footwork. It’s wonderful to see Stoll making his Guthrie debut; he’s terrific in the role.

Somewhere runs through February 1 at the Guthrie Theater in Minneapolis.
For more information and tickets, visit:
https://www.guthrietheater.org/shows-and-tickets/2025-2026-season/somewhere/

Don’t rely on Facebook or Instagram algorithms to keep you in the loop about great shows. Subscribe and have every post from The Stages of MN delivered straight to your inbox. It’s the best way to make sure you never miss out on the theater action. To subscribe on a computer, enter your email address on the home page (right-hand side) and click subscribe. On mobile, scroll to the bottom of the page to find the same option. You can also follow me on Facebook @thestagesofmn and on Instagram thestagesofmn.

The Stages of MN YouTube channel is home to the weekly Stages of MN Show. You can watch it by clicking here. Be sure to check out the latest episodes and subscribe so you’ll always know when a new one drops. Not sure you agree with one of my takes? I’m also part of the Twin Cities Theater Bloggers (TCTB), where you can find review roundups from my colleagues and me. Follow us on Facebook at @TwinCitiesTheaterBloggers.

The Final Episode # 24 of The Stages of MN… Before The Holiday Hiatus. Five Reviews of Seasonal Shows

So I had my annual gathering of my friends from the North Pole this week, we had a great time, but they can be a bit much. Getting them all to sit still long enough to get the photo above was A Christmas Miracle! They wanted to know what I thought of all the holiday themed shows still playing around town. So I gave them the quick run down on five of them and thought I should share them with you faithful readers and viewers. So that is what this weeks episode is, 5 quick reviews! Enjoy and I’ll see you on the other side of New Years, when we’ll return with all new episodes of The Stages of MN. You can watch the episode here bit.ly/TSOMNEpisode24YouTube or listen to it here https://bit.ly/TSOMNEpisode24Podcast

Rollicking! A Winter Carnival Musical at History Theatre thru 12/21 https://www.historytheatre.com/2025-2026/rollicking-winter-carnival-musical A Christmas in ochopee from New Native Theatre runs from 12/3 thru 12/21 https://www.newnativetheatre.org/a-ch… A Christmas Carol…More or Less runs from 11/28 thru 12/28 at Yellow Tree Theatre https://yellowtreetheatre.com/christm… A Nice Family Christmas at Lyric Arts Through 12/21 https://www.lyricarts.org/nice-family-christmas A Double Feature of Free Pirate Musicals celebrating Fortune’s Fool Theatre at the Hive Collaborative through 12/21 https://fortunesfooltheatre.org/what-were-doing

Also we have one Final “At a Show With….” Segment before we close out the year. We’ll be back in early 2026 with more Stages of MN.

Don’t rely on Facebook or Instagram algorithms to keep you in the loop about great shows. Subscribe and have every post from The Stages of MN delivered straight to your inbox. It’s the best way to make sure you never miss out on the theater action. To subscribe on a computer, enter your email address on the home page (right-hand side) and click subscribe. On mobile, scroll to the bottom of the page to find the same option. You can also follow me on Facebook @thestagesofmn and on Instagram thestagesofmn.

The Stages of MN YouTube channel is home to the weekly Stages of MN Show. You can watch it by clicking here. Be sure to check out the latest episodes and subscribe so you’ll always know when a new one drops. Not sure you agree with one of my takes? I’m also part of the Twin Cities Theater Bloggers (TCTB), where you can find review roundups from my colleagues and me. Follow us on Facebook at @TwinCitiesTheaterBloggers.

Episode 23 of The Stages of MN is up and it’s a Jolly Roger of a Good Time!

We have a new episode up in which we join Fortune’s Fool Theatre in celebrating their 20th Anniversary! I talk with co–Artistic Directors, father and daughter Daniel and Ariel Pinkerton, about how the company started, how they settle disagreements, and what they’re doing to mark this big milestone. Hint: it involves pirates. In fact, they have two pirate shows running in rep at the Hive Collaborative in St. Paul as part of their 20th Anniversary Festival of FREE Musicals. Yep, tickets to both shows are absolutely free.

Watch the episode on YouTube here: https://bit.ly/TSOMNEp23YouTube
Or listen to the podcast version here: https://bit.ly/TSOMNEp23Podcast

We also have a review of Mistletoe & Mayhem from Just Us Theater, which runs through 12/14: https://mistletoe-mayhem.com/

Don’t rely on Facebook or Instagram algorithms to keep you in the loop about great shows. Subscribe and have every post from The Stages of MN delivered straight to your inbox. It’s the best way to make sure you never miss out on the theater action. To subscribe on a computer, enter your email address on the home page (right-hand side) and click subscribe. On mobile, scroll to the bottom of the page to find the same option. You can also follow me on Facebook @thestagesofmn and on Instagram thestagesofmn.

The Stages of MN YouTube channel is home to the weekly Stages of MN Show. You can watch it by clicking here. Be sure to check out the latest episodes and subscribe so you’ll always know when a new one drops. Not sure you agree with one of my takes? I’m also part of the Twin Cities Theater Bloggers (TCTB), where you can find review roundups from my colleagues and me. Follow us on Facebook at @TwinCitiesTheaterBloggers.

Episode 22: Beware the Phantom of the Stages of MN is Up and Ready to View over on YouTube!

On this very indulgent episode of The Stages of MN Show I sit down with my son Alex and we discuss our Phantastic double feature day! It was a trip down memory lane for both of us as we were surprised by the very good production of R.L. Stine’s Goosebumps: Phantom of the Auditorium at Park Square Theatre and the gorgeous Touring production of Andrew Lloyd Webber’s Phantom of the Opera. You can watch the episode here https://bit.ly/TSOMNEpisode22YouTube. Or if you or not blessed with the power of sight you can listen to the podcast edition here https://bit.ly/TSOMNEpisode22Podcast.

You can still see both of these shows! to get tickets to Goosebumps: Phantom of the Auditorium which runs through December 14th at Park Square in St. Paul bit.ly/ParkSquareGoosebumps and The Phantom of the Opera which runs through December 7th at Hennepin Arts Orpheum Theater in Minneapolis https://hennepinarts.org/events/the-phantom-of-the-opera

Don’t rely on Facebook or Instagram algorithms to keep you in the loop about great shows. Subscribe and have every post from The Stages of MN delivered straight to your inbox. It’s the best way to make sure you never miss out on the theater action. To subscribe on a computer, enter your email address on the home page (right-hand side) and click subscribe. On mobile, scroll to the bottom of the page to find the same option. You can also follow me on Facebook @thestagesofmn and on Instagram thestagesofmn.

The Stages of MN YouTube channel is home to the weekly Stages of MN Show. You can watch it by clicking here. Be sure to check out the latest episodes and subscribe so you’ll always know when a new one drops. Not sure you agree with one of my takes? I’m also part of the Twin Cities Theater Bloggers (TCTB), where you can find review roundups from my colleagues and me. Follow us on Facebook at @TwinCitiesTheaterBloggers.

Episode 20 of The Stages of MN Show Featuring an interview with Anna Hashizume and my appeal for Everyone to Give to the Maz on November 20th is Up in Both YouTube and the Podcast Versions!

lo faithful readers this is to let you know that the latest episode of The Stages of MN YouTube and podcast is up and ready for your enjoyment! Of paramount importance is the appeal to donate to your favorite theaters on Thursday 11/20/25 which is MN Give to the Max Day! go to https://www.givemn.org/ and find your favorite theaters. Once you’ve donated please send me an email at robdunkelberger@thestagesofmn.com and let me know you did your part. You don’t need to say how much or which theaters unless you want too.

On this episode I got a chance to chat with the endlessly talented Anna Hashizume who is currently starring as Eliza Doolittle in Theater Latté Da’s production of My Fair Lady which runs through 12/28. Here’s the link to purchase tickets to that show https://www.latteda.org/my-fair-lady

We have one reviews for you this week The Resistible Rise of Arturo UI from Frank Theatre which runs through 11/23, you can get tickets here https://franktheatre.org/events/resistible-rise-arturo-ui-bertolt-brecht/ .

You can view the show here https://bit.ly/TSOMNEP20YouTube or listen here https://bit.ly/TSOMNEpisode20Podcast.

Don’t rely on Facebook or Instagram algorithms to keep you in the loop about great shows. Subscribe and have every post from The Stages of MN delivered straight to your inbox. It’s the best way to make sure you never miss out on the theater action. To subscribe on a computer, enter your email address on the home page (right-hand side) and click subscribe. On mobile, scroll to the bottom of the page to find the same option. You can also follow me on Facebook @thestagesofmn and on Instagram thestagesofmn.

The Stages of MN YouTube channel is home to the weekly Stages of MN Show. You can watch it by clicking here. Be sure to check out the latest episodes and subscribe so you’ll always know when a new one drops. Not sure you agree with one of my takes? I’m also part of the Twin Cities Theater Bloggers (TCTB), where you can find review roundups from my colleagues and me. Follow us on Facebook at @TwinCitiesTheaterBloggers.

Purple Rain Leaves an Ugly Muddy Mess Behind

Kris Kollins Photo by Matthew Murphy


If there was ever a show you wanted to love, it’s Purple Rain. The new musical adaptation of Prince’s iconic film and soundtrack held its official opening night after three weeks of previews. It’s scheduled to run for about three weeks before theoretically transferring to Broadway—though the production’s website currently lists tickets only for the Minneapolis engagement.

Prince is a Minneapolis legend, and premiering the show here was absolutely the right choice. Unfortunately, that’s where the good decisions seem to end—because if there was ever a show that’s hard to love, it’s Purple Rain.

The musical follows the film’s plot up to a point, then veers off course in ways it can’t recover from. The Kid (Prince’s character) is remarkably unlikable in Act I. Unlike the movie, his brilliance as a performer isn’t really established that strongly up top, so his entitlement and self-centeredness feel neither earned nor forgivable. He comes across as someone everyone around him would be better off leaving behind. Perhaps the Kid’s charisma is meant to carry the audience, but this production was surprisingly low energy. I saw a more electrified crowd at The SpongeBob Musical at Lyric Arts two years ago, that audience treated it like a Beatles concert. Here, applause rarely rose above a golf clap.

The Kid is unlikeable for most of the first act and downright misogynistic in the second. The show aims for redemption but doesn’t come anywhere close to earning it. He’s a jerk who becomes a monster, and feeling bad at the end doesn’t excuse what he does to Apollonia. She’s portrayed as a troubled young woman scarred by childhood trauma, yet in Act II she’s humiliated and reduced to a reality TV punchline. she’s mistreated by the Kid and get’s no happy ending. The show’s book is mean spirited and I had very little tolerance for it by the end.

Purple Rain the movie certainly hasn’t aged super well in terms of the way it portrays women. Those of us who lived through the 80s kind of run into that a lot when we revisit the blockbusters of our past. It’s a sign of how far we really have come despite how it may feel sometimes. I expected this musical to address some of those issues, to correct them. Which, for the record is what I think would’ve been the right thing to do. Instead it doubles down on everything it should have corrected. It shows us women being strong and supportive of each other, but then decides to punish Apollonia in the end. While The Kid is rewarded, because after he’s horrible, he feels kind of bad about it. Ending with the kid being forgiven and him allowing Wendy and Lisa to collaborate with him, which is really a sucky message.

The cast is a mixed bag. Kris Kollins as the Kid moves like Prince and, while not a vocal match (who could be?), that’s forgivable. What’s missing is charisma. Perhaps a result of the exhausting lead up to opening night? I know they’re making changes up to the last minute, but I have to review what I saw. Jared Howelton delivers a spot-on Morris Day, clearly the audience favorite. Grace Yoo shines as Wendy, her commanding presence only highlighting Kollins’ lack of energy. Rachel Webb is excellent as Apollonia. Strong vocally, physically, and emotionally.

Choreographer Ebony Williams offers some intriguing movement, especially shadow partner sequences that suggest the eroticism that they’re not going to show us on stage. There’s nice dance moves from the bands as they are performing at The First (First Avenue). Still, I was surprised there wasn’t more dancing overall.

Production design by David Zinn is strong. The Purple Rain logo against a floral backdrop is striking, and the First Avenue recreation works beautifully. I also liked how the design allowed seamless shifts to other locations, such as the Kid’s apartment, and his motorcycle entrance was handled effectively.

Prince fans will want to go, and knowing what to expect may help you enjoy it for the music alone. But if you plan to share it with your kids, especially your daughters, I’d advise against it. The show leans toxic, its redemption arc forced and unconvincing. The book for this show left me with such a bad taste in my mouth, that no rain, purple or otherwise could wash out.

Purple Rain runs through November 23 at the State Theatre before its anticipated Broadway transfer. It’s a rare opportunity for Minnesotans that should’ve been a celebration of Prince and his music; instead, it felt like they were dragging him through the mud. The lack of energy from some of the cast, made it feel like they thought that as well. For more information and to purchase tickets go to https://hennepinarts.org/events/purple-rain-2025

Don’t rely on Facebook or Instagram algorithms to keep you in the loop about great shows. Subscribe and have every post from The Stages of MN delivered straight to your inbox. It’s the best way to make sure you never miss out on the theater action. To subscribe on a computer, enter your email address on the home page (right-hand side) and click subscribe. On mobile, scroll to the bottom of the page to find the same option. You can also follow me on Facebook @thestagesofmn and on Instagram thestagesofmn.

The Stages of MN YouTube channel is home to the weekly Stages of MN Show. You can watch it by clicking here. Be sure to check out the latest episodes and subscribe so you’ll always know when a new one drops. Not sure you agree with one of my takes? I’m also part of the Twin Cities Theater Bloggers (TCTB), where you can find review roundups from my colleagues and me. Follow us on Facebook at @TwinCitiesTheaterBloggers.