Love and Baseball is a Home Run at Artistry

Dustin Bronson and Kendra Mueller Photo by Alyssa Kristine Photography

Love and Baseball reopens the Artistry Black Box Theatre in Bloomington. How long has it been closed? I have no idea, I didn’t even know they had one. So I’m guessing since the Pandemic. I’ll tell you what though, it is a great space and I’m looking forward to next season at Artistry even more knowing there is programming for this space as well. You can get a gander at Artistry’s terrific looking 2026 season here https://artistrymn.org/2026season. Love and Baseball is a two hander directed by one of The Stages of MN favorites as an Actor, Director, and Theater owner (The Hive Collaborative) Eric Morris. Here Morris creatively tells the story of three meetings between two people who seem to belong together. Each meeting between Will and Michele begins awkwardly and ends with you yearning for them to kiss. It’s a Romcom about two people you want to get together but something keeps getting in their way, their own life choices mostly.

The script Jerry Montoya is full of baseball stories and analogies, some straightforward but some that only occurs to you the longer you think about it, even the structure of the play seems to correlate to baseball, three strikes, three outs, three acts. But you do not need to know anything about baseball to fully connect and enjoy this play. Everything that you need to know is explained to you, and if you are worried that it will all be about baseball, it isn’t. Will loves baseball and so he uses it to illustrate a point and that becomes the template for their subsequent meetings. Morris finds ways to incorporate the baseball theme into every aspect of the show including having the actors change on stage between scenes as if they were in locker rooms on either side of the stage. The set design by Katie Phillips cleverly incorporates the baseball theme. The play is set in the living room of a rented house and along the floor is the outline of a baseball diamond. The walls are the chainlink fence of a park baseball field, which allows us to see through into the kitchen or bathroom when one of the characters leaves the room. There are some nice technical touches as well from Lighting Designer Grant E. Merges whose subtle dimming of the lights at key moments nurtures the emotional connection that is forming between the characters and the audience. Sound Designer Richard Graham adds cute sound cues that tie everything back in to baseball, and there are some great music cues as well.

Montoya’s script is smart, funny, and emotionally nuanced but it takes just the right actors to hit it out of the park. Thankfully, Morris has perfectly cast this production. This show works because we want the characters to get together in the end. We only have 90 minutes with them, so their chemistry has to be almost immediate. It may sound shallow to say but, the short cut to manifesting that acceptance in the audience, of their almost instant attraction is to cast two Actors who are attractive to the audience. We find them attractive and therefore believe they would find each other attractive. In Dustin Bronson and Kendra Mueller we have two very attractive Actors to be sure, but also two very talented Actors. That shortcut allows us to get onboard quickly but it’s the Actors charm, their playful interactions, the way they seem completely caught off guard every Act by the feelings the other stirs in them that makes this a grand slam of a play. Bronson’s awkwardness at unexpectedly finding Michele, who is waiting for his roommate in the house, is beautifully played. We see the struggle in him initially between his desire to turn on the Dodgers play off game or be polite to the stranger. The longer the scene goes on Bronson, motivations gradually shift from a desire to be polite to genuine desire. Mueller, who has apparently been in hiding for a number of years, because I’m completely unfamiliar with her, is confidant, intelligent, and perfect in the role. I think it’s her playful confidence contrasted with Bronson’s timidity at first that really cements her appeal. She draws him out and once they get on equal footing we realize there is a yearning in ourselves to see these two together that harmonizes with the characters own feelings. It’s interesting to me the similarities between the emotions I felt during this play and those I feel during a Jane Austen book, film or play. Especially since Bronson earned a place on my MUST SEE list in Georgiana and Kitty: Christmas at Pemberley at The Jungle Theater in 2022. In fact it feels like a modern Jane Austen story, the secret that keeps them apart, the longing for the two to come together.

Love and Baseball runs through July 28th at Artistry in Bloomington. I loved the space, the play, the cast. If you love baseball you’ll love it. If you hate baseball, I assure you you’ll still love this play, liking baseball has nothing to do with the enjoyment of this play in any way. For more information and to purchase tickets visit https://artistrymn.org/loveandbaseball

Don’t depend on a Facebook or Instagram algorithm to ensure you hear about a great show. You can subscribe and have every post from The Stages of MN sent directly to your email box. It’s the best way to ensure you don’t miss out on any of the theater action. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn.

I’ve officially launched The Stages of MN YouTube Channel which you can view by clicking on this link. https://www.youtube.com/@TheStagesofMN. Check out the intro videos and the weekly episodes. Subscribe to the channel so you’ll always know when a new episode has dropped. Think I may have steered you wrong on a show? Well, I’m also a member of the Twin Cities Theater Bloggers (TCTB), where you can read review roundups of shows by m’colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers.

Episode 5: The Stages of MN Hits the Road in Search of the Great River Shakespeare Festival

Faithful readers, if you aren’t already faithful viewers, what are you waiting for? click here for the latest episode https://bit.ly/TSOMNEpisode5. On which The Stages of MN traveled down to Winona, MN for The Great River Shakespeare Festival (GRSF). I talked to the people behind the scenes and those on stage to give you a complete picture of the festival. I even got a lesson in Intimacy Coordination from the Artistic Director Doug Scholz-Carlson. But I didn’t do it alone I had a little help from my friend fellow Twin Cities Theater Blogger Jil Schafer of Cherry and spoon. You can read her reviews at http://www.cherryandspoon.com/

My MN Honest Reviews are of the two shows playing in the festival Romeo & Juliet and The Comedy of Errors. For info on the GRSF, those shows and to purchase tickets go to https://www.grsf.org/. We also have our customary “At a Show With…” montage of who I saw out at the Theater this week.

Special thanks this week to Chanhassen Dinner Theaters (CDT) for Sponsoring this episode. Check out all the happening out at CDT here https://chanhassendt.com/. If you are interested in sponsoring an episode you can email me at robdunkelberger@thestagesofmn.com

Follow me on Facebook / thestagesofmn and Instagram / thestagesofmn The show will also be available tomorrow in podcast form at https://robdunkelberger.podbean.com/ or wherever you enjoy podcasts

Don’t depend on a Facebook or Instagram algorithm to ensure you hear about a great show. You can subscribe and have every post from The Stages of MN sent directly to your email box. It’s the best way to ensure you don’t miss out on any of the theater action. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn.

I’ve officially launched The Stages of MN YouTube Channel which you can view by clicking on this link. https://www.youtube.com/@TheStagesofMN. Check out the intro videos and the weekly episodes. Subscribe to the channel so you’ll always know when a new episode has dropped. Think I may have steered you wrong on a show? Well, I’m also a member of the Twin Cities Theater Bloggers (TCTB), where you can read review roundups of shows by m’colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers.

The Music Man is Terrific With Capital T and that Rhymes With P and That Stands for Perfect for the Whole Family at Lyric Arts in Anoka

Pictured: Tony Potts, Ben Glisczinski, Brandon Osero, Holli Richgels, Shana Eisenberg, Cole Strelecki Photo by: Molly Jay

The Music Man is one of a few musicals where the book, music and lyrics were created by one person Meredith Willson. It is brimming with memorable songs “Iowa Stubborn“, “Goodnight My Someone“, “Wells Fargo Wagon”, “Till There Was You” and all time rouser “Seventy-Six Trombones” as well as many others. It’s one of a handful of musicals that I was very very familiar with growing up, mainly from the 1962 film version starring Robert Preston and Shirley Jones. What’s nice about this show, is that it’s fun for the whole family. I was only 8 when I fell under its spell and I hope families will use this production as a way to introduce their 8 year olds to the joys of a good old fashioned musical.

For those who don’t know, the music man of the title is Professor Harold Hill, Gary Conservatory of Music, Gold-Medal class of Aught-Five. Or at least that’s what he wants the citizens of River City, Iowa to believe. In reality, he’s a flim-flam artist who works his way across the country town by town, selling the idea of a boys band. The idea is the key word there, because he sells them the instruments and the uniforms, and then skips town with the money without teaching the boys to play a note. In fact, he doesn’t know one note from another. What he can do is keep everyone off balance long enough that they don’t realize there is never going to be a band. His first step is to create a need for a boys band. When he learns that the town has just gotten its first pool table, he uses it to rile up the citizens by pointing out the slippery slope to corruption that pool tables represent to the youth of River City. Which he points out in the song “Ya Got Trouble“, that’s Trouble with a capital T and that rhymes with P and that stands for Pool. Well, it’s hard to argue with logic like that. His second step is to introduce at a town gathering the idea of keeping the young boys out of the pool hall by exposing them to a more morally enriching activity like, oh I don’t know, a boys band? Step three, keep the Music Teacher off balance so that she doesn’t expose him as a fake before he collects and gets out of town. Of course the Music Teacher isn’t like the others he’s come across in his travels, this is “Marian The Librarian” and he will find himself as off balance as she is by the end.

Key to the success of any production of The Music Man is the casting of Harold Hill and Marion. Lyric has great performers in each role. Tony Potts has the charm and charisma necessary to sell this character’s ability to talk anybody into almost anything. He almost convinces Paul Reyburn’s Mayor Shinn to purchase an instrument for a son he doesn’t even have. The role of Marion, which is played by Nadia Frazen, requires an exquisite voice, which she certainly has. The show is filled with great supporting players as well. From the always hilarious Alex Stokes, who finds a way to distinguish himself from the other three members of the school board/barbershop quartet with his unique comic timing and performance. To the talented young folks Maddox Tabalba as Winthrop and Ava Fox as Amaryllis. But there was one performer, whom I’m not even sure had a single line of dialogue, that really wowed me and that was William Kroeger. If I had to guess I’d say he was six or seven years old at most, but he’s as precise in his choreography, maybe more so than some of his adult cast-mates. Sometimes you see a performer that just has “it”. It’s a little early to say for Kroeger, but he seems to have the natural ease on stage that makes for a great performer, if he chooses to pursue it. He’s one to keep your eyes on.

The show is directed and choreographed by Lauri Kraft who does a great job of keeping the action fluid and the cast moving in the Lyric Arts, smallish stage. The dance moves particularly in “Seventy-Six Trombones” are impressive. With that scene feeling like carefully controlled, planned, and executed chaos. I also appreciated the clever staging of how to have Hill keep trying to engage Marion in conversation while she will not stop walking. If she were to actually walk she would cross the stage before the first exchange ended, and to do all of the exchanges they would have had to have them walk in circles around the stage. Instead Kraft has them walk in place and it works very effectively. In fact the set design cleverly works along the same principle. Greg Vanselow’s design consists of just a few pieces that are reconfigured quickly creating different locals and at times are moved by cast members to help create the illusion of movement.

The Music Man is a favorite musical of The Stages of MN and Lyric Arts Production does this piece of American Musical Theater justice. Strong performances, wonderful choreography and direction and a smart and creative production design make this a great show to enjoy on the hottest summer days. The Music Man runs through August 10th at Lyric Arts in Anoka. For more information and to purchase tickets go to https://www.lyricarts.org/music-man

Don’t depend on a Facebook or Instagram algorithm to ensure you hear about a great show. You can subscribe and have every post from The Stages of MN sent directly to your email box. It’s the best way to ensure you don’t miss out on any of the theater action. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn.

I’ve officially launched The Stages of MN YouTube Channel which you can view by clicking on this link. https://www.youtube.com/@TheStagesofMN. Check out the intro videos and the weekly episodes. Subscribe to the channel so you’ll always know when a new episode has dropped. Think I may have steered you wrong on a show? Well, I’m also a member of the Twin Cities Theater Bloggers (TCTB), where you can read review roundups of shows by m’colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers.

Episode 3: The Stages of MN Meets Will Sturdivant and a Game is Played. Available Now!!!

Faithful Readers and hopefully now Faithful Viewers and Listeners, the latest episode of The Stages of MN Show is up on YouTube https://bit.ly/TSOMNEpisode3 as well as in the slightly shorter Audio only Podcast version which you can listen to here https://bit.ly/TSOMNPodcastEpisode3 or search for The Stages of MN wherever you enjoy podcasts!

On this weeks episode, I chatted with Actor and Author Will Sturdivant about his path to becoming an actor, his new books, and The Great River Shakespeare Festival; where he is performing in Romeo and Juliet and The Comedy of Errors through July 27th in Winona, MN. I also try and stump Will with the shakespeare game. Where he has to identify what character spoke a line and for extra points which play it came from. Will was on fire, but I wont spoil if he was able to beat the game and in doing so, win back his car keys. You can click here for more about the Festival and to purchase tickets https://www.grsf.org/. I’ll be there for my third year in a row on July 11th to take in both shows with a few of my fellow Twin Cities Theater Bloggers Jill Schafer of Cherry and Spoon http://www.cherryandspoon.com/ and Carol and Julie Jackson of Minnesota Theater Love https://www.mntheaterlove.com/. So if you see us around, don’t be shy, say hi! Get a picture and you’ll find yourself up on the next episode of The Stages of MN!

Also on this weeks episode a look at opening night of Cabaret at the Guthrie Theater as well as a review of the show running through August 24th. Click here for more info and to purchase tickets https://www.guthrietheater.org/shows-and-tickets/2024-2025-season/cabaret/. We also have a review of Madagascar: A Musical Adventure at Stages Theatre Company running through August 3rd, Click here for tickets to that show https://www.stagestheatre.org/madagascar-a-musical-adventure/. As always we have the photo montage of who I saw out at the theater last week. We also cover some breaking news in Verona that you will not want to miss. Don’t forget to Like, Review, share and subscribe.

Don’t depend on a Facebook or Instagram algorithm to ensure you hear about a great show. You can subscribe and have every post from The Stages of MN sent directly to your email box. It’s the best way to ensure you don’t miss out on any of the theater action. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn.

I’ve officially launched The Stages of MN YouTube Channel which you can view by clicking on this link. https://www.youtube.com/@TheStagesofMN. Check out the intro videos and the weekly episodes. Subscribe to the channel so you’ll always know when a new episode has dropped. Think I may have steered you wrong on a show? Well, I’m also a member of the Twin Cities Theater Bloggers (TCTB), where you can read review roundups of shows by m’colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers.

Madagascar: A Musical Adventure is Fun for All Ages at Stages Theatre Company

Photo by Amy Rondeau Photography

Madagascar: A Musical Adventure is a stage adaptation of the popular DreamWorks animated film that came out when my kids were little. I know I saw the film, but to be honest it has completely left my memory I have some memory of penguins and lemurs but that’s about it. Luckily prior knowledge of the film is not needed to enjoy this simple tale of Zoo animals who go looking for something more. As with most children’s shows there is a positive message about friendship and this one focuses on best friends Alex the Lion and Marty the Zebra. Marty is having a midlife crisis, she is 10 years old and still doesn’t know if she’s black with white stripes or white with black stripes. When she decides to leave the zoo and see what’s out in the world her friends led by Alex go after her to bring her back. Somehow they all end up in crates on a ship in the ocean. They go overboard and wash up on the shores of Madagascar. There they’re befriended by Lemurs who hope Alex will protect them from their carnivorous enemies. Meanwhile Alex is getting hungry and while his friends are content with the lemurs vegetarian diet, Alex’s instincts began to get the better of him.

I think most kids are going to have a great time with this show. The songs are fun and lively and there’s even a more poignant lament sung by Marty that’s really kind of beautiful. The cast a mix of a few strategic adults and lots of kids who do a great job. The Costume and Make-up Designer Samantha Fromm Haddow deserves full marks for the wonderful animal costumes. I loved the hoofs and headpiece on Marty, particularly the penguins which are puppets controlled by men dressed like Jake and Elwood Blues, are really well done. There’s a nice set design too by Joe Johnson effective as the Zoo and then surprisingly lush when transformed to Madagascar. If your wee ones like animals and music, they will have an adventure with this show and the audience really gets into it clapping along and dancing in their seats, or maybe they just needed the restroom. Either way it’s a fun show for families.

Madagascar: A Musical Adventure runs through August 3rd at Stages Theatre Company in Hopkins. For more information and to purchase tickets go to https://www.stagestheatre.org/madagascar-a-musical-adventure/

Don’t depend on a Facebook or Instagram algorithm to ensure you hear about a great show. You can subscribe and have every post from The Stages of MN sent directly to your email box. It’s the best way to ensure you don’t miss out on any of the theater action. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn.

I’ve officially launched The Stages of MN YouTube Channel which you can view by clicking on this link. https://www.youtube.com/@TheStagesofMN. Check out the intro videos and the weekly episodes. Subscribe to the channel so you’ll always know when a new episode has dropped. Think I may have steered you wrong on a show? Well, I’m also a member of the Twin Cities Theater Bloggers (TCTB), where you can read review roundups of shows by m’colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers.

The Stages of MN Jumps Off the Page and Into Your Eyes and Ears. The Good News is, a Short Course of Antibiotics Should Clear it Right Up.

I’m thrilled to announce that after months of hard work The Stages of MN has broken out of the confines of the blog and into new formats. The blog isn’t going away, but you might notice the reviews getting a little shorter. First off is the big one, the YouTube Show! Here is a link to the first episode https://bit.ly/TheStagesofMNEpisode1 . It clocks in at about 40 minutes but I think this first episode earns the extra time. Future episodes will be targeted at a 20 to 30 minute length, which I think is a little more digestible for the average viewer. The shows in general will feature an interview of some kind, a couple of reviews, and a montage of photos taken with people, like yourselves faithful readers, that I run into out at the theater. If you see me out at a show, or anywhere really, except standing at a urinal, don’t be shy, say hi, ask for a photo and you’ll be part of the next episode! I’m hoping this will allow me to meet more of you and connect with you in a more personal way. You love theater! I love theater! You know what I think of every show, but I want to hear what you think, I want to know what you are seeing.

I interviewed Austene Van, the Executive Artistic Director of Yellow Tree Theatre as well as an accomplished Actor, Choreographer, Director, and Writer for the first episode. You’ll see from that interview that we are having some fun with this show, but we’ll also at times talk about some really important things as well. We also have two reviews for shows closing this weekend Significant Other at Lyric Arts and Mae West and the Trial of Sex from Walking Shadow Theater Company. Along with a couple of other fun little items. I’m really proud of the show, it’s not perfect, but we’ll iron out the rough edges over time. For instance the opening sequence which was filmed in the historic Orpheum Theatre for which I’m very grateful to the folks at Hennepin Arts for allowing us to do. I think it came out great, but it is too long, you don’t want to sit through that every week. So sometime in the next few weeks I’ll get that edited down. But I wanted to share the full cut with you. And, if we have an episode that runs a little short in the future, we might pull it out and pop in from time to time.

The second new format is a podcast version of the YouTube show. You can hear the first episode by clicking here https://bit.ly/TSOMNPodcastEpisode1 or searching for The Stages of MN wherever you listen to podcasts. What’s the difference? Well the podcast version is a little shorter as some of the YouTube version is purely visual, like the opening and the photo montage, so those have been cut. My preferred version is the YouTube, but some folks don’t really want to sit and watch something on YouTube. Some would prefer to listen to a podcast, which they can do while driving, exercising, cooking, clipping their nails or shucking corn. And for those folks we have the podcast version, and to them I say happy shucking!!!

So while this exists for you to simply enjoy, you can also help do what this blog and these new versions of The Stages of MN was designed to do in the first place. Share the love of theater. You can help me spread the good words by sharing these shows on your social media pages, subscribing, liking, and reviewing them. For algorithms are a giddy thing, and this is my conclusion, the more these are viewed/listened to, the more the platforms themselves push them out to new folks. That is how we get others into the theater groove with us. They hear about a show and they check it out and then rinse and repeat! So let us rally to Austene Van’s call for us all to work together to ensure that theater does not go quietly into the night but blazes forth and comes out stronger and more vibrant and vital than ever. Theater is under attack, but we can do this.

Gratefully,

Rob Dunkelberger, Founder and Grand Poobah of The Stages of MN

Stop Kiss an Important and Beautiful Play for Pride Month From Theater Mu

Kelsey Angel Baehrens and Emjoy Gavino Photo by Rich Ryan

Necessity requires that going forward in order to produce a weekly YouTube show and podcast that reviews will become shorter. There are only so many hours in a day but, I have no intention of abandoning the blog version. Faithful readers, you have year after year grown The Stages of MN audience. While I hope you will become viewers or listeners as well, there will always be things here that cannot be found there. This will be the place for longer reviews, though slightly shorter than before, as well as Reviews of more shows than can be covered on the YouTube and Podcast versions. Essentially there will be some overlap, but each format will have unique content.

On to Stop Kiss which is a battle between two conflicting emotions and storylines. The play is broken into two timelines, both following two young women Callie, a long time resident of NYC and Sara, who has just moved to the city from the Midwest. One timeline follows them from their first meeting to their first kiss. The second storyline follows them in the aftermath of the kiss, but it’s not what you think. They are victims of a hate crime which leaves Sara in a coma. The two timelines alternate from scene to scene, so one moment we are watching a friendship blossom and then grow into an unexpected attraction. It is full of anticipation and joy and laughter and longing. The other is filled with tragedy, loss, and heartbreak, but also the growth and love. It’s a brilliant script by Diana Son and the duo timeline structure is anything but a gimmick. The one storyline joyfully heading towards tragedy the second revealing the extent of the damage and the repercussions of the horrible event that forms the nexus of the two timelines. What is miraculous is the way in which the telling of the story doesn’t diminish our giddiness at Callie and Sara’s growing bond in timeline one but it does inform our emotional response to timeline two.

The script does half of the work, but without such engaging and warm performances from the two leads Emjoy Gavino as Callie and Kelsey Angel Baehrens as Sara, the emotional resonance wouldn’t work. It’s that odd thing that we call chemistry, it’s why I tear up when Niles confesses his love for Daphne on Frasier (sorry if that’s a spoiler for anyone), and it’s why we are able to forget what we know is coming in Stop Kiss. We like these characters, we like the way they interact, in fact we forget they are characters. We become invested in their happiness, even though we know something horrible is coming. But to say that the success of the performances is due to some intangible thing called chemistry is not acknowledging the masterful work of Gavino and Baehrens. They are so good that they make it look easy. Make no mistake, it is their skill at crafting the roles, their understanding of what each timeline needs from them and their ability to swap between them from scene to scene that gives the play it’s heart and soul. The production is Directed by Katie Bradley who does an excellent job of staging the show, there are a million scene changes by the occur seamlessly and speedily which is key to keeping us invested.

Stop Kiss runs through June 29th at the Gremlin Theatre in St Paul and honestly I know it sounds like it could be a bit of a downer but I assure you it is ultimately a beautiful and hopeful production. For more information and to purchase tickets go to https://www.theatermu.org/stop-kiss#gsc.tab=0

Now more than ever in the wake of the most recent election and the hailstorm of stupidity and hate it has unleashed, theater companies need you and we need them. Buy tickets to shows, go out and support work that reflects diversity and inclusiveness. Donate to your favorite theater companies, don’t wait until they are on the brink of shutting down. We all need to stand up and fight for our theaters whose funding is under attack for promoting inclusion, equality and diversity. In short, theaters are being threatened for sharing stories that reflect our countries cultural and racial diversity.

Don’t depend on a Facebook or Instagram algorithm to insure you hear about a great show. You can subscribe and have every post from The Stages of MN sent directly to your email box. It’s the best way to ensure you don’t miss out on any of the theater action. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn.

I’ve officially launched The Stages of MN YouTube Channel which you can view by clicking on this link. https://www.youtube.com/@TheStagesofMN. Check out the intro videos and the weekly episodes. Subscribe to the channel so you’ll always know when a new episode has dropped. Think I may have steered you wrong on a show? Well, I’m also a member of the Twin Cities Theater Bloggers (TCTB), where you can read review roundups of shows by m’colleagues and I when you follow us on facebook @TwinCitiesTheaterBloggers.