Minnesota Fringe Day 3: Invasive Species or: In Space No-One Can Hear Your Steam, The Abortion Chronicles, Breach, Joan of Arc For Miss Teen Queen USA (The Stages of MN Fringe of the Day Award winner), Rec League, Jewelry Power Elite, That Which is Green.

Another great day at The Minnesota Fringe Festival. I’ve yet to see a show that I wouldn’t enthusiastically recommend. Maybe it’s that I’m not very adventurous with my picks, but I guess the trade off of playing it safe, being I never see a bad show, is worth it. Read my quick reviews of the seven shows I saw on day three below, including today’s The Stages of MN Fringe of the Day Award winner.

Invasive Species or: In Space No-One Can Hear Your Steam features of a fantastic script by Tim Wick which reimagines alien as a nautical mystery set in a steampunk London of the late 1800s. But the humor isn’t limited to that era, it pulls from all time periods but mostly we see it through the lens of the 20th century. A running gag featuring a variation on the classic Abbott and Costello “Who’s On First” routine is a highlight as is the explanation of steampunk technology. The cast is amazing especially Dawn Krosnowski as Ripley and Kjer Whiting as Inspector Dunkleputty (no relation). The creature effects are at once both low-tech and spectacularly effective. Re-creating all of the fabulous moment you expect from the film, but in a way that gets a laugh. We get the chestburster scene, the Face hugger Alien as well as a stand off that mirrors the final battle between Ripley and the Alien Queen in Aliens. The fabulous Creature effects are by Seán McCardle and the Props are by Liz Cummings. There’s one brilliant bit of stage business that subverts our expectations beautifully. The character of Ash is seen drinking from milk cartons several times, leading me to expect a recreation of, what for me was one of the biggest gross out scenes in the film, when Ash is killed and we learn he was an android and he’s spitting up a milky substance. I always hated that scene and I felt sure they were building up to it with the milk cartons, and then they don’t go there. They get to build up the anticipation of the scene without actually making us watch it, or them having to deal with the cleanup, which was an effective way to play that sequence. for more information and to purchase tickets go to the shows page on the Minnesota Fringe website https://minnesotafringe.org/shows/2025/invasive-species-or-in-space-no-one-can-hear-your-steam

The Abortion Chronicles is an anthology of woman’s stories revolving around abortion, all of them true, all of them deeply affecting. This is a remount of previous productions, which I did not see, but with mostly new stories. It was always an important show to produce, but it is becoming more and more vital everyday. These stories need to be told, heard, and understood. As a man I found it to be a privilege to be allowed to sit and listen to these stories. Allowing me a greater understanding of something I can never fully understand being in the body I am. The stories alternate with comments from two characters played by Christy Johnson who plays a nurse at an abortion clinic and Patti Gage who plays a patient escort at the clinic. They tell little anecdotes of their experiences between the main stories which are told by the the performers, some of whom are reenacting their own stories others as surrogates for other women. The women’s stories cover a range of circumstances that help to illuminate how complicated the issue really is. For more information and to purchase tickets, visit the shows page on the Minnesota Fringe Website https://minnesotafringe.org/shows/2025/the-abortion-chronicles#tickets

Breach features a powerful cast! I had it on my schedule because of Em Adam Rosenberg and Stephanie Kahle, who are The Stages of MN favorites. They play siblings, who own a crab fishing boat left them by their Father. Kahle is the Captain while Rosenberg plays the First Mate, and they are as always fantastic. But every single member of the cast is incredible. This is a harrowing story of a crab fishing ship and its crew. This trip hasn’t been very successful and so when they receive word of a storm, the Captain heads into a storm despite the risks rather than turn back without enough Crab to make the trip financially worthwhile. But there are secrets being concealed and as the storm looms ahead loyalties will be tested. The show actually gets a little spooky at times. It’s directed with precision by Alex Church who also cowrote the play with Mariabella Sorini. The lighting and sound design are highly effective and build genuine tension. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/breach

Joan of Arc For Miss Teen Queen USA is this year’s Melancholics Anonymous show, and for most that’s probably all I need to write. If you are a Minnesota Fringe regular you know who Melancholics Anonymous are. If this is your first time, you’ll want to try and reserve tickets for this show. It’s in one of the largest venues, which would be hard to sell out, but if anyone can it’s them. A Fringe show can be anything, that’s the joy of the Fringe. But when I think of Fringe as a Style, Melancholics Anonymous is what I think of. In this years show Timothy Kelly, who cowrote the show and whose bright blonde hair and 100 watt smile will always be the face of Melancholics Anonymous to me, plays the MC of the South Dakotan Miss Teen Queen USA Pageant. Things get disrupted when Joan of Arc suddenly appears as a new contestant 588 years after her execution. Like the Blues Brothers before her, she is on a mission from God! Outrageousness ensues, pants are nearly wet from laughter, and we all learn a little something about the importance of women supporting each other. It’s fantastically designed and orchestrated and probably the best thing yet from this company that always hits it out of the park. And, it is The Stages of MN Fringe of the Day Award winner. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/joan-of-arc-for-miss-teen-queen-usa

Rec League is one of the Festivals independently produced shows running at Strike Theater in North Minneapolis. It is one of the most successful improv shows I’ve seen at a Fringe Festival. I’m always a fan of Mike Fotis’ shows but this one surpassed all of the others. There wasn’t a single story thread that got dropped or taken in a dead end direction. And, they kept the fictional softball game actually going which was really impressive. But as they say in the show notes you don’t have to know anything about softball to enjoy the show. It’s about friends and their relationships and the different places we are all at when we get to our 40’s. And speaking of different, this is improv so every show will be different but it’s full of local favorites like Fotis, Allison Vincent, and Rita Boersma who are always funny, so it’s a pretty safe bet when you need some laughs in your schedule. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/rec-league

Jewelry Power Elite is surprisingly, Brave New Workshop company member and local legend, Lauren Anderson’s first solo show. I added it to my schedule because, well, Lauren Anderson. Ask any of my wives, current or past and they will tell you I do not notice jewelry, hair, or shoes, and as far as clothes go, I only notice if you aren’t wearing any, but I think that’s true of anyone, the noticing if someone is naked. Jewelry couldn’t break into the top 1,000 on my list of interests even if you eleminated my top 500 interests. I left this show with a new appreciation of jewelry, but mostly feeling like I’d been let into Anderson’s inner circle, if only for 45 minutes. Directed by Duck Washington, Jewelry Power Elite feels similar to his 2023 The Stages of MN Fringe of the day Award winning solo show My Only hope For a Hero. It takes something she is passionate about and through the lens of that passion shares stories that inform us of who she is and how she became the person we see before us. It’s funny, personal, and you get a free jelly bracelet! For those who love jewelry, this will be heaven, for the rest of us it’s the next best thing (that’s right, it’s a soft serve vanilla ice cream Crunch cone from Dairy Queen). Highly recommend this show, no love of jewelry required. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/jewelry-power-elite

That Which is Green is possibly the final Minnesota Fringe show from Michael Rogers who is moving away from the Twin Cities this fall. It’s a loss to the community, but one hopes that his connections and friends here in Minnesota will bring him back at least for more Fringe fun in the future. Fun isn’t the first word that comes to mind with his new show which he wrote, directed, and performs in along with Alex Van Loh. Though it does have laughs it’s concerned more with exploring the ideas of religion, Friendship, and the paths our lives take us down. A journey to an old and holy tree by two old friends brings up memories of the past. Set in what appears by their costumes to be another reality in which the tree is somehow related to that world’s version of Christianity. It’s another powerful performance from Rogers who is clearly connecting with this work. It may have been the 10:00 PM time slot on day three of the Fringe Festival in which I’ve seen a show in every possible time slot and spent additional energy putting myself forward to capture interviews with Artists and Audience members. But I found the show putting me almost in a trance like state. like I was in the forest with the characters communing with nature. Don’t miss this chance to see Michael Rogers, there may not be many chances left. To purchase tickets go to the shows page at The Minnesota Fringe Site here https://minnesotafringe.org/shows/2025/that-which-is-green

That’s it for day three of the Minnesota Fringe Festival you can click on the Fringe website here to get details on all of the shows https://minnesotafringe.org/shows/2025. Don’t forget to tune into The Stages of MN YouTube channel for mini episodes all week long from The MN Fringe Festival https://www.youtube.com/@TheStagesofMN. We’ll hopefully have the second one up on Monday!

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Love and Baseball is a Home Run at Artistry

Dustin Bronson and Kendra Mueller *Photo by Alyssa Kristine Photography*

Love and Baseball reopens the Artistry Black Box Theatre in Bloomington. How long has it been closed? I have no idea, I didn’t even know they had one. So I’m guessing since the Pandemic. I’ll tell you what though, it is a great space and I’m looking forward to next season at Artistry even more knowing there is programming for this space as well. You can get a gander at Artistry’s terrific looking 2026 season here https://artistrymn.org/2026season. Love and Baseball is a two hander directed by one of The Stages of MN favorites as an Actor, Director, and Theater owner (The Hive Collaborative) Eric Morris. Here Morris creatively tells the story of three meetings between two people who seem to belong together. Each meeting between Will and Michele begins awkwardly and ends with you yearning for them to kiss. It’s a Romcom about two people you want to get together but something keeps getting in their way, their own life choices mostly.

The script Jerry Montoya is full of baseball stories and analogies, some straightforward but some that only occurs to you the longer you think about it, even the structure of the play seems to correlate to baseball, three strikes, three outs, three acts. But you do not need to know anything about baseball to fully connect and enjoy this play. Everything that you need to know is explained to you, and if you are worried that it will all be about baseball, it isn’t. Will loves baseball and so he uses it to illustrate a point and that becomes the template for their subsequent meetings. Morris finds ways to incorporate the baseball theme into every aspect of the show including having the actors change on stage between scenes as if they were in locker rooms on either side of the stage. The set design by Katie Phillips cleverly incorporates the baseball theme. The play is set in the living room of a rented house and along the floor is the outline of a baseball diamond. The walls are the chainlink fence of a park baseball field, which allows us to see through into the kitchen or bathroom when one of the characters leaves the room. There are some nice technical touches as well from Lighting Designer Grant E. Merges whose subtle dimming of the lights at key moments nurtures the emotional connection that is forming between the characters and the audience. Sound Designer Richard Graham adds cute sound cues that tie everything back in to baseball, and there are some great music cues as well.

Montoya’s script is smart, funny, and emotionally nuanced but it takes just the right actors to hit it out of the park. Thankfully, Morris has perfectly cast this production. This show works because we want the characters to get together in the end. We only have 90 minutes with them, so their chemistry has to be almost immediate. It may sound shallow to say but, the short cut to manifesting that acceptance in the audience, of their almost instant attraction is to cast two Actors who are attractive to the audience. We find them attractive and therefore believe they would find each other attractive. In Dustin Bronson and Kendra Mueller we have two very attractive Actors to be sure, but also two very talented Actors. That shortcut allows us to get onboard quickly but it’s the Actors charm, their playful interactions, the way they seem completely caught off guard every Act by the feelings the other stirs in them that makes this a grand slam of a play. Bronson’s awkwardness at unexpectedly finding Michele, who is waiting for his roommate in the house, is beautifully played. We see the struggle in him initially between his desire to turn on the Dodgers play off game or be polite to the stranger. The longer the scene goes on Bronson, motivations gradually shift from a desire to be polite to genuine desire. Mueller, who has apparently been in hiding for a number of years, because I’m completely unfamiliar with her, is confidant, intelligent, and perfect in the role. I think it’s her playful confidence contrasted with Bronson’s timidity at first that really cements her appeal. She draws him out and once they get on equal footing we realize there is a yearning in ourselves to see these two together that harmonizes with the characters own feelings. It’s interesting to me the similarities between the emotions I felt during this play and those I feel during a Jane Austen book, film or play. Especially since Bronson earned a place on my MUST SEE list in Georgiana and Kitty: Christmas at Pemberley at The Jungle Theater in 2022. In fact it feels like a modern Jane Austen story, the secret that keeps them apart, the longing for the two to come together.

Love and Baseball runs through July 28th at Artistry in Bloomington. I loved the space, the play, the cast. If you love baseball you’ll love it. If you hate baseball, I assure you you’ll still love this play, liking baseball has nothing to do with the enjoyment of this play in any way. For more information and to purchase tickets visit https://artistrymn.org/loveandbaseball

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The Music Man is Terrific With Capital T and that Rhymes With P and That Stands for Perfect for the Whole Family at Lyric Arts in Anoka

Pictured: Tony Potts, Ben Glisczinski, Brandon Osero, Holli Richgels, Shana Eisenberg, Cole Strelecki Photo by: Molly Jay

The Music Man is one of a few musicals where the book, music and lyrics were created by one person Meredith Willson. It is brimming with memorable songs “Iowa Stubborn“, “Goodnight My Someone“, “Wells Fargo Wagon”, “Till There Was You” and all time rouser “Seventy-Six Trombones” as well as many others. It’s one of a handful of musicals that I was very very familiar with growing up, mainly from the 1962 film version starring Robert Preston and Shirley Jones. What’s nice about this show, is that it’s fun for the whole family. I was only 8 when I fell under its spell and I hope families will use this production as a way to introduce their 8 year olds to the joys of a good old fashioned musical.

For those who don’t know, the music man of the title is Professor Harold Hill, Gary Conservatory of Music, Gold-Medal class of Aught-Five. Or at least that’s what he wants the citizens of River City, Iowa to believe. In reality, he’s a flim-flam artist who works his way across the country town by town, selling the idea of a boys band. The idea is the key word there, because he sells them the instruments and the uniforms, and then skips town with the money without teaching the boys to play a note. In fact, he doesn’t know one note from another. What he can do is keep everyone off balance long enough that they don’t realize there is never going to be a band. His first step is to create a need for a boys band. When he learns that the town has just gotten its first pool table, he uses it to rile up the citizens by pointing out the slippery slope to corruption that pool tables represent to the youth of River City. Which he points out in the song “Ya Got Trouble“, that’s Trouble with a capital T and that rhymes with P and that stands for Pool. Well, it’s hard to argue with logic like that. His second step is to introduce at a town gathering the idea of keeping the young boys out of the pool hall by exposing them to a more morally enriching activity like, oh I don’t know, a boys band? Step three, keep the Music Teacher off balance so that she doesn’t expose him as a fake before he collects and gets out of town. Of course the Music Teacher isn’t like the others he’s come across in his travels, this is “Marian The Librarian” and he will find himself as off balance as she is by the end.

Key to the success of any production of The Music Man is the casting of Harold Hill and Marion. Lyric has great performers in each role. Tony Potts has the charm and charisma necessary to sell this character’s ability to talk anybody into almost anything. He almost convinces Paul Reyburn’s Mayor Shinn to purchase an instrument for a son he doesn’t even have. The role of Marion, which is played by Nadia Frazen, requires an exquisite voice, which she certainly has. The show is filled with great supporting players as well. From the always hilarious Alex Stokes, who finds a way to distinguish himself from the other three members of the school board/barbershop quartet with his unique comic timing and performance. To the talented young folks Maddox Tabalba as Winthrop and Ava Fox as Amaryllis. But there was one performer, whom I’m not even sure had a single line of dialogue, that really wowed me and that was William Kroeger. If I had to guess I’d say he was six or seven years old at most, but he’s as precise in his choreography, maybe more so than some of his adult cast-mates. Sometimes you see a performer that just has “it”. It’s a little early to say for Kroeger, but he seems to have the natural ease on stage that makes for a great performer, if he chooses to pursue it. He’s one to keep your eyes on.

The show is directed and choreographed by Lauri Kraft who does a great job of keeping the action fluid and the cast moving in the Lyric Arts, smallish stage. The dance moves particularly in “Seventy-Six Trombones” are impressive. With that scene feeling like carefully controlled, planned, and executed chaos. I also appreciated the clever staging of how to have Hill keep trying to engage Marion in conversation while she will not stop walking. If she were to actually walk she would cross the stage before the first exchange ended, and to do all of the exchanges they would have had to have them walk in circles around the stage. Instead Kraft has them walk in place and it works very effectively. In fact the set design cleverly works along the same principle. Greg Vanselow’s design consists of just a few pieces that are reconfigured quickly creating different locals and at times are moved by cast members to help create the illusion of movement.

The Music Man is a favorite musical of The Stages of MN and Lyric Arts Production does this piece of American Musical Theater justice. Strong performances, wonderful choreography and direction and a smart and creative production design make this a great show to enjoy on the hottest summer days. The Music Man runs through August 10th at Lyric Arts in Anoka. For more information and to purchase tickets go to https://www.lyricarts.org/music-man

Romeo & Juliet and The Comedy of Errors Make For Another Fantastic Trip to The Great River Shakespeare Festival

Alessandro Yokoyama and Serena Phillip, Will Sturdivant and Emily Fury Daly (Photos by Dan Norman)

It’s time once again for the Great River Shakespeare Festival (GRSF) in Winona, MN. This year there are two productions which I was able to see in one day, Romeo & Juliet and The Comedy of Errors. There is a third production of Two Gentlemen of Verona that will have four performances around the Region. It is being staged by the graduate acting company of the Clarence Brown Theatre and the University of Tennessee Knoxville (UTK) who will be in residence at the GRSF this summer. This cohort of young professional actors will understudy roles in The Comedy of Errors and Romeo and Juliet while studying with the company and professors from UTK. They will also be presenting the Festivals Green Shows which take place about 45 minutes before each performance of Romeo & Juliet and The Comedy of Errors. These green shows act as a way for the audience to tune into Shakespeare’s language before the shows and also give the audience a quick rundown of the characters and their relationships and roles in the plays. It’s a great way to make sure the you’re prepared to get the most out of each production and I never miss them.

Romeo & Juliet is the real surprise this season, Director H. Adam Harris has taken an approach I’ve never seen before in staging the play as a memory play from the POV of Juliet’s Nurse. It really works, it doesn’t dramatically alter the play but it does add another undercurrent of loss. That may not sound like what you want in a tragedy but whenever we find new things to play in Shakespeare, it’s exciting. The concept is aided by some well designed lighting cues by Avery Reagan. They aren’t overused but periodically the lighting changes and the action freezes around the nurse. In this way the focus shifts to her and we see the story from her perspective, it colors the story in a slightly different way. The nurse is played by Stephanie Lambourn who brings out this new dimension in the character that feels fresh and original, while still feeling faithful. As the young lovers Alessandro Yokoyama as Romeo and Serena Phillip as Juliet are really terrific, with a great command of the language and an ability to make the immature decisions of the characters not feel juvenile, by bringing to the forefront the emotions they are battling. It’s one of the best productions of one of the most produced plays of Shakespeare’s that I’ve seen.

The Comedy of Errors is one of Shakespeares silliest comedies, and that is absolutely what Director Doug Scholz-Carlson leans into with this production. Audience members might not be as familiar with this play and that’s OK. This is simply meant as an entertainment and for a play written over 400 years ago it’s astonishing how funny it feels. Of course a lot of making a play like this work is in what the Actors and Director bring to the play. The plot is rather confusing while also being sort of simple. There are two sets of twins, one the master and the other the servants, who were separated when they were young during a shipwreck. As adults, they end up in the same city and a series of mistaken identities occurs. That’s basically all you need to know. The tricky part is keeping everyone straight throughout the play and who has mistaken whom for who… OK now I’m confused again. Really, the plot doesn’t matter and you wont have any real trouble following it. The joy of this production is the way the actors play the roles, the clowning they do and the ingenious ways in which they present a play with about 20 characters using only 9 actors. The best part of the show is the ways in which Will Sturdivant and Emily Fury Daly take on the challenge of playing the duel rows of the two sets of twins. It’s Shakespeare by way of Scooby Doo, set in the 1980’s with great musical cues throughout by Sound Designer Matthew Tibbs. And again Lonnie Rafael Alcaraz as Lighting Designer is an asset adding some wonderfully wacky lighting effects.

The Great River Shakespeare Festival runs through July 27th in Winona, MN. If you haven’t been yet, it takes just over two hours to reach from the Cities, there’s lot’s to do and some fun places to eat. We always make a two day trip out of it and have a fantastic time. For more information and to purchase tickets go to https://www.grsf.org/

Kimberly Akimbo a Musical With the Sense of Humor of an Adult Animated Series

Carolee Carmello, Miguel Gil and Jim Hogan National Tour of KIMBERLY AKIMBO, photo by Joan Marcus

The tone of Kimberly Akimbo reminded me instantly of an adult animated series like Bob’s Burgers or F is for Family. Things that happen are so egregious as if this could either have gone the tragic route or the comedic. The show wisely chooses comedic, which allows it to also have some moments of meaning and sweetness. This is the story of Kimberly Levaco who is about to turn sixteen years old and has a disease that makes her age prematurely, at about four to five times the normal rate. People with her disease on average do not live past sixteen. As if that wasn’t hard enough, as the show opens she clearly has trouble making any friends with the kids her age and her father arrives drunk to pick her up from the skating rink three and a half hours later. It’s winter and she has had to wait outside for him. His excuse is that some guy in the bar bet he couldn’t fit an entire Mango in his mouth, which he can so he won a gameboy off the guy. In his eyes, this justifies his tardiness. It’s like Kimberlys entire family was imported from Matilda, though to be fair given slightly more scruples. But you can see how this could be a dour show. Which it isn’t, it’s funny, but not in a super dark way, in that Family Guy kinda way.

The songs are fun, mostly skewing to the humorous end of the spectrum but with slivers of sweetness and emotions here and there. It’s also a brilliant way to provide a great starring role in a show sure to be popular with young people for an older actor. Carolee Carmello who is playing Kimberly in the tour does a great job of playing a young girl at heart trapped in a body that is aging on her. I’m glad they cast the role as they did, there are enough roles for the young up and coming talents. It’s nice to see one designed for someone who has experience and talent and might otherwise be overlooked for leads. The supporting characters are well concieved, it’s a very small cast, and everyone feels vital. My favorite of them is Miguel Gil who plays Seth, a boy who befriends and sort of boyfriends Kimberly. He has a voice that feels perfect for the young awkward teenage boy and one of my favorite songs in the show, “Good Kid” is an excellent fit for Gil’s talents. The other favorite is Kimberly’s Aunt Debra played by Emily Koch who ropes Kimberly and her friends into a scheme to wash the checks from envelopes she pulls from a Federal mailbox she has stolen.

It’s a testament to the creators David Lindsay-Abaire and Jeanine Tesori that the show works, which it does like gangbusters. It doesn’t seem like a show about a sixteen year old girl who has been treated so unfairly by life and is basically prepared to die at any moment, could be this enjoyable. But it is. Perhaps it’s that underlying sense of dread that makes us laugh all the harder when something so wrong like Debra roping in kids for her check washing crime so they can afford to buy new costumes for their show choir competition. Director Jessica Stone gets the tricky tone just right. It’s small for a Broadway musical, but that really works for it. We have exactly the characters we need to tell the story. The set is really rather complex in the way it transforms to multiple location fully and convincingly, best of all with speed and efficiency. If it sounds too dark for you, I think you’ll be surprised and how funny and entertaining it is.

Kimberly Akimbo runs through Sunday July 13th at Hennepin Arts Orpheum Theatre in Downtown Minneapolis. For more information and to purchase tickets go to https://hennepinarts.org/events/kimberly-akimbo-2025

Necessity requires that going forward in order to produce a weekly YouTube show and podcast that reviews will become shorter. There are only so many hours in a day, but I have no intention of abandoning the blog version. Faithful readers, you have year after year grown The Stages of MN audience. While I hope you will become viewers or listeners as well, there will always be things here that cannot be found there. This will be the place for longer reviews, though slightly shorter than before, as well as Reviews of more shows than can be covered on the YouTube and Podcast versions. Essentially there will be some overlap, but each format will have unique content.

Madagascar: A Musical Adventure is Fun for All Ages at Stages Theatre Company

Madagascar: A Musical Adventure is a stage adaptation of the popular DreamWorks animated film that came out when my kids were little. I know I saw the film, but to be honest it has completely left my memory I have some memory of penguins and lemurs but that’s about it. Luckily prior knowledge of the film is not needed to enjoy this simple tale of Zoo animals who go looking for something more. As with most children’s shows there is a positive message about friendship and this one focuses on best friends Alex the Lion and Marty the Zebra. Marty is having a midlife crisis, she is 10 years old and still doesn’t know if she’s black with white stripes or white with black stripes. When she decides to leave the zoo and see what’s out in the world her friends led by Alex go after her to bring her back. Somehow they all end up in crates on a ship in the ocean. They go overboard and wash up on the shores of Madagascar. There they’re befriended by Lemurs who hope Alex will protect them from their carnivorous enemies. Meanwhile Alex is getting hungry and while his friends are content with the lemurs vegetarian diet, Alex’s instincts began to get the better of him.

I think most kids are going to have a great time with this show. The songs are fun and lively and there’s even a more poignant lament sung by Marty that’s really kind of beautiful. The cast a mix of a few strategic adults and lots of kids who do a great job. The Costume and Make-up Designer Samantha Fromm Haddow deserves full marks for the wonderful animal costumes. I loved the hoofs and headpiece on Marty, particularly the penguins which are puppets controlled by men dressed like Jake and Elwood Blues, are really well done. There’s a nice set design too by Joe Johnson effective as the Zoo and then surprisingly lush when transformed to Madagascar. If your wee ones like animals and music, they will have an adventure with this show and the audience really gets into it clapping along and dancing in their seats, or maybe they just needed the restroom. Either way it’s a fun show for families.

Madagascar: A Musical Adventure runs through August 3rd at Stages Theatre Company in Hopkins. For more information and to purchase tickets go to https://www.stagestheatre.org/madagascar-a-musical-adventure/

Endometriosis: The Musical, Undoubtedly the Funniest Musical About Down There Problems Ever Produced

Nora Sonneborn as Aunt Flow and Abby Holstrom as Jane Photo by Aaron Mark Photo Film

Endometriosis: The Musical is simultaneously drop dead funny and deadly serious, not dramatically but thematically. It brings into the spotlight a painful and sometimes debilitating disease that affects 10% of all menstruating humans. It dares to sing about things that too many people are afraid to even whisper. The show created by childhood BFF’s Maria Bartholdi (book and lyrics) and Kristin Stowell (music and lyrics) began life as a 2022 Minnesota Fringe show, that was performed at Theatre in the Round. I awarded it the second ever The Stages of MN Fringe of the Day Award, it also won three other actual MN Fringe sanctioned Awards, I’m sure those are nice to have too. The powers that be at Theatre in the Round saw what everyone in the audience did that August, a show that had a life beyond Fringe. They asked Bartholdi and Stowell to continue to develop it and now three years later it has grown from a 45 minute show to over two hours. Length hasn’t dimmed it’s energy or creativity, and at nearly three times its original length it still seems to fly by in the blink of an eye. The expansion has allowed it to touch on other areas of Women’s healthcare, sharing some statistics that would be sobering if we weren’t already drunk with the potent cocktail of musical theater absurdity.

Jane played by original cast member Abby Holstrom loves “business” and has dreams of working on her employer Business, Incorporated’s “big account.” When her co-worker Brad is mauled by a bear while on his morning run (did I mention this was in the absurdist comedic vein) she gets her big chance. But as she prepares for the meeting she is stricken down by her period, which is always so painful she can barely stay standing. Throughout the play we are given glimpses of how she is dismissed by co-workers, family, and healthcare providers when she tries to make them understand how bad the pain is. Sadly this is not a fantasy, this is what really happens to women. The average sufferer will see seven providers before they are correctly diagnosed. Endometriosis: The Musical brings all of this into the light through clever songs and a hilarious script. It also adds to the cultural lexicon Pussy Porridge, a euphemism only a mother could love. Some might add a disclaimer that this show should only be seen by those over say 16, but isn’t that part of the problem? I think this show should be seen by everyone who is old enough to be entering puberty, of both sexes. We need to destigmatize (my spell check indicates I may have coined a new word there…cool!) openly talking about issues that affect around 50% of the worlds population. Maybe if we can talk about it, we can learn to finance research into finding ways to improve healthcare for every human with a uterus.

I really don’t want to leave you with the impression that this is a covert message show. The message isn’t covert, they sing about it. And while sure, you might learn a thing or two, you’ll be having too much fun to even realize it. The show is directed by one of The Stages of MN favorites Shanan Custer. Custer is the perfect fit for this material, her comedic sensibilities aline perfectly with the material. With clever and knowing winks to the audience she invites us all to let go of theatrical distance and embrace the silliness. The cast led by Holstrom is stellar including a couple folks on my must see list, such as Tara Borman and Nora Sonneborn, and a few I feel like I’m really noticing for the first time including Christopher Knutson and Jack Strub who approach their characters in very different ways, each perfect for their roles. But all of the talent isn’t on stage, there is great technical work from the production team. Sadie Ward’s Set Design includes giant tampons hanging in the ceiling. Ryan McCanna’s costumes are spectacular including an Elvis like suit with a cape adorned with a uterus. It’s hard to know sometimes which items are set design, costume, or props, but I’m giving a shout out to Prop Designer Mark Steffer as well, because I know some of the stuff that had me almost rolling on the floor must have been his. All of it is enhanced by some really nice sound and lighting cues from Sound Designer Kristin Smith and Lighting Designer Mark Webb. Last but not least Music Director Jean Orbison Van Heel gets a lot out of a three piece ensemble.

I’m not sure I’ve ever seen a musical at Theatre in the round before. Likely one of you faithful readers will correct me, but if there have been, they are few and far between. It’s so great to see the cities oldest running Community Theater host a world premiere of such a fantastic musical. This is a must see and one I’m very tempted to try and see again, which is even harder now due to The Stages of MN’s expansion into the audio visual world, more on that at the bottom of this review. Endometriosis: The Musical runs through July 13th at Theatre in the Round Players in Minneapolis. For more information and to purchase tickets go to https://www.theatreintheround.org/endometriosis-the-musical/