Divas & Drag An Opera Theatre’s Annual Show is Pure Joy at 825 Arts in St. Paul

Texas Tea Cake$ and Kara Morgan Photo by Brittany Powell

Divas & Drag is a mashup of Opera, Drag and Burlesque which is a recipe for campy fun. It’s queer as hell and just as hot. While some amazing vocalist wow you with their singing from Opera Librettos Drag queens and kings lipsync along, usually either putting on a comic act or stripping. Hosted in the style of a 1960’s variety show by Dick von Dyke & Queenie von Curves, the bridging scenes are just as fun as the performances themselves. It’s hard to express just how entertaining and inclusive this production is. As Von Dyke says, “Drag culture is about family”, and the feeling of belonging one has sitting in the audience is palpable. Here there is no judgement, here there is simply joy and acceptance. I’ve been a fan of An Opera Theatre (AOT) since my earliest days as a blogger when Executive Director Kelly Turpin invited me to their World Aids Day Program at Lush. Ever since Turpin has been my go to for advice and guidance on Opera, an artform she loves and that my appreciation for has grown, thanks in no small part to AOT’s productions. If Opera isn’t your thing, or you don’t think it’s your thing, this is the perfect show for you to gain an appreciation. it isn’t 3 hours of people singing in a language you don’t understand. It’s snippets of jaw dropping vocalists accompanied by actions you don’t need projected subtitles to understand.

There are so many moments that were fantastic it’s hard to give you a taste without feeling like I’m spoiling something. But to set the tone by way of one of the more atypical scenes, and this was absolutely a favorite for me, was Del The Funky Homosexual and Queenie von Curves acting out and lypsycnching to the soundtrack from the Looney Tunes cartoon What’s Opera, Doc? That’s the classic “Kill da Wabbit!” animated short, and it’s pulled off wonderfully. Another favorite is when Justin Anthony Spenner performs with Andre 1000. Spenner’s powerful Baritone voice in contrast with their lively and fluid comedic performance finds much hilarity in the paradox between the removed coolness of Andre 1000 and his hyperness. Corissa Bussian gives a heartbreakingly effective performance in one of the shows few non comedic pieces that is simply beautiful as Queenie von Curves appears to emerge from a cocoon. The show lasts around two hours that’s including a 15 minute intermission in which you can purchase more beverages from the bar hosted by Can Can Wonderland. They have adult beverages but also a nice selection of Mocktails and NA choices, which I very much appreciated. The other thing you’ll want to bring with you is $1 bills, no you won’t be putting them in anyone g-string, but you’ll wad them up and either throw them to the stage or put them in the tip bucket when it comes around. Which might sound strange, but it’s really fun to applaud with $1 as one of my companions said.

Divas & Drag runs through September 23rd at 825 Arts in St. Paul, for more information and to purchase tickets go to https://anoperatheatre.org/

Tired of missing reviews from The Stages of MN? Do you find yourself left out when all your friends are talking about that great new play that you didn’t even know about? Never fear, that need never happen again. Now you too can subscribe and have every post from The Stages of MN sent directly to your email box. No more hoping the algorithm works in your favor and you actually see a post on facebook or Instagram. No relying on so-called friends to tip you to the best shows in town. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn. You can also read some of my reviews syndicated on the MN Playlist website https://minnesotaplaylist.com/ from time to time.

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William Shakespeare’s King Lear Lets the Crazy Flow at Theatre in the Round

Being a Shakespeare fan, I myself find it odd that I’d never read or seen the King Lear produced. I knew the plot had to deal with a King who gets upset with his daughters, but that was about it. I had no idea that it was the template for The Jerry Springer Show. There are very few characters who are not either mad or really really mean. If you are not either of those things, chances are you’ll get your eyes gouged out or something along those lines. The only chance you have if you’re sane is to disguise yourself as someone of a lower class. Thankfully with everyone else being mad, a little makeup and a change of clothes is enough to convince people you know well that you’re someone else entirely. When you go, and you should go, be sure to pick up one of the yellow sheets at the entrance of the theater it’s a little guide to the play, that will help you follow things a little easier. With probably about an hours worth of cuts made to the play, I think the guide is useful and much appreciated.

The play opens with King Lear proclaiming that he’s going to divide his kingdom between his three daughters, Goneril, Regan, and his favorite Cordelia. He asks them each to tell how much they love him, Goneril and Regan flatter him sickeningly and he bestows a third of his kingdom on each of them and their husbands. Cordelia, tells him she loves him but doesn’t go overboard and this angers the King. So he banishes her and gives her third to the other two daughters. It isn’t long before the King who is clearly losing his cognitive abilities is being treated horribly by his remaining daughters and is eventually left to fend for himself in a raging storm. The Earl of Gloucester who in the B plot has two sons, Edgar who is honorable and Edmund who is a villian. Edmund has his evil fingers in everybody’s pies, convincing their father that Edgar is plotting to kill him and making romantic advances on both Goneril and Regan. Gloucester gives aid to the King and for this, the sisters have his eyes gouged out, on stage. In an ironic turn of events it seems that everyone who is practicing a deception in terms of who they are, are the only true and honest people in the play. The villains are all out in the open, even if some of their tricks are done behind peoples backs.

Lear is played by Meri Golden and she does an excellent job in the role. Her manic pacing and constant movement is a nice physical expression of the Kings restless and unmoored mind. Tim Perfect is well cast as the Earl of Gloucester he brings an air of nobility to the role of what is probably the most honorable character in the play. Luke Langfeldt as his evil son Edmund is perfectly sneary, the kind of villain you want to boo whenever he appears. Langfeldt seems to be having a great time with the role. Taylor Evans does a nice job as Edgar and especially when he is in disguise as “Poor Tom” a mad beggar that the King befriends. I also really enjoyed the work of Danny Kristian Vopava as the King’s Fool, while a lot of his lines aren’t funny, the spin he puts on his line readings are. Patti Gage, Deanne McDonald, and Olivia Denninger as Goneril, Regan, and Cordelia do a nice job as well particularly Gage and McDonald who get more stage time and are meatier female characters than we usually get in Shakespeare. It seems to me that the three sisters could be the inspiration for Cinderella and her two evil step sisters.

The production is directed by George M. Roesler and It moves along at a nice pace, but there are definitely some staging issues. Several scenes took place in the upper areas of the audience, almost directly behind me, It was impossible to see what was happening from my seats. The set design is by Greg Vanselow is simple which allows it to be versatile, there is no need for any scene changes, characters can just exit and enter and we are in a new location. The heavy lifting is done with great panache by Lighting Designer Mark Kieffer and Sound Designer Robert Hoffman. Their creation of the raging storm is a highlight for the lighting and sound.

King Lear runs through October 6th at Theatre in the Round Players in Minneapolis for more information and to purchase tickets go to https://www.theatreintheround.org/king-lear/

Minnesota Fringe Festival Day 11: “Looking for Justice”, “Two Bowls of Cereal and Some Bacon”, “The Princess Strikes Back”, “Dream of Me”, “Juliet & Juliet: Improvised Shakespeare” The Stages of MN Fringe of the Day Award Winner, and “The Greenhouse”.

Here we are at the final day’s reviews of the 31st Minnesota Fringe Festival. Thanks for reading along and I hope it led you to some of the better shows of the festival. I saw more shows this year than last, but I’ll save all of that for a final Fringe post later in the week. For now here are the final six reviews, enjoy!

Looking for Justice (in all the wrong places) is an exploration of the grey areas in the justice system. Examining this idea through creator Amy Oppenheimer’s personal relationship and involvement in the rape trial of a friend in 1970. Her solo show while not dynamic in delivery is well constructed and reasoned. Her legal mind clearly influencing her desire to examine events from multiple perspectives. There is humor but it is well measured and helps to keep the serious content from becoming emotionally overwhelming. Which allows us to process Oppenheimer’s arguments and, while not quite conclusions, her questions.

https://minnesotafringe.org/shows/2024/looking-for-justice-in-all-the-wrong-places-

Two Bowls of Cereal and Some Bacon, Mahmoud Hakima’s show about growing up with an abusive stepfather is powerfully and bravely told. Scenes of familial trauma are intercut with the story of a mystery girl who befriended him in the 3rd grade. The unresolved aspects of that character reminds us that we never know what is happening in anyone else’s life at anytime. The title is used to draw a comparison between himself and the mystery girl, but her eventual disappearance begs the question, are their home lives more similar than either could know? The story of abuse is often the story of silence, this show explores some of what the silence may be hiding.

https://minnesotafringe.org/shows/2024/two-bowls-of-cereal-and-some-bacon

The Princess Strikes Back: One Woman’s Search for the Space Cowboy of her Dreams is traveling artist Victoria Montalbano solo show that walks us through her relationship history and search for her own Han Solo. Seeing herself as Princes Leia she covers the ups and downs of her love live from her first stirrings of sexual desire, seeing The Empire Strikes Back‘s kiss between Han and Leia to online dating. Everything is filtered humorously through the lens of Star Wars like her second serious relationship in which she was R2D2 to his C3PO. The humor isn’t the deflective kind we sometimes see in solo shows where the performer is confronting their lack of romantic success but used to put things in perspective and to entertain in an honest and yes, brave way.

https://minnesotafringe.org/shows/2024/the-princess-strikes-back-one-woman-s-search-for-the-space-cowboy-of-her-dreams

Dream of Me is a sci-fi story about the extremes we will go to in order to hold onto those we love. Catherine Hansen plays Mia a woman whose husband Nick, played by Eric B Jacobson, has died while out running an errand. Natalie Rae Wass, who is also really good in Yo-Ho-Hum: A Pirate’s Midlife Crisis, here plays Mia’s friend Tanna who is working on a new invention that will allow the wearer to control their dreams. Mia is unable to process her grief and asks Tanna to let her test her invention so that she can dream about Nick and say her goodbyes. But once isn’t enough and as things progress we begin to wonder if these are dreams or if the AI behind the tech is up to something else. The three actors give wonderful performances in a story that turns from romantic fantasy into a cautionary horror story. Well written, designed, directed, and even choreographed.

https://minnesotafringe.org/shows/2024/dream-of-me

Juliet & Juliet: Improvised Shakespeare is The Stages of MN Fringe of the Day Award winner for Day 11. The two Shakespearean Improvisors Meghan Wolff & Sami Haeli spend 50 minutes using a few suggestions from the audience to create a play in the style of William Shakespeare. Obviously as with other improv shows this will be different each time you see it. What I don’t imagine changes that much is the hilarity with which Wolff and Haeli execute their specific form of comedy. They have the vocabulary down as they must in order to so eloquently execute the heightened style of speech. They clearly have some sort of psychic link between them as there is never once, one of those moments that most all improv shows have, where you can tell one performer is not getting across where they want a scene to go to their scene partner. An impressive high wire act of comedy that I’d love to experience again.

https://minnesotafringe.org/shows/2024/juliet-juliet-improvised-shakespeare

The Greenhouse is kind of a weird show, which made it a great ending to my 2024 Fringe. What is the Fringe festival but a way to embrace and explore weirdness in all it’s artistic variables. The story concerns a cult set in a not too distant future. A young woman arrives just as an elder of the cult has decided it is time for them to pass away. The Cult is based around the protection and nurturing of plants they strive to maintain a balance within their community. As such a new person cannot join until some else has died. This sounds like it will go to a dark place, but it doesn’t. The cult is not portrayed as bad, but there is a complication with the passing of the elder and the newcomer, she is pregnant and one cannot be replaced by two. The cast does a nice job of performing so that the cult members are recognized as well intentioned and the new comer is the one acting suspiciously. Standouts in the cast include Georgia Doolittle as “Mother” and Vivian Kampschroer as Poppy the cult’s talented and committed botanist.

https://minnesotafringe.org/shows/2024/the-greenhouse

That’s the reviews from Day 11 of the Minnesota Fringe Festival. Be sure to check back later in the week for my 2024 Minnesota Fringe wrap up! Also be sure to follow M’ Colleagues, Jill Schafer at http://www.cherryandspoon.com/ for show reviews and for other Fringe writings checkout our friend and fellow Twin Cities Theater Blogger Kendra Plant’s blog Artfully Engaging at https://www.kendraplant.com/blog-artfully-engaging.

Minnesota Fringe Festival Day 10: “The MacScottish Play”, The Camp Out”, “We Were Only Henchmen”, “Show Me Your Wings” The Stages of MN Fringe of the Day Award Winner, “The Dumb Waiter”, and “What You Need To Do Is!”

While I only have six reviews today I did actually see seven shows. The seventh was a repeat of previous The Stages of MN Fringe of the Day Award winner Emily Bryajian’s Transition: A Story of Two Trans People Becoming Themselves. All the other shows are lucky I don’t give the award to a show twice.

The MacScottish Play is about of group of college students who are mounting a production on Macbeth that seems to be cursed. Cast members keep dropping out and then the Director gets sucked into the play itself. There are side stories for the cast members and lessons about not outing people and none of it matters because you don’t believe a word of the dialogue. The problem with the show is two fold. The script and the performances and it’s hard to say for certain if the failure of one isn’t contributing to the other. Are the performances so mannered and wooden because of the script or is the script better than it appears but is just being hobbled by unprepared actors? I lean towards the script being the bigger culprit. When dialogue exists just to take up time or to try and give an appearance of naturalism without adding anything to what we are seeing, even solid actors can struggle to give them meaning. There are about a half dozen good lines and I’m not saying the idea isn’t good. But the dialogue is illogical and feels like the verbal equivalent of treading water.

https://minnesotafringe.org/shows/2024/the-macscottish-play

The Camp Out this is an Improv show which means every performance will be different. If you’ve ever wondered how true that is M’Colleague Jill, of Cherry and Spoon, took this show in twice and said aside from the set and putting up a tent it was completely different each time. One assumes from the title and the surprisingly elaborate set design that the story they weave will somehow involve a camping trip. I’ve seen good and bad improv, but I’ve never seen bad improv that Mike Fotis, who created, directed, and performs in The Camp Out. Fotis leads a cast filled with Twin Cities best improvisational actors including Rita Boersma, Tim Hellendrung, Nels Lennes, Heather Meyer, and Danna Sheridan.

https://minnesotafringe.org/shows/2024/the-camp-out

We Were Only Henchmen is about two working class Henchmen who, out for a night of Booze and drugs, get talking about their current and past employers. Between them they have worked for many of the cities supervillains, and have opinions on which ones are better to work for. We hear the pros and cons of working for different baddies, there’s talk about benefits, horror stories of what has happened to friends under various employers. The performances are super strong and the show is filled with the sort of real world issues that never come up in comic books. When the two friends witness a superhero doing something horrible, what was a fun night out between friends gets very real. I really enjoyed the humor and performances and the skewed reality of the plays world. And hats off to Costume Designer Leo Green for Mr. Superior’s Superhero threads.

https://minnesotafringe.org/shows/2024/we-were-only-henchmen

Show Me Your Wings is The Stages of MN Fringe of the Day Award winner for Day 10. Show Me Your Wings stands out in the sea of Fringe shows for it’s unique location at Squirrel Haus Arts. But even more unique is the combination of artistic disciplines utilized to convey creator Rhiannon Fiskradatz’s vision. Very much an autobiographical show it uses among other things, interactive art, video, puppetry, watching a painting created before your eyes, dance, and curated artwork. I was hitting a wall when I arrived at Squirrel Haus Arts for this show. This was my 45th show over 10 days, I was curious about the show but also struggling to connect with the aspects of the show that we explored on our own. But I found my way through that when Fiskradatz began to sing. As she talks and sings about different aspects of her life and journey, I found myself rejuvenated and ready by the end to rush out and make it to the final two shows of the day. It turned out to be a beautiful change of pace, a very memorable and special show.

https://minnesotafringe.org/shows/2024/show-me-your-wings

The Dumb Waiter is a one act play by Harold Pinter performed wonderfully by Dominic Schiro and Robert Wood Frank. It’s about two hitmen who are waiting in a room for their next assignment. The Dumb Waiter of the title begins to deliver food orders to them, which they don’t know how to respond too. It’s a play that ends kind of ambiguous, that leaves you a little unsatisfied. But, that when you think back, you were enjoying every moment of the show. Like The Zoo Story, it’s nice to see thrown into the melting pot that is a Fringe Festival, a solid traditional one act play produced. I enjoyed this one as I have everything I’ve seen from Jackdonkey Productions, the company behind The Dumb Waiter.

https://minnesotafringe.org/shows/2024/the-dumb-waiter

What You Need to Do Is! If I had known going in to this show, what it was I’d have never gone in. That said, I’m glad I accidentally attended this one, and now that it’s over, I realize I had a good time. If you like audience participation or those team building get to know you exercises at work, then this is the show for you! If you can’t wait to tell some stranger 3 fun facts about yourself, this is the show for you. Or, Are you like me an introvert, though one who tries really hard to break out of that? If so, this is the show you do not want to find yourself seated at when the house lights are supposed to go down and then don’t. So with all that, why am I glad I ended up at What You Need to Do Is! ? It has everything to do with Coach Clemons and Assistant Coach Low Jack played by Eric Simons and Alsa Bruno. These guys make it as painless as possible, we had laughs but we also actually kinda learned a few things and worked through some issues.

https://minnesotafringe.org/shows/2024/what-you-need-to-do-is-

That’s the reviews from Day ten of the Minnesota Fringe Festival. Be sure to check back daily for new reviews and if you are Fringing and you see me, be sure to stop and say hi! Also for reviews of shows I might not see or for another opinion on ones I have, follow M’ Colleague Jill Schafer at http://www.cherryandspoon.com/ and for other Fringe writings checkout our friend and fellow Twin Cities Theater Blogger Kendra Plant’s blog Artfully Engaging at https://www.kendraplant.com/blog-artfully-engaging.

Minnesota Fringe Festival Day 9: “Love Lies a Bleeding” The Stages on MN Fringe of the Day Award Winner! and “The Ghost of Frankensteins Bride”

Only a two show night as I had to review a non Fringe show as well this evening. But don’t let that fool you, the Fringe of the day Winner is very deserving.

Love Lies a Bleeding is The Stages of MN Fringe of the Day Award winner for Day 9. An adaptation of a play from the 17th century by playwrights Francis Beaumont and John Fletcher who were contemporaries of William Shakespeare. The program describes Beaumont and Fletchers intentions as “What if we made Twelfth Night gayer and hornier”. That perfectly describes this comically bloody, but not in a gross out way, play. The original 3ish hour play was adapted down to 1 hour by Vee Signorelli and love to compare scripts sometime, it has a little bit of antiquated speech but nothing on a level with Shakespeare. A great ensemble cast with the highlights being the actors involved in a love triangle between a man, a woman, and their servant, played to hilarious effect by Matthew Smith, Valerie Wick, and Isabella Spiess. I wish I had seen this show earlier so I could get the word out more, but the house I saw it with was fairly full, so hopefully word has gotten out.

https://minnesotafringe.org/shows/2024/love-lies-a-bleeding

The Ghost of Frankenstein’s Bride runs a little under 45 minutes and that seemed a little too long. There seems to be a lot of shuffling of props and restating the same information. I think this was a show with a solid 25 minutes of script padded to a lean 45. I liked the look of the production by Scenic Designer Jordan Leeper. There was something like a magic trick at one point involving jars that was very impressive and I thought the cast was good. But I know what it’s like trying to decide which of the 105 shows to see and the reality is there are other shows that deserve that slot more. I think this team has an interesting idea that they could flesh out for a future run, maybe at TCHF.

https://minnesotafringe.org/shows/2024/the-ghost-of-frankenstein-s-bride

That’s the reviews from Day Seven of the Minnesota Fringe Festival. Be sure to check back daily for new reviews and if you are Fringing and you see me, be sure to stop and say hi! Also for reviews of shows I might not see or for another opinion on ones I have, follow M’ Colleague Jill Schafer at http://www.cherryandspoon.com/ and for other Fringe writings checkout our friend and fellow Twin Cities Theater Blogger Kendra Plant’s blog Artfully Engaging at https://www.kendraplant.com/blog-artfully-engaging.

Disney’s Newsies at Artistry in Bloomington Features Some Very Fancy Footwork!

Surprisingly this is my first exposure to Disney’s Newsies. When the film came out in 1992 I was in college and it just didn’t interest me, and though it’s a frequently performed show of late, the stars had not aligned until now. It’s the story of Newsies (children who sell the newspapers on street corners) in 1899 New York who strike to protest the increased cost of papers and thus their lowered earnings. Led by Jack Kelly, who once rode in a carriage with Teddy Roosevelt, and with the counsel and guidance of newcomer Davey and his little brother Les, the newsies take on Newspaper titan Joseph Pulitzer. It’s a fictionalized telling of an actual historical event that is really rather fascinating. With music by Alan Menken who’s music contributed to the 1990’s Disney animation renaissance with among others The Little Mermaid, Beauty and the Beast, and Aladdin as well as the musical Little Shop of Horrors (which coincidentally is running at the Guthrie theater through August 18th) and lyrics by Jack Feldman. With Book by Harvey Fierstein who came to prominence in the early 1980’s starring in his own play Torch Song Trilogy which won him two Tony Awards, he also did the book for Kinky Boots (which coincidentally is running at Lyric Arts through August 11th). It’s a great team and they have created a solid musical, with several stand out numbers that Artistry has staged wonderfully under the direction of Ben Bakken.

What really wowed me with this production was the choreography by Renee Guittar, the entire cast executed with precision and a rowdy sense of energy. The cast is led by Will Dusek, who recently shone as Frankie Valli in Chanhassen Dinner Theatres production of Jersey Boys, as Jack Kelly. Here he gets to put that east coast street smart persona to use again, and while the songs are quite as iconic, his performance is just as impressive. His love interest is a young reporter named Katherine, played by Audrey Parker, who gets a chance to show of her dancing skills and wonderfully matches Dusek as they argue their way into an attraction for each other. Jack’s best friend Crutchie, nicknamed such because he needs a crutch to walk, is played by Tyson Insixiengmai who has a beautiful solo song “Letter From the Refuge” that’s one of the best moments in the show thanks to their performance. Also amazing in the roles of brothers are Pierce Brown as Davey and Maddox Tabalba as Les. Brown’s less street smart but idealistic while Davey is really the heart of the play and the audiences entrance into the world, as he is new to the world of newsies. Tabalba, who’s character is nine and I would guess he’s about the same age, is fantastic in his performance and especially his dancing, really getting to show of his skills in the song “King of New York“.

The music, as is always the case at Artistry, is simply top notch under the musical direction of Kate Mariana Brown. I was pleased to see a more robust set design than we’ve seen lately at Artistry. I liked the detail and feel of 1899 New York by Scenic Designer Michaela Lochen with the huge backdrop of the Brooklyn Bridge adding a real sense of scale to the production. Completing the look were the props designed by Katie Phillips and costumes by Meghan Kent all of which help to give the show a period feel. I had a great time with this show so much that I know have an interest in finally seeing the film version, and I’m immediately planning some googling to learn more about the actual historical events that inspired the show. It’s a great cast and along with some great songs, there is some really amazing dancing for fans who like some fancy footwork with their musicals.

Disney’s Newsies runs at Artistry in Bloomington through August 11th. For more information and to purchase tickets go to https://artistrymn.org/newsies

Tired of missing reviews from The Stages of MN? Do you find yourself left out when all your friends are talking about that great new play that you didn’t even know about? Never fear that never has to happen again. Now you too can subscribe and have every post from The Stages of MN sent directly to your email box. No more hoping the algorithm works in your favor and you actually see a post on facebook or Instagram. No relying on so-called friends to tip you to the best shows in town. To subscribe on your computer: from the home page on the right, enter your email address and click subscribe. On your mobile device scroll to the bottom of the page and do the same. You can also follow me on Facebook, @thestagesofmn click follow and on Instagram thestagesofmn. You can also read some of my reviews syndicated on the MN Playlist website https://minnesotaplaylist.com/ from time to time.

Romeo and Juliet, Shakespeare at the Pub From The Gray Mallard Theater Co.

Running through July 28th at Sociable Cider Werks is The Gray Mallard Theater Co.’s Shakespeare at the pub production of Romeo and Juliet. It’s free to all, best to bring your own chairs but if you get there early enough they have some provided. There is a food truck onsite and a wide range of beverages both with and without alcohol. I came to the show for two reasons, Shakespeare and Em Rosenberg, who is playing Romeo, in the production. Faithful readers will remember that Rosenberg has been on my ones to watch list for sometime now. Listeners to Twin Cities Theater Chat may remember hearing me interview them for one of our episodes around the Guthrie’s History plays in which they played multiple roles in each of the three plays. Once again Rosenberg doesn’t disappoint, headlining a very well paced production directed by Gray Mallard Artistic Director Amanda Fuller. It’s a little like a less controlled version of a Ten Thousand Things performance very bare bones in terms of costumes, props, and set, just what is needed to tell the story. It’s rough around the edges but also extremely fluid, giving it a dangerous and lively energy that works really well in this nontraditional performance space. The focus is on the performances and the language

The truest sign of a good Shakespearean actor is how well a modern audience can understand the language. A great performer will be able to communicate the text to the audience, whether we know the words or not, they will make the meaning clear. There is a lot of use of hand gestures and physical work being done to communicate the meaning of the lines and frequently bring added humor, some of it delightfully risque. There are a lot of wonderful performances starting of course with Em Rosenberg’s Romeo. I think this was my fifth Shakespeare play with Rosenberg in the cast but certainly the largest single role. They are as natural a communicator of Shakespeare’s work as I’ve ever seen, whether wooing Juliet, joking around with his friends, or shouting at the stars their performance is always captivating and precise. Caiti Fallon and Kamani Graham start the show off on the perfect note. Letting the audience know from their movements, costume, and tone of their line readings that while certainly this is a tragedy, we are still going to have some fun with this production. Alessandra Bongiardina as Juliet is a nice fit with Rosenberg’s Romeo, they have a chemistry that helps a modern audience accept some of their choices as natural responses given their connection and maturity. Davis Brinker as Benvolio comes across as one of the guys but the one with the cooler head on his shoulders, while Zach Lerner’s Tybalt and Cooper Lajeunesse’s Mercutio are entertainingly hot headed. I really enjoyed Tony Larkin and Cathleen Fuller as the lovers co conspirators Friar Laurence and the Nurse, being the two adult characters that seemed to have more than a little common sense when trying to temper Romeo and Juliet’s impulses.

A very enjoyable production of Romeo and Juliet, a fun way to spend a summer evening out of doors and you can’t beat the ticket prices. For more information about the show which runs through July 28th or to make a donation to The Gray Mallard Theater Co. go to https://bit.ly/TheGrayMallardTheaterCo