The Hobbit at Theatre in the Round, the Story You Love Told Like You’ve Never Seen it Told Before.

The Hobbit at Theatre in the Round is not what you expect it to be. Those familiar with Theatre in the Round will go in knowing there isn’t going to be a huge animatronic dragon at the end. There isn’t going to be a cast of dozens, in fact, the cast isn’t even a dozen. It’s made up of ten performers, nine of whom are listed as ensemble because they each play multiple roles. Only the main protagonist, the hobbit of the title, Bilbo Baggins of the Shire is given a single, dedicated performer: Isabelle Hopewell.

That’s right, Isabelle. You wanna make something of it?

Fans of IP properties like Tolkien’s Middle-earth can get a little precious about their expectations, so let’s get this straight right out of the gate: this production tells the story of The Hobbit faithfully, but it does so in its own way. If you relax and open yourself up to it, you’ll have a blast. If you’re going to get hung up on the fact that a female actor is playing Bilbo and another is playing Gandalf, then stay home. There aren’t enough tickets to go around as it is, so don’t rob someone else of the chance to enjoy this wildly creative take on the fantasy classic.

This version of The Hobbit begins not long, long ago, but thirty years in our future, and not in a land far, far away, but in the Seven Corners area of Minneapolis. I can already hear the “WTFs?” But trust me, faithful readers: this is a true and faithful telling of the story. It’s just a bit meta.

What we’re watching is The Hobbit performed as a makeshift play by a group filling in for a professional troupe whose caravan broke down and couldn’t make it. But don’t worry, they’ve seen the show many times. They know the story, and they even have some of the props. And while they may be short a few performers, they find inventive ways around that, some of which involve gently wrangling the audience into the action. Don’t worry, Cherry and Spoon, it’s low key group participation.

Coming off what is probably the most impressive display of stage magic I’ve ever seen in Harry Potter and the Cursed Child (and yes, remember to make your donations to Transforming Families https://www.tffmn.org/ to counteract the bad works of J.K. Rowling), this was a nice reminder that theatrical magic doesn’t have to be high-tech to be effective. This show is filled with low-tech, creative solutions to the story’s fantasy elements. None of it will leave you wondering “How did they do that?” but much of it will have you cheering at how clever and funny it is. It doesn’t wow, it delights, which is just another form of theatrical joy.

Oh, and that dragon? I may have misled you. There is a dragon, and it’s more than you expect and exactly what you need it to be.

And that cast, Isabelle Hopewell absolutely Baggins the hell out of the role of Bilbo. Wini Froelich is a fine Gandalf (among several other roles). The entire cast is fully committed, you can tell they’re having a blast, and so is the audience. Several cast members also double as the band.

The band, you say?

Yep. It’s not billed as a musical, but there are several short songs included in the price of admission. Bravo to director Scott Gilbert and his technical staff and designers, they’ve created something that feels truly unique and engaging.

After the last three shows at TRP, all of which were excellent but played to half-full houses, it was a pleasure to sit in a sold out theater. The longest running community theater in the Twin Cities is doing great work, and it’s nice to see them filling seats again.

The Hobbit runs through May 31 at Theatre in the Round in Minneapolis. For more information and tickets, visit theatreintheround.org but hurry, performances are selling out.

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